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Jan 11, 2025 10:38 AM

Author:Neil MacGregor

Germany

From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other

For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves?

Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years.

German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it.

Reviews

From sausages and porcelain to the glory days of Bauhaus, MacGregor has produced a dazzling history that goes far beyond the stereotypes of Nazis, forests and leather shorts. The illustrations alone - the glittering interior of Aachen Cathedral, the engravings of Albrecht Dürer - make you want to jump on the first flight to Berlin

—— Dominic Sandbrook , Sunday Times

Unfailingly interesting and stimulating ... the book succeeds triumphantly

—— Richard J Evans , TLS

Sublimely good... Blackbourn has found an original and suggestive way into the history of both Germany's aggrandisement and its humility... far more than a good book on an out-of-the-way subject

—— The Economist

David Blackbourn has written an entertainingly original history, rich in insights into man and nature and the German - in fact, the European - mind

—— Mark Kurlansky, bestselling author of Cod

Brilliantly conceived, David Blackbourn's thought-provoking exploration of the ambivalence built into past attempts to exploit the environment offers a wholly novel approach to understanding modern German history. His book is a tour de force in historical writing

—— Ian Kershaw

A wide-ranging and highly original study... Blackbourn weaves elegantly among the disciplines, integrating the histories of science, technology, politics, diplomacy, culture and ecology into a nuanced and many-layered analysis of change

—— Christopher Clark , Times Literary Supplement

A significant contribution to new ways of writing about the past… magnificently compelling

—— Neal Ascherson , London Review of Books

One of the finest works of historical reconstruction I have ever encountered.

—— Jonathan Wright , Catholic Herald

Her enthusiasm is exhilarating and contagious; her writing is clear and clean, sharply observant of tactile details and what they reveal about 16th-century life

—— Boston Globe

Engagingly written and awash in the practicalities of life in the age, it presents a vivid, fascinating era of British history and reminds us that we're never as far from the past as we like to think

—— Genevieve Valentine , NPR

Immersive, engrossing

—— Laura Miller , Slate

Written with such passion . . . will fascinate and inform anyone who is interested in Victorian ways of life

—— Dr Ian Mortimer, author of 'The Time Traveller’s Guide to Medieval England' on 'How to Be a Victorian'

If we ever have a female Doctor Who, I shall forward Ruth Goodman's name for consideration, not least because the historian has already done so much time travelling

—— The Times

Wonderful, informative, startling . . . Goodman's unique selling proposition as a historian is that she walks the walk of her time period, even when that walk involves hard labor in a corset and a hoop skirt

—— New York Times (on 'How to be a Victorian')

Must-read!

—— Daily Mail

Goodman's passion for her subject... comes across loud and clear

—— Yorkshire Post

[A] rewarding biography… Roper brings him alive as a very human figure.

—— Dominic Sandbrook , Sunday Times, Book of the Year

This is the book about Luther we’ve missed among all the holy books and the case studies: the whole engrossing story of a soul and a mind and the man who broke the old world and its old ways for ever. Lyndal Roper brings alive the struggle for ideas, adds a subtle sense of how human beings work, and distils a lifetime of scholarship to conjure Luther’s own world with its princes, demons, scandals and sheer brave defiance of a whole old order

—— Michael Pye, author of The Edge of the World

Compelling and above all deeply honest biography.

—— David Crane , Spectator

This book will continue to bring the reformer and his theology to life for generations to come.

—— Bridget Heal , History Today, Book of the Year

[An] excellent study.

—— Jonathan Wright , BBC History Magazine

*****

—— Christopher Howse , Sunday Telegraph

Roper’s Luther is an angry man: a renegade and a rebel… [She] paints a vivid picture of the political and economic context in Mansfeld, where Luther grew up, and of the situation of Wittenberg and its political governance. There are important findings here, particularly relating to Luther’s early life

—— Charlotte Methuen , The Times Literary Supplement

Roper writes with the virtuosity of an unsurpassed archival researcher, the grace of an elegant stylist, and the compassion of a seasoned student of human nature. Her nuanced and insightful portrait brilliantly evokes the inner and outer worlds of the man Luther. The book is a complete triumph.

—— Joel F. Harrington, author of The Faithful Executioner

Magnificent and surely definitive – a work of immense scholarship, acute psychological insight and gloriously fluent prose. Lyndal Roper has got under the skin of her subject and the result is thrilling.

—— Jessie Childs, author of Henry VIII’s Last Victim and God’s Traitors

Roper’s scholarly strengths plus 10 years of careful research have yielded a richly contextualised biography of a man whose influence has been and remains enormous, for good or ill or both.

—— Brad Gregory , Tablet

This is a helpful and insightful examination of Luther’s attitudes and relationships… Highly recommended.

—— Martin Wellings , Methodist Recorder

Roper portrays a deeply flawed but fascinating human being to rival any of the major personalities of Tudor England.

—— Caroline Sanderson , Bookseller

I heartily commend Martin Luther… It is simply the best English-language biography of Luther I’ve read and I’d be amazed if its combination of rigorous scholarship and approachable tone is bettered.

—— Francis Philips , Catholic Herald, Book of the Year

[A] superb new biography… A challenging and deeply stimulating study of a major historical figure.

—— Elaine Fulton , History Today

The work of a brilliant scholar, who had devoted years of research to the project, and it repays careful reading… There are rich treasures in the book, without a bout. Roper has a great gift for narrative… Roper’s exploration of the cultural and social world of the Saxon miners is masterly… Fascinating.

—— Euan Cameron , Church Times

A probing psychological account.

—— Very Rev. Professor Iain Torrence , Herald Scotland
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