Author:Bryan Talbot
The Badger is back! Set three weeks after the finale of Grandville, Grandville Mon Amour pits Detective Inspector Archie LeBrock of Scotland Yard against an old adversary and ruthless urban guerrilla, Edward 'Mad Dog' Mastock, - a psychotic serial killer whose shocking escape from his execution by guillotine at the Tower of London begins this fast-paced, Hitchcockian steampunk thriller.
LeBrock, still racked by remorse for his failure to prevent the death of 'the Divine Sarah' and working outside the law after resigning his post following a blazing row with his superior officer, embarks on a quest to redeem himself by tracking down Mastock and bringing to an end his horrific murder spree. Aided by his adjunct and old friend, Detective Roderick Ratzi, he follows the trail of carnage to Paris. Otherwise known as Grandville, it's the largest city in a world dominated by France, a city used to violence following the years of terrorist bombings by the extreme fanatic wing of the British resistance during the occupation, the notorious Angry Brigade, of which Mastock was the sadistic leading light. With his customary tenacity, LeBrock stalks his prey through a world populated by anthropomorphic animals, an underclass of humans and automaton robots where advanced steam technology powers everything from hansom cabs to iron flying machines. It's a trail that leads to the demimonde of Parisian prostitution and an atrocity perpetrated twenty-three years ago.
With a range of new and fascinating characters and a mix of Holmesian deduction, knowing humour and edge of the seat action, Grandville Mon Amour continues the vein of high-octane adventure begun in the first volume. Can even LeBrock escape the past or do heroes have feet of clay? Follow the badger!
Talbot's storytelling, as well as his draughtsmanship, has grown steadily more assured and subtle... For over a century children have loved getting a Rupert or Beano annual as part of the season's largesse. This year a lot of grown-ups should feel similar delight when Grandville Mon Amour turns up under the tree.
—— Michael Moorcock , GuardianI've never made a secret of my belief that Bryan Talbot is a genius – if you don't know his brilliant graphic history book, Alice in Sunderland, you should buy it immediately – so I was always going to like Grandville Mon Amour. Even so, my passion for it took me by surprise: I can safely say that this is, by several miles, my favourite graphic novel of the last 12 months.
—— Rachel Cooke , ObserverIt’s a beautiful (and beautifully illustrated) look at the complexity and dysfunctionality of family through a unique lens – and frames things in such a way that you can’t help but re-examine your own relationships, too.
—— Emily Reynolds , StylistAre You My Mother? is a work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.
—— Jonathan Safran FoerAs absorbing as it is graced with a deceptive lightness of touch, it is clever, brilliantly pieced together, and utterly unusual.
—— Robert Collins , Sunday TimesOne of the chief pleasures of this book is how the words and pictures collaborate to gesture at a territory that neither might reach alone.
—— Tim Martin , TelegraphMany of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this, sort of like a comic book by Virginia Woolf. You won't believe it until you read it - and you must!
—— Gloria SteinemPure bliss.
—— Lisa Appiganesi , ObserverBechdel’s engaging, original graphic memoir explores her troubled relationship with her distant mother.
—— New York TimesA complex, fascinating and intellectually rich memoir.
—— Larushka Ivan-Zadek , MetroVery original and arresting.
—— Cressida Connelly , SpectatorThroughout, there are magnificent feats of connectivity, startlingly complex internal monologues that unfold with perfect simplicity… I haven’t encountered a book about being an artist, or about the punishing entanglements of mothers and daughters, as engaging, profound or original as this one in a long time.
—— Rev’d Katie Roiphe , ScotsmanLively, fresh and expressive…humane, complex and beautiful.
—— Anna Carey , Irish TimesDon’t let the cartoons fool you, this is an exciting and intelligent book and, at many points, highly moving. It doesn’t just tell Alison’s story, Are You My Mother? allows to you to think about your own.
—— Emerald StreetFind everything this author has written. Every jot she makes on the paper enriches the baroque, painful, exhilarating story she has to tell.
—— Candia McWilliam , ScotsmanIt’s first and foremost funny, using graphical and verbal tricks to express the psychological dramas of an American household.
—— MacUser[Sacco’s] ability to cram in detail is extraordinary. And it is the details that linger.
—— The EconomistWhen stretched to its 24ft length in the Saga Magazine office, we pored over it for ages. We predict you will want to do the same.
—— Saga MagazineAbout Joe Sacco’s The Great War, one can write only essays or short, ecstatic sentences... A beautiful accordion-book, it unfolds on the Western Front, with all its monotony and misery: simple, but intricate; wordless, but vocal; brutal, but beautiful. A masterpiece of quietly affecting numbers, the thousands of lines, dots, and crosses that demarcate the thousands of lives, deaths, and crises.
—— Reggie Chamberlain-King , QuietusThe detail in this work is phenomenal, capturing the aloof generals, death in the trenches, and the wounded... [Sacco] makes visceral one of the bloodiest days in history.
—— Socialist ReviewWordless and brilliant.
—— Donal O'Donoghue , RTE GuideSometimes words and photographs are not enough… [An] astounding book.
—— Michael Hodges , Mail on SundayA unique and unforgettable experience.
—— Matthew Turner , Ask MenA meticulous visual depiction.
—— Observer