Author:G.K. Chesterton,Geoffrey Palmer,David Warner,Martin Freeman,Geoffrey McGivern,Roger Hammond,David Collings,Kim Wall,Paul McGann,Full Cast,Stuart Organ
Three BBC Radio performances of works by the great G. K. Chesterton
Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels, The Man Who Was Thursday and The Napoleon of Notting Hill, as well as half a dozen tales from his short story collection, The Club of Queer Trades.
The Man Who Was Thursday - Poet turned Scotland Yard detective Gabriel Syme goes undercover in Edwardian London to investigate a secret society of anarchists - all of whom are named after days of the week... Read by Geoffrey Palmer.
The Club of Queer Trades - In these six full-cast comedy crime dramas, retired KC Basil Grant, his brother Rupert and friend Charlie Swinburne explore the extraordinary stories of people who earn their living by some novel and unusual means. Starring David Warner as Basil, Martin Freeman as Rupert and Geoffrey McGivern as Charlie.
The Napoleon of Notting Hill- Written in 1904, Chesterton's comic political satire is set in London 80 years on. The city is still full of horse-buses and hansom cabs, but democracy is dead, and the King is chosen by lottery. No one cares, because none of it matters - until the choice falls on Auberon Quin... This full-cast drama starsRoger Hammond as G. K. Chesterton and David Collings as Auberon Quin, with Kim Wall, Stuart Organ and Paul McGann.
First published 1904 (The Napoleon of Notting Hill), 1905 (The Club of Queer Trades), 1908 (The Man Who Was Thursday)
The Man Who Was Thursday
Read by Geoffrey Palmer
Directed by Lawrence Jackson
First broadcast BBC Radio 7, 10-28 March 2005
The Club of Queer Trades
Basil Grant - David Warner
Rupert Grant - Martin Freeman
Charlie Swinburne - Geoffrey McGivern
Major Brown/Lord Beaumont - Geoffrey Whitehead
Lady - Vicki Pepperdine
PG Northover/Gardener/Old Man/Constable/Dr Colman - Martin Hyder
Drummond - Nicholas Farrell
Wimpole/Burrows - Justin Edwards
Sir Walter Chumley/Rev Shorter - Richard Griffiths
Muriel - Alice Lowe
James - Alexei Sayle
Mowbray - Nell Edmond
Brett - Matthew Holness
Lieutenant Keith - Jeff Harding
Montmorency - Simon Jones
Christina - Amelia Bullmore
Bingham - Chris Douglas
Adeleide - Felicity Montagu
Prof Chadd - John Nettleton
Greenwood - James Rawlings
Old Lady - Angela Thorne
Dramatised by Simon Littlefield
Produced by Simon Nicholls
First broadcast BBC Radio 4, 4 April-9 May 2005
The Napoleon of Notting Hill
G. K. Chesterton - Roger Hammond
Auberon Quin - David Collings
Wilfred Lambert - Kim Wall
James Barker - Stephen Hattersley
President del Fuego - Manning Wilson
Policeman/Mr Wilson - Stuart Organ
Boy Adam Wayne - Alexander Goodman
Adam Wayne - Paul McGann
Mr Buck - Aubrey Woods
Mr Mead - Paul Gregory
Mr Bowles - Brian Hewlett
Mr Turnbull - Gordon Reid
Dramatised by Peter Buckman
Produced by Eric Stovell
Directed by Richard Imison
First broadcast BBC Radio 4, 22 December 1986
© 2022 BBC Studios Distribution Ltd
(p) 2022 BBC Studios Distribution Ltd
Deft characterisation, convoluted plot and more red herrings than the North Sea - Under the Marsh is a deft page-turner that doesn't disappoint.
—— Andrew GreigAn intriguing mystery that brings the Scottish highlands and those who live there vividly to life. I loved it.
—— Marion ToddChilling and breathtaking all at once, Under the Marsh grabs you by the throat from the off and it never lets you go. Stellar writing and GR Halliday's best yet.
—— Jonathan WhitelawLoved it. A fabulously atmospheric read. Thoroughly enjoyed the past and present strands that kept me guessing throughout. So cleverly done. There were many ways it could've gone but, the way it did, was such a satisfying end.
—— Deborah MassonG.R. Halliday has created a wonderfully atmospheric and taut novel with UNDER THE MARSH. Perfectly paced and deliciously misleading, I was led down various different rabbit holes to find out what had happened, and to keep this level of intrigue is something so difficult now in this genre! Hugest congratulations.
—— L.V. MatthewsDark crimes, and the motivations behind them, are thrown into sharp relief against the enduring backdrop of the Scottish landscape. As addictive as Sue Grafton, with DI Monica Kennedy easily a match for Kinsey Millhone. Now I want to read all the others in the series immediately!
—— Emma BamfordA tremendously atmospheric and tense read with fantastic characters who leap off the page and guide the story to a hugely satisfying conclusion. Brilliant.
—— Emma ChristieAn engrossing read
—— UK Press SyndicationA tremendously atmospheric and tense read with fantastic characters who leap off the page and guide the story to a hugely satisfying conclusion. Brilliant.
—— Emma ChristieA fiendishly complex case. A deep understanding of human nature drives this intricately plotted masterpiece of Japanese crime writing. A timely and welcome opportunity for a new generation to discover Seicho Matsumoto
—— Brian McGilloway, author of The Empty RoomThe Simenon of Japan. . . a legendary writer
—— Le MondeMatsumoto is a necessity, reading him is like having a bowl of rice you never get tired of
—— Masato AraOne of the most talented, most daring, most humane writers of the past twenty years
—— A. J. FinnDenise Mina brilliantly manages to be funny, heart-wrenching, gut-punching and addictive all at once
—— Nicci FrenchThe excellent Denise Mina's latest is an irresistible thriller... A considerably sassier and much funnier alternative to The Da Vinci Code and its kind
—— Mail on SundayThe sequel to the joyously funny Conviction... although there's a laugh on nearly every page, it's not short on thrills
—— Daily ExpressA playful novel, written with energy, inventiveness and glee
—— Scotsman, *Books of the Year*This romp unfolds as a glorious spoof of The Da Vinci Code but it's not short on thrills
—— Sunday ExpressA rattling good thriller from an undoubted master of the genre.
—— ChoiceExciting, atmospheric and with non-stop action.
—— iAnthony Horowitz writes Bond in the style of Fleming... Total brain candy in the best possible fashion.
—— Rick O'Shea , RTE GuideAuthentic, exciting and shot through with a very Flemingesque ennui.
—— Daily Express, *Books of the Year*A clever and highly-satisfying espionage thriller... Horowitz nails precisely why Ian Fleming's novels were so popular in the first place. Put simply, he gets James Bond.
—— Entertainment FocusReaders will love the way Horowitz stays loyal to the winning formula of Bond creator Ian Fleming, confronting an old enemy with new energy.
—— Eastern Daily PressThere seems an inexhaustible appetite for all things 007. One day, we might tire of him, but if his fictional incarnations remain as entertaining as With a Mind to Kill, we will be hoping that Bond doesn't hang up his Walther PPK for a while yet.
—— ObserverMasterly... There's an enjoyably mischievous tension between Bond, whose entire time in Russia is bleak...and Horowitz, who's plainly having a ball subjecting him to this ordeal.
—— Sunday Times, *Thriller of the Month*A gloriously entertaining and surprisingly poignant novel that would make a better movie than many of the Bond stories that actually made it to the big screen.
—— RTÉSuspenseful, seductive, gorgeously written
—— Minneapolis Star TribuneAn intriguing story of complex characters and their long-buried secrets
—— Daily ExpressA must-read for true crime lovers
—— Buzzfeed Books'I can hear the book club discussions now... undeniably powerful'
—— New York Times , Chandler BakerInfuses the summer mystery genre with some serious ideas about our obsession with crime stories and our sense of women's identities.
—— Los Angeles Times