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Gates Of Fire
Gates Of Fire
Oct 11, 2024 10:18 PM

Author:Steven Pressfield

Gates Of Fire

In the Sunday Times bestseller Gates of Fire, Steven Pressfield tells the breathtaking story of the legendary Spartans: the men and women who helped shaped our history and have themselves become as immortal as their gods.

'Breathtakingly brilliant . . . this is a work of rare genius. Savour it!' DAVID GEMMELL

'A tale worthy of Homer, a timeless epic of man and war, exquisitely researched and boldy written. Pressfield has created a new classic' STEPHEN COONTS

'A really impressive book - imaginatively framed, historically detailed and a really gripping narrative' ***** Reader review

'Beautifully written and a great joy to read' ***** Reader review

**************************

Go tell the Spartans, stranger passing by,

That here, obedient to their laws, we lie.

480 BC: At a bleak pass in a far-flung corner of eastern Greece, three hundred Spartan warriors faced the army of King Xerxes of Persia, a massive force rumoured to be over a million strong.

Their orders were simple: to delay the enemy for as long as possible in order to buy time for the main Greek armies to mobilize. For six days the Spartans held the invaders at bay. In the final hours - their shields broken, swords and spears shattered - they fought with their bare hands before being overwhelmed . . .

It was battle that would become synonymous with extraordinary courage, heroism and self-sacrifice.

It was a battle called Thermopylae.

Reviews

Breathtakingly brilliant . . . there have been many books about Sparta and its warrior code, but none have captured so magnificently the hearts, minds and spirits of the warriors who fought at Thermopylae. This is a work of rare genius. Savour it!

—— DAVID GEMMELL

Incredibly gripping, moving and literate . . . rarely does an author manage to recreate a moment in history with such mastery, authority and psychological insight

—— NELSON DeMILLE

Brings the battle of Thermopylae to brilliant life . . . when you finish Pressfield's work, you will feel you have fought side by side with the Spartans. This novel is Homeric

—— PAT CONROY

A tale worthy of Homer, a timeless epic of man and war, exquisitely researched and boldly written. Pressfield has created a new classic

—— STEPHEN COONTS

Meticulously researched and plotted like a noir thriller, The German Heiress tells a different story of WWII - of characters grappling with their own guilt and driven by the question of what they could have done to change the past.

—— Jessica Shattuck, New York Times bestselling author of THE WOMEN OF THE CASTLE

Anika Scott's epic novel offers a captivating tour through the reckoning years that followed WWII when clarifying identities, unearthing truths, and facing judgements was the only way to rebuild a life. The novel's heroine marches along the razor's edge between the leviathan of the past and a future full of mine shafts. I will never forget her unending struggle to rise above the dark lineage thrust upon her and her battle to stay connected to the deep binds of love, responsibility, and compassion.

—— Devin Murphy,author of THE BOAT RUNNER

A powerful, profound debut by a journalist with a gift for storytelling.

—— Saga Magazine

Anika Scott's riveting novel compellingly explores the nature of innocence and guilt, and the human desire for redemption. A terrific book with historical detail skillfully woven into the fabric of the story. An absolute must-read for all fans of World War II fiction!

—— David Gillham, New York Times bestselling author of CITY OF WOMEN and ANNELIES

[A] fascinating area to look at ... a tense, noirish plot with dangers at every turn ... It's a fascinating world of ambiguity, in an area we so often think of as being black and white ...The historical details and descriptions are well-drawn ... the story moved along quickly and compellingly - yes I stayed up late to finish it.

—— Frost Magazine

Anika Scott's finely drawn characters in The German Heiress bring to life not only the struggle to rise from the ashes of war, but also the depth of resolve often required to gain redemption. Illuminating and beautifully rendered.

—— Susan Meissner, bestselling author of THE LAST YEAR OF THE WAR

Powerfully told and rich in atmosphere.

—— Peterborough Evening Telegraph

What a great debut! It still haunts me, days after finishing it.

—— Liz Trenow, New York Times bestselling author of THE POPPY FACTORY and THE SILK WEAVER

I felt as though I was walking through the rubble of Essen and shivering in the bitter cold right alongside Clara Falkenberg. In this haunting and atmospheric novel, Anika Scott delivers a nuanced and emotional
look at the often un-talked about side of WWII - the devastation of German towns and cities and the weight of conscience on those who remain. [It's] is a powerful reminder that no one gets out unscathed.

—— Sara Ackerman, bestselling author of The Lieutenant's Nurse

Scott's magnetic debut follows one woman's quest for survival amid the devastation of post-WWII Germany ... Fans of WWII fiction will be intrigued by Scott's exploration of how war changes the moral compass of its victims.

—— Publishers Weekly

A gripping murder mystery set in an alternative 1950s Britain. Rubin's London, split between American and Soviet zones after a disastrous World War Two, is vividly realised and his story is elegantly constructed. One not to miss

—— William Ryan, author of The Constant Soldier

In the great tradition of SS-GB and Fatherland, Rubin's alternative-1950s murder mystery takes an ingenious premise - the Americans and the Soviets have carved up Britain between them after rescuing the country from the Nazis - and makes it come alive through sheer storytelling skill

—— Jake Kerridge

Immersive

—— The Spectator

A lovely novel by a writer who lives and breathes France

—— Saga Magazine

Another terrific, intelligent read from Faulks

—— Reader's Digest

A gripping book that I devoured in about three days; this dark book reminds us of the history that lurks around every street corner

—— Claudia Jacobs , Palatinate

Gaël Faye makes us smile, despite the seriousness of his words

—— Médiapart

What is autobiographical, and what imagined? In the end it doesn’t matter, when he Gaël Faye gives life to the lost land of his childhood, with poetry and modesty

—— Agence France Presse Mondiales

Small Country is a stirring and graceful tale of stolen innocence and fragmented identity. Hopeful, raw and deeply human, it is a modern classic in the making.

—— France Today

An excellent novel, a model of restraint and quiet literary sophistication

—— The Times

Cherry, Nico Walker’s outstanding debut, is a hard-hitting, ghoulishly funny novel about drug addiction, war and bank robbery.

—— Washington Post

Heartbreaking, unadorned, radically absent of pretense, Cherry is the debut novel America needs now, a letter from the frontlines of opioid addiction and, almost subliminally, a war story.

—— Lea Carpenter, author of Eleven Days and Red, White, Blue

Nico Walker’s Cherry is a wrenching, clear-eyed stare-down into the abyss of war, addiction and crime, a dark tumble into scumbaggery, but it’s also deeply humane and truly funny. That is one of the reasons I love it so much: it makes you laugh and ache at the same time, in the manner of the great Denis Johnson.

—— Dan Chaon, author of Ill Will

One of the most exciting new American novelists.

—— Men's Journal

Heavily indebted to the profane blood, guts, bullets, and opiate-strewn absurdities dreamed up by Thomas McGuane, Larry Brown, and Barry Hannah, Cherry tells a story that feels infinitely more real, and undeniably tougher than the rest.

—— A.V. Club

A bruising dispatch from the frontline of the American opioid crisis… the final quarter [of Cherry] rushes by in a cold sweat.

—— Anthony Cummins , Daily Mail

[An] incendiary debut… Nico Walker writes with real rhythm, exhibiting a poet’s discrimination about adjectival choice and the relative length of clauses. It is a rare and remarkable achievement to turn such suffering into a novel of such finely calibrated beauty.

—— Lucian Robinson , Times Literary Supplement

A gritty, addictive read.

—— Chloe Cherry , Face

I think everyone should read it – it is so horrific.

—— Kirsty Wark , Lady

A well-received return to form

—— Charlotte Heathcote , Daily Express

Astonishingly bold novel… [It] is Amis’s best work in years

—— Mail on Sunday

Amis’s best work since Money

—— Richard Susskind , The Times
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