Urgent, cogent and compelling… Freedom Hospital is genuinely shocking at times, but Francesca Barrie’s impressive translation also finds the black humour that tends to have a natural home in graphic novels… Yes, Freedom Hospital is a must read, but its tone, mood and form somehow make it as entertaining as it is informative and thought-provoking. A graphic novel might just be “the” piece of creative writing to come out of the horrifying mess that is Syria in the 2010s.

With the intimacy of a person who has lived the tragedy himself but with the restraint of a true artist, Hamid Sulaiman tells a powerful tale of Syria’s descent into cataclysm while reminding us of those still tending the seeds of the revolutionary spring.

This eye-opening graphic novel is a powerful and moving introduction to the realities of the war in Syria. Sulaiman's stark black and white artwork brilliantly conveys the moral, political and emotional shades of grey rarely shown on the news.

Hamid Sulaiman's shocking inside story of an ongoing people's revolution against one of the world's most brutal regimes is eye-opening, explosive and utterly necessary. The chiaroscuro-heavy artwork, more dark than light, seems drawn in Sulaiman's heart's blood.

If you want insight into the complex situation in Syria, read this book. It provides a stark vision of life in a war zone but, like Freedom Hospital itself, it never loses hope.

Heartbreaking and funny, tender and troubling; this is a vital piece of art about the great humanitarian tragedy of our age.

The artwork is beautiful... It's a necessary, powerful book.

Syrian cartoonist Sulaiman’s debut novel follows the desperate lives, noble struggles, and violent deaths of people tied to an underground hospital during the Syrian civil war... The art’s flat blacks, stark whites, and heavy lines give the work an almost impressionistic feel, bringing to the real-world images a rotoscoped look... A heartbreaking and eye-opening primer to the quagmire of a generation.

Sulaiman’s stripped back black and white art reminded this reader of both the work of Marjane Satrapi but also more broadly 2000AD (this must be in the future, your mind shrieks, it can’t possibly be happening now, on the same planet I’m on)... as a piece of work it’s to be applauded... a story that deserves to be read.

Drawn in a stark, chiaroscuro style, Sulaiman uses the simplest of imagery to convey intense, harrowing drama. It’s a subtle technique that hits like a hammer... Despite its painful subject matter, Sulaiman imbues Freedom Hospital with its fair share of gallows humour... Even when Freedom Hospital is at its bleakest, Sulaiman’s optimism shines through. Many of his characters die in acts of altruism and meaningless violence, but his focus is always on the strength and resilience of community.

Sulaiman is notable for how he re-contextualizes the styles he references, to a startling effect.

Slaughterhouse Five, For Whom the Bell Tolls, Catch 22 ... there’s now a new novel to sit alongside these war fiction goliaths. Yes that’s hyperbolic, but we’re ready to stand by it. It’s that good.

Stunning… Unsurprisingly, it has the ring of absolute authenticity, and Van Reet clearly articulates the violence mechanics of modern warfare… A human story, a psychological drama… A powerful and compelling narrative... As the search for the lost soldier intensifies.

Every page of his debut feels steeped in bitter, lived experience. And, as in the best reportage, it’s the little details that stand out – the bubblegum shipped 7000 miles to the front line, for instance, or the pitch black of a bunker beneath the glory of a desert sky.

Spoils is a unique and superbly crafted novel that addresses the reality of war in a sensitive, lyrical and intelligent manner.

Van Reet's lean prose accommodates a laconic style suggesting military reports and detail-rich context fed by a keen eye and memory. He embeds the reader with the unwashed troops in a cramped Humvee, in a dark cell where only screams penetrate, and in the mind of a Muslim fighter with two decades of campaigning, a dead son, a lost wife, scant wins, and more doubts than faith can ease. A fine piece of writing that should stand in the front ranks of recent war novels.

A tough and shining debut.

I read this with awe. Spoils is a harrowing and incredibly powerful debut which shows war in all its complexity and viciousness and which attempts to humanise it through extraordinary and conflicted characters. The female soldier Cassandra Wigheard is superbly drawn and her relationship with the young Jihadist will stay with me for a long time.

Brian Van Reet's beautiful, intense, and at times disturbing novel Spoils traces the motivations and desires of combatants on both sides of the Iraq War, showing us what happens when increasing violence and chaos start to warp the choices they're able to make.

Moving immediately into the pantheon of first-rate war novels, Spoils reads like a nightmare within a tragedy, a story that is both touchingly classic and brutally modern, This is a definitive record of the war that marked the end of the American Empire. One of the best novels of our time in the Middle East.

With Spoils Brian Van Reet has given readers an intensely moving novel. That it is also a nearly comprehensive examination of our modern wars is a remarkable demonstration of both the power and relevance of fiction.

In recent years there have been a number of very good novels by veterans of the Global War on Terror. None is as ambitious, inclusive or powerful as Brian Van Reet's Spoils; none has this novel's range or uncanny ability to transport the reader to the battlefield and those rarely explored margins at the battlefield's ragged edge. Spoils is a fantastic debut.

Vivid and fierce, Spoils is an eloquent exploration of humanity. Depicting a world with no obvious villains or heroes, this novel is as important as it is timely. By exploring the nuances of motivation, loyalty, and sacrifice, Van Reet exposes the connections that bind us across even the greatest divides.

The brilliance of Brian Van Reet’s Spoils lies not only in the sheer forward-motion velocity of its plotting, but in the psychological terrain it explores: what a generation of young women and men went looking for in Iraq, what they found, and why that discovery matters so profoundly for the rest of us.

In Spoils, Van Reet has imbued his subject with subtlety — something that it is so often stripped of, both by combatants and the media. One rarely sees a war novel by a soldier with such convincing writing on both sides of the trenches.

This is a great novel… Brian Van Reet [is] a special talent.

An honest glimpse into the action, emotion and futility of war.

The action is realistic and relentless, the writing lean and muscular, the tale harrowing, and the horrors seemingly inevitable but no less powerful for that.

In dazzling and propulsive prose, Brian Van Reet explores the lives on both sides of the battle lines… Depicting a war spinning rapidly out of control, destined to become a modern classic, Spoils is an unsparing and morally complex novel that chronicles the achingly human cost of combat.

Spoils reeks of the fog and futility of war… It has its own blue-collar beauty as it tells its tale from three perspectives: a gay, female US soldier, an Egyptian jihadist and a US tank commander.

Brian Van Reet has firsthand combat experience to draw upon for this powerful piece of fiction, rendering it an intensely humane story, giving credible authenticity to the plot, and scenes presented to the reader… Enlightening, thought provoking and hauntingly mesmerising, I cannot recommend Spoils highly enough to anyone interested in novels about war and conflict.

Every page brims with brutal authenticity.

Spoils bears eye-widening witness to valour, horror, violence, cruelty and absurdity.