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G. K. Chesterton: Three BBC Radio Mysteries
G. K. Chesterton: Three BBC Radio Mysteries
Oct 5, 2024 8:25 PM

Author:G.K. Chesterton,Geoffrey Palmer,David Warner,Martin Freeman,Geoffrey McGivern,Roger Hammond,David Collings,Kim Wall,Paul McGann,Full Cast,Stuart Organ

G. K. Chesterton: Three BBC Radio Mysteries

Three BBC Radio performances of works by the great G. K. Chesterton

Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels, The Man Who Was Thursday and The Napoleon of Notting Hill, as well as half a dozen tales from his short story collection, The Club of Queer Trades.

The Man Who Was Thursday - Poet turned Scotland Yard detective Gabriel Syme goes undercover in Edwardian London to investigate a secret society of anarchists - all of whom are named after days of the week... Read by Geoffrey Palmer.

The Club of Queer Trades - In these six full-cast comedy crime dramas, retired KC Basil Grant, his brother Rupert and friend Charlie Swinburne explore the extraordinary stories of people who earn their living by some novel and unusual means. Starring David Warner as Basil, Martin Freeman as Rupert and Geoffrey McGivern as Charlie.

The Napoleon of Notting Hill- Written in 1904, Chesterton's comic political satire is set in London 80 years on. The city is still full of horse-buses and hansom cabs, but democracy is dead, and the King is chosen by lottery. No one cares, because none of it matters - until the choice falls on Auberon Quin... This full-cast drama starsRoger Hammond as G. K. Chesterton and David Collings as Auberon Quin, with Kim Wall, Stuart Organ and Paul McGann.

First published 1904 (The Napoleon of Notting Hill), 1905 (The Club of Queer Trades), 1908 (The Man Who Was Thursday)

The Man Who Was Thursday

Read by Geoffrey Palmer

Directed by Lawrence Jackson

First broadcast BBC Radio 7, 10-28 March 2005

The Club of Queer Trades

Basil Grant - David Warner

Rupert Grant - Martin Freeman

Charlie Swinburne - Geoffrey McGivern

Major Brown/Lord Beaumont - Geoffrey Whitehead

Lady - Vicki Pepperdine

PG Northover/Gardener/Old Man/Constable/Dr Colman - Martin Hyder

Drummond - Nicholas Farrell

Wimpole/Burrows - Justin Edwards

Sir Walter Chumley/Rev Shorter - Richard Griffiths

Muriel - Alice Lowe

James - Alexei Sayle

Mowbray - Nell Edmond

Brett - Matthew Holness

Lieutenant Keith - Jeff Harding

Montmorency - Simon Jones

Christina - Amelia Bullmore

Bingham - Chris Douglas

Adeleide - Felicity Montagu

Prof Chadd - John Nettleton

Greenwood - James Rawlings

Old Lady - Angela Thorne

Dramatised by Simon Littlefield

Produced by Simon Nicholls

First broadcast BBC Radio 4, 4 April-9 May 2005

The Napoleon of Notting Hill

G. K. Chesterton - Roger Hammond

Auberon Quin - David Collings

Wilfred Lambert - Kim Wall

James Barker - Stephen Hattersley

President del Fuego - Manning Wilson

Policeman/Mr Wilson - Stuart Organ

Boy Adam Wayne - Alexander Goodman

Adam Wayne - Paul McGann

Mr Buck - Aubrey Woods

Mr Mead - Paul Gregory

Mr Bowles - Brian Hewlett

Mr Turnbull - Gordon Reid

Dramatised by Peter Buckman

Produced by Eric Stovell

Directed by Richard Imison

First broadcast BBC Radio 4, 22 December 1986

© 2022 BBC Studios Distribution Ltd

(p) 2022 BBC Studios Distribution Ltd

Reviews

Deft characterisation, convoluted plot and more red herrings than the North Sea - Under the Marsh is a deft page-turner that doesn't disappoint.

—— Andrew Greig

An intriguing mystery that brings the Scottish highlands and those who live there vividly to life. I loved it.

—— Marion Todd

Chilling and breathtaking all at once, Under the Marsh grabs you by the throat from the off and it never lets you go. Stellar writing and GR Halliday's best yet.

—— Jonathan Whitelaw

Loved it. A fabulously atmospheric read. Thoroughly enjoyed the past and present strands that kept me guessing throughout. So cleverly done. There were many ways it could've gone but, the way it did, was such a satisfying end.

—— Deborah Masson

G.R. Halliday has created a wonderfully atmospheric and taut novel with UNDER THE MARSH. Perfectly paced and deliciously misleading, I was led down various different rabbit holes to find out what had happened, and to keep this level of intrigue is something so difficult now in this genre! Hugest congratulations.

—— L.V. Matthews

Dark crimes, and the motivations behind them, are thrown into sharp relief against the enduring backdrop of the Scottish landscape. As addictive as Sue Grafton, with DI Monica Kennedy easily a match for Kinsey Millhone. Now I want to read all the others in the series immediately!

—— Emma Bamford

A tremendously atmospheric and tense read with fantastic characters who leap off the page and guide the story to a hugely satisfying conclusion. Brilliant.

—— Emma Christie

An engrossing read

—— UK Press Syndication

A tremendously atmospheric and tense read with fantastic characters who leap off the page and guide the story to a hugely satisfying conclusion. Brilliant.

—— Emma Christie

A fiendishly complex case. A deep understanding of human nature drives this intricately plotted masterpiece of Japanese crime writing. A timely and welcome opportunity for a new generation to discover Seicho Matsumoto

—— Brian McGilloway, author of The Empty Room

The Simenon of Japan. . . a legendary writer

—— Le Monde

Matsumoto is a necessity, reading him is like having a bowl of rice you never get tired of

—— Masato Ara

One of the most talented, most daring, most humane writers of the past twenty years

—— A. J. Finn

Denise Mina brilliantly manages to be funny, heart-wrenching, gut-punching and addictive all at once

—— Nicci French

The excellent Denise Mina's latest is an irresistible thriller... A considerably sassier and much funnier alternative to The Da Vinci Code and its kind

—— Mail on Sunday

The sequel to the joyously funny Conviction... although there's a laugh on nearly every page, it's not short on thrills

—— Daily Express

A playful novel, written with energy, inventiveness and glee

—— Scotsman, *Books of the Year*

This romp unfolds as a glorious spoof of The Da Vinci Code but it's not short on thrills

—— Sunday Express

A rattling good thriller from an undoubted master of the genre.

—— Choice

Exciting, atmospheric and with non-stop action.

—— i

Anthony Horowitz writes Bond in the style of Fleming... Total brain candy in the best possible fashion.

—— Rick O'Shea , RTE Guide

Authentic, exciting and shot through with a very Flemingesque ennui.

—— Daily Express, *Books of the Year*

A clever and highly-satisfying espionage thriller... Horowitz nails precisely why Ian Fleming's novels were so popular in the first place. Put simply, he gets James Bond.

—— Entertainment Focus

Readers will love the way Horowitz stays loyal to the winning formula of Bond creator Ian Fleming, confronting an old enemy with new energy.

—— Eastern Daily Press

There seems an inexhaustible appetite for all things 007. One day, we might tire of him, but if his fictional incarnations remain as entertaining as With a Mind to Kill, we will be hoping that Bond doesn't hang up his Walther PPK for a while yet.

—— Observer

Masterly... There's an enjoyably mischievous tension between Bond, whose entire time in Russia is bleak...and Horowitz, who's plainly having a ball subjecting him to this ordeal.

—— Sunday Times, *Thriller of the Month*

A gloriously entertaining and surprisingly poignant novel that would make a better movie than many of the Bond stories that actually made it to the big screen.

—— RTÉ

Suspenseful, seductive, gorgeously written

—— Minneapolis Star Tribune

An intriguing story of complex characters and their long-buried secrets

—— Daily Express

A must-read for true crime lovers

—— Buzzfeed Books

'I can hear the book club discussions now... undeniably powerful'

—— New York Times , Chandler Baker

Infuses the summer mystery genre with some serious ideas about our obsession with crime stories and our sense of women's identities.

—— Los Angeles Times
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