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Figures in a Landscape
Figures in a Landscape
Oct 12, 2024 12:23 AM

Author:Barry England,Sam Woolf

Figures in a Landscape

Brought to you by Penguin.

SHORTLISTED FOR THE FIRST EVER BOOKER PRIZE IN 1969

Two men are on the run. They have four hundred miles to go across hostile territory. Soldiers on the ground track them day and night, a helicopter circles above, life becomes a second-by-second fight for survival. Each muscle movement, drop of sweat, glance and instinct matters. Every second counts.

Through long slogs across country, risky raids for supplies, moments of sheer panic, and under the intense pressure to survive, an unbreakable bond between two men is forged. This stunningly written, adrenaline-pumping novel is a little-known classic of its genre.

'Masterful and beautifully written. Riveting and compellingly authentic. Grips you like a vice from the first page and never lets you go' Damien Lewis

'England's prose has the tough, spare elegance of steel scaffolding... a brilliant achievement' The Times

© Barry England 1968 (P) Penguin Audio 2020

Reviews

Masterful and beautifully written. Riveting and compellingly authentic. Grips you like a vice from the first page and never lets you go

—— Damien Lewis

England's prose has the tough, spare elegance of steel scaffolding. His vocabulary is wide, and used with arresting precision. The speed of the narrative is impeccably controlled – long slogs over country, moments of blind panic, passages of demoralizing inactivity, hair-raising evasions, all building up to a central set-piece in a burning field... A brilliant achievement

—— The Times

Shocked through with dramatic tension

—— Irish Times

Outstanding … I doubt if there has been a more impressive debut since William Golding’s

—— Daily Telegraph

Gripping . . . For someone with a keen interest in history, as well as a love of a well-written thriller, this book provides perfect escapism

—— Sun

Praise for Liberation Square

—— -

Far more than an intellectual exercise - it is a gripping story, with heart

—— Daily Telegraph, Best Thrillers of the Year

(A) richly imagined thriller . . . Tightly plotted, tense and set in a chillingly plausible world

—— Sunday Mirror

An authentic and chilling tale

—— Sun

An interesting take on the 'What if we'd lost World War II?' debate. A gripping and well-imagined yarn

—— Sun

Gripping

—— i

A tight and compelling thriller

—— SFX

A twisting murder mystery combined with a chillingly plausible alternative history of a divided Cold War London. Brilliant

—— Mason Cross, Richard and Judy bestselling author of The Samaritan

Rubin constructs a tantalising alternative world with 1950s Britain riven apart by its own version of the Berlin Wall - and all because the D-Day landings failed. Against this dystopian nightmare, the author overlays a murder mystery that's sure to appeal to fans of SS-GB, The Man in the High Castle, and Fatherland

—— David Young, CWA Dagger-winning author of Stasi Child

A gripping murder mystery set in an alternative 1950s Britain. Rubin's London, split between American and Soviet zones after a disastrous World War Two, is vividly realised and his story is elegantly constructed. One not to miss

—— William Ryan, author of The Constant Soldier

In the great tradition of SS-GB and Fatherland, Rubin's alternative-1950s murder mystery takes an ingenious premise - the Americans and the Soviets have carved up Britain between them after rescuing the country from the Nazis - and makes it come alive through sheer storytelling skill

—— Jake Kerridge

Immersive

—— The Spectator

A lovely novel by a writer who lives and breathes France

—— Saga Magazine

Another terrific, intelligent read from Faulks

—— Reader's Digest

A gripping book that I devoured in about three days; this dark book reminds us of the history that lurks around every street corner

—— Claudia Jacobs , Palatinate

Gaël Faye makes us smile, despite the seriousness of his words

—— Médiapart

What is autobiographical, and what imagined? In the end it doesn’t matter, when he Gaël Faye gives life to the lost land of his childhood, with poetry and modesty

—— Agence France Presse Mondiales

Small Country is a stirring and graceful tale of stolen innocence and fragmented identity. Hopeful, raw and deeply human, it is a modern classic in the making.

—— France Today

An excellent novel, a model of restraint and quiet literary sophistication

—— The Times

Cherry, Nico Walker’s outstanding debut, is a hard-hitting, ghoulishly funny novel about drug addiction, war and bank robbery.

—— Washington Post

Heartbreaking, unadorned, radically absent of pretense, Cherry is the debut novel America needs now, a letter from the frontlines of opioid addiction and, almost subliminally, a war story.

—— Lea Carpenter, author of Eleven Days and Red, White, Blue

Nico Walker’s Cherry is a wrenching, clear-eyed stare-down into the abyss of war, addiction and crime, a dark tumble into scumbaggery, but it’s also deeply humane and truly funny. That is one of the reasons I love it so much: it makes you laugh and ache at the same time, in the manner of the great Denis Johnson.

—— Dan Chaon, author of Ill Will

One of the most exciting new American novelists.

—— Men's Journal

Heavily indebted to the profane blood, guts, bullets, and opiate-strewn absurdities dreamed up by Thomas McGuane, Larry Brown, and Barry Hannah, Cherry tells a story that feels infinitely more real, and undeniably tougher than the rest.

—— A.V. Club

A bruising dispatch from the frontline of the American opioid crisis… the final quarter [of Cherry] rushes by in a cold sweat.

—— Anthony Cummins , Daily Mail

[An] incendiary debut… Nico Walker writes with real rhythm, exhibiting a poet’s discrimination about adjectival choice and the relative length of clauses. It is a rare and remarkable achievement to turn such suffering into a novel of such finely calibrated beauty.

—— Lucian Robinson , Times Literary Supplement

A gritty, addictive read.

—— Chloe Cherry , Face

I think everyone should read it – it is so horrific.

—— Kirsty Wark , Lady

A well-received return to form

—— Charlotte Heathcote , Daily Express

Astonishingly bold novel… [It] is Amis’s best work in years

—— Mail on Sunday

Amis’s best work since Money

—— Richard Susskind , The Times
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