One of the most successful ventriloquial acts in crime writing.

A must for all fans of Frost, but also so much more

Manhattan receives a lustrous varnish of black, black humour in this sly urban fantasy thriller

An undeniably artful frenzy of violence, guilt and unappeased self-loathing. Ellroy's crime fiction represents a high mark in the genre

A fascinating, swaggeringly confident performance

A page-turning caper filled with well-timed surprises...there is also the saving grace of Reacher's deadpan humor -as when he is sawing with a motel key at a captive's rope bindings. "Don't you have a knife?" the man asks. "I have a toothbrush,! Reacher responds. "That won't help," the captive says, to which Reacher retorts: "It's good against plaque."

With Child, you can always count on furious action - and a damned good time.

Masterful writing and storytelling...Child makes it look effortless...If there were such a thing as a writer-magician, Lee Child woud be the face above the cloak.

Child always puts his heart into the elaborate quasi-military operations he cooks up for Reacher...But there's something even more chilling about those lonesome hours spent riding the Interstate, watching the rundown family farms and commercial strip malls and topless bars go by.

Will leave the legion of Reacher addicts satisfied but craving for their next fix.

The most satisfying of all 17 thrillers in the series. The unfolding of events nudges along at just the right rate... toward an authentically gripping climax.