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Gone, Baby, Gone
Gone, Baby, Gone
Nov 1, 2024 7:21 AM

Author:Dennis Lehane

Gone, Baby, Gone

Boston private investigators Patrick Kenzie and Angela Gennaro are hired to find four-year-old Amanda Cready.

Despite extensive news coverage and dogged investigation into her abduction, the police have uncovered nothing. And as the Indian summer fades, Amanda McCready stays gone - vanished so completely that she seems never to have existed.

Then a second child disappears.

Confronted with a police force seething with lethal secrets, Kenzie and Gennaro soon discover that those who go looking for the missing may not come back alive.

Reviews

Davis is a prolific and popular writer … Her research has been assiduous and detailed, her commitment to the subject is impressive, and the background detail is often eye-opening

—— Hilary Mantel , Observer

One of the best of the current writers in this field

—— Donna Leon , The Times

Surely the best historical detective in the business

—— Mike Ripley , Daily Telegraph

The whole thing is splendid. It has everything: mystery, pace wit, fascinating scholarship … she brings imperial Rome to life

—— Ellis Peters

An unforgettable hero...may be the best Reacher book yet

—— Newsweek

Packs a Dirty Harry wallop...Lean, dynamic storytelling

—— New York Times

Possibly Child's best Reacher novel yet

—— Yorkshire Post

Another great book for him, gives us hero Jack Reacher's back-story. Hurrah

—— Kate Atkinson , Daily Telegraph

Lee Child writes a good story, twisting it into labyrinthine folds and keeping his readers guessing right to the end. He has obviously done his research

—— Irish Times

Utterley irresistible, proof that there is no substitute...

—— Observer

This is history as it ought to have been.

—— The Spectator

Against the well-researched background of intrigue and rebellion we are plunged into the uncertain 12th century, in this accomplished and engrossing historical mystery.

—— Good Book Guide

The deserved winner of this year's Ellis Peters Historical Dagger is a cunningly plotted tale set in medieval Cambridge. A serial killer is at large, and the Jews are blamed. Henry I offers protection because he needs the money. He sends a medical examiner - a master of the art of death - to find the killer. Great stuff

—— THE OBSERVER

Gruesome and compelling

—— Evening Standard

Norwegian star Jo Nesbo has obliterated most of his Scandinavian rivals in the bestseller stakes, with The Leopard published in paperback this week... The uncrowned king of Norwegian crime fiction is Jo Nesbo. Books such as The Redbreast (2000) and his imposing novel The Snowman have propelled Nesbo to the heights. Apart from its narrative finesse, his work also provides a coolly objective guide to fluctuations in Norwegian society. There is also a universal feeling that his work is more strikingly individual than that of most of his Scandinavian colleagues... Harry is a lone wolf, a chronic alcoholic separated from his wife and child but in touch with the zeitgeist of his country. And Nesbo gives us a sharp picture of Norwegian society in flux, crammed with relevant detail - as you might expect from an ex-freelance journalist, particularly where the role of the media is described

—— Barry Forshaw , Independent

Nesbo has a skill for dispatching his victims with increasing inventiveness, and he barely lets you draw breath before delivering a virtuoso torture and death scene in the opening chapter

—— Shortlist

The plot is intriguing, and Nesbo's writing is as taught as ever

—— Sunday Times

It's fascinating to discover, from the incident details, what it is like to live for much of the time in a world under snow... Nesbo writes beautifully

—— Jessica Mann , Literary Review

There are passages [which are] so anatomically gruesome...that they can only be properly read through the gaps between protecting fingers

—— Prospect

Norwegian star Jo Nesbo has obliterated most of his Scandinavian rivals in the bestseller stakes, with The Leopard published in paperback this week...The uncrowned king of Norwegian crime fiction is Jo Nesbo. Books such as The Redbreast (2000) and his imposing novel The Snowman have propelled Nesbo to the heights. Apart from its narrative finesse, his work also provides a coolly objective guide to fluctuations in Norwegian society. There is also a universal feeling that his work is more strikingly individual than that of most of his Scandinavian colleagues...Harry is a lone wolf, a chronic alcoholic separated from his wife and child but in touch with the zeitgeist of his country. And Nesbo gives us a sharp picture of Norwegian society in flux, crammed with relevant detail - as you might expect from an ex - freelance journalist, particularly where the role of the media is described

—— Independent
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