Author:Richard Mabey
Flora Britannica covers the native and naturalised plants of England, Scotland and Wales, and, while full of fascinating history, is topical and modern. Indeed, Flora Britannica is the definitive contemporary flora, an encyclopaedia of living folklore, a register – a sort of Domesday Book.
It is unique in that it is not a botanical flora but a cultural one – an account of the role of wild plants in social life, arts, custom and landscape. It is also unique in that information has been supplied by the people themselves. Five years of intensive original research have aroused popular interest and ‘grassroots’ involvement on an exceptional scale. People all over Britain – both rural and urban – have been encouraged to record and celebrate the cultural dimensions of their own flora, and to send their memories and anecdotes, observations and regional knowledge to Flora Britannica.
The result is a nationwide record of the popular culture, domestic uses and social meanings of our wild plants. It is both useful and delightful – superbly written by one of the most outstanding English authors on natural history and illustrated with nearly 500 photographs. Including trees and ferns, it covers 1,000 species, many of them in considerable detail. A new flora for the people, Flora Britannica is a testimony to the continuing relationship between nature and human beings, and a celebration that the seasons and the landscape, local character and identity, still matter in Britain.
A page-turner. He seamlessly weaves together the cultural and social history of wild plants… Undoubtedly the most fascinating book I own
—— Andy Sturgeon , Gardens IllustratedAnalytical, truthful and intimately personal... Throughout one learns considerably about the history of sharks, whales, professional divers, and other such creatures of the sea... Matthiessen is a most qualified observer of men and nature
—— Natural HistoryFor its natural history, for its persistent courage and for its terrifying portrait of White Death, this book... will live in the memory of all who read it
—— AtlanticPeter Matthiessen is beyond dispute the best nature writer working today
—— Peter FarbA stirring account of a fascinating adventure
—— Sunday TribuneThere aren't many writers like Charles around... His ability to step across emotional boundaries and enter the consciousness of the wild makes for an exhilarating, immersive, yet at times disturbing read. For me, the end result is a deeply thought-provoking book that encourages the reader to explore for themselves exactly where they stand on issues of humanity, conservation and moral legacy.
—— James Aldred, author of Goshawk SummerFiercely polemical, forcing the reader to see the world in a new light... Charles Foster is an original thinker with a strangely compelling prose style... Cry of the Wild is thought-provoking, profound, at times infused with a beautifully wistful lyricism and often witty.
—— Country LifeFoster [brings] a sense of wonder: geese fly in from the north with snow falling from their wings; imagined through the eyes of a young rabbit, a white owl wafts through the still night air like thistledown, a strangely beautiful occurrence that might at any moment end the rabbit's life... He avoids the temptations of anthropomorphism while reminding us that we who share these traits are more vulnerably and elegantly animal than we pretend.
—— Literary ReviewA lyrical work of creative nonfiction containing eight stories of besieged animal lives. Emotional without being anthropomorphic, it is a thought-provoking read.
—— BBC Wildlife MagazineArdent and arresting... one of the darkest, most haunting books I've read in a long time... Yet the stories are also motivated by such depth of attention and love that their very existence offers some hope for a better future.
—— New StatesmanI have read Cry of the Wild with something approaching awe... The conviction with which these characters live on the page and suffer the assaults of existence can certainly live happily and proudly alongside Tarka.
—— Adam Nicolson, author of Life Between the TidesLike Tarka, the stories in Cry of the Wild are not written for children. They take on the qualities of myth and magic which touch the source of our deepest feelings. How does the word on the printed page do this? ... the prose is muscular and astonishing... "Immersion" is a word commonly used about reading these days. I dislike it intensely. The sound of the word feels cold, unpleasant, like being pressed underwater. Not at all the deep sobbing that emerged from somewhere as I sat with these stories... This is not like any other nature book.
—— Caught by the River