Remarkably frank and illuminating

A first class biography

Tantalising

A very good biography

An extraordinary and important story

This handsome tome is a fitting tribute to an extraordinary career

Vivid, engaging, alive with anecdotes and continually invigorated by ideas.

Hytner digs up plenty of absorbing material, reminding us that running a major arts organisation is a high-wire performance that features the continual risk of career-ending injury… It should be read not simply by anyone who has an interest in British theatre, but anyone interested in that oldest of questions: how you make art that sells... Engagingly open... astute and unsentimental... His insights on Shakespeare and Bennett are worth the price of the book alone.

The book is what you might describe as a safe space for those who maintain, as I do, a deep-seated fear of theatrical memoirs … For one thing, there is his modesty … For another, there is his willingness, when necessary, to send up the theatre. … Balancing Acts reminds the reader, almost inadvertently, of the astonishing success the National Theatre enjoyed during the period he ran it … His book isn’t gossipy, but it is revealing.

Revelatory … full of anecdotes about the terrifying art of bringing a play alive, and full of insight about the sheer daredevil tightrope act that running the National Theatre involves … A vital reminder both of what theatre can do – and what is at stake if we take it for granted.

Hytner's recollections are full of such amusing insights... Hytner has produced a rare thing: an absorbing memoir by a director-turned-arts-administrator... The insouciance of Balancing Acts is magic dust, sprinkled by a master Oberon.

Balancing Acts is a book with many insights and anecdotes, but if it has an overarching theme, it is that theatre is an art that should engage as wide a public as possible… From October, he will take all he has learnt and apply it to the running of the Bridge Theatre… Expect brief, brilliant fireworks – and a great second volume of memoirs.

Several times in Balancing Acts, [Hytner] makes it clear that he enjoyed a job he ends up saying he will miss. And his tenure was undoubtedly a success… One of Hytner's appealing qualities is humility, meaning he is often critical of himself... Hytner brings alive the pressures and rewards of running that concrete Oz on the South Bank and giving us brisk pen-portraits of actors… Hytner took his job seriously... He eschewed solemnity. He wanted fun… Perhaps the most balanced element of Balancing Acts is Hytner himself.

Hytner is, he says, never happier than sitting at the edge of his own party. Well, this memoir is his party. He may keep to the fringe, but it’s quite a do, with a wonderful guest list… His revelatory interrogations of Hamlet and Othello and even Timon of Athens, in which he had a go at fatcats who fund the arts, should be circulated in schools... Hytner is a lucid and urbane stylist and a pithy sketch-writer… This debonair defence of theatre - subsidised or otherwise - and all who toil in her is a rare and succulent treat.

We are lucky… that people with Hytner’s intelligence, enlightenment and defiance operate on behalf of dressing up, showing off, treading the boards, despite official opposition… Hytner is also a first-class Shakespearean.

A good gander behind the curtain of the National Theatre… From Alan Bennett to Mike Leigh, Daniel Day Lewis to Michael Gambon and Helen Mirren – Hytner tells stories of directing some of the most celebrated actors of our time. Lunatic failures and spectacular successes – all are here.

This is extremely even-handed, but still pleasingly gossipy account of that time, from Harold Pinter calling him “a f***ing liar and a f***ing shit” to the time James Corden smacked Donald Trump on the bottom.

Sir Nicholas Hytner was arguably the best Artistic Director that the National Theatre has had in its 50-year history… Balancing Acts is a most enjoyable series of memoirs recalling the highs and lows of the period. For those like this reviewer who saw almost all of the theatre’s output, it recalls many happy memories… this is also a reminder of so many more high points across all three auditoria, building to both the Golden Jubilee celebrations and the refurbishment and reconfiguration of the venue… Along the way, readers will learn a great deal about the art of directing plays as well as running a big business and getting along with those sometimes very touchy arty types who inevitably end up making a director’s life hell sometimes just for the fun of it… Balancing Acts is simultaneously a highly informative portrait of a wonderful institution, a fitting tribute to a great man who did his job brilliantly and a really good read. It comes highly recommended.

Hytner takes us, fascinatingly and often wittily, through many of the plays he himself directed and he writes warmly of some of the actors who have become National Theatre “regulars” and personal friends… The book is a joyful reminder of the excitement of some of this work. If you missed some or all of these shows, then this is a chance to learn about some pretty iconic productions.

Balancing Acts is an apt title, conveying the books attunement to the fine calculations of leadership while also capturing the author’s personal and professional style, a coolly judicious manner that can look like suavity, discretion, or aloofness… Hytner is both an enthusiastic and a rethinker, nimble and smoothly articulate yet capable of delivering a gimlet-sharp judgement… His prose has the kind of crisp specificity one might expect of an exacting civil servant… A memoir of this kind will tend to feel like an envoi. But this one resembles an advertisement. It presents a blueprint for artistic directors.

Hytner’s book is the ultimate insider’s view… Hytner gives his readers an access-all-areas pass to the meetings, lunches, crises and rehearsals that propel a play to the stage… His talent as a memoirist is that he can be funny without being frivolous, revealing about his actors without being indiscreet, and high-minded without ever being pompous, all of which is itself an impressive high-wire balancing act.

Engaging… Hytner proves an erudite chronicler of his notable successes, while not being afraid to acknowledge some of the more egregious failures on his watch. A must-read for anyone interested in theatre.

Hytner chronicles the highs – and occasional lows – of running the National with crisp wit and deep affection