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Henry ‘Chips’ Channon: The Diaries (Volume 3): 1943-57
Henry ‘Chips’ Channon: The Diaries (Volume 3): 1943-57
Oct 9, 2024 12:27 AM

Author:Chips Channon,Tom Ward

Henry ‘Chips’ Channon: The Diaries (Volume 3): 1943-57

Brought to you by Penguin.

This third and final volume of the unexpurgated diaries of Sir Henry 'Chips' Channon begins as the Second World War is turning in the Allies' favour. It ends with a prematurely aged Chips descending into poor health but still socially active and able to turn a pointed phrase about the political events that swirl around him and the great and the good with whom he mingles.

Throughout these final fourteen years Chips assiduously describes events in and around Westminster, gossiping about individual MPs' ambitions and indiscretions, but also rising powerfully to the occasion to capture the mood of the House on VE Day or the ceremony of George VI's funeral. His energies, though, are increasingly absorbed by a private life that at times reaches Byzantine levels of complexity. Separated and then divorced from his wife Honor, he conducts passionate relationships with a young officer on Wavell's staff and with the playwright Terence Rattigan, while being serially unfaithful to both. The one constant in his life is his son, Paul, whom he adores.

Through Chips's friendship with Rattigan we encounter the London of the theatre and the cinema, peopled by such figures as John Gielgud, Laurence Olivier, Vivien Leigh and Douglas Fairbanks Jr. At the same time we continue to experience vicariously a seemingly endless social round of grand parties and receptions at which Chips might well rub shoulders with Lady Diana Cooper, or Cecil Beaton, or the Mountbattens, or any number of dethroned European monarchs. Those unfortunate enough to die while the pen is in Chips's hand are frequently captured in less than flattering epigrammatic obituaries. The Archbishop of Canterbury was a 'fat fool of 63'. Lloyd George was a 'wicked unscrupulous rogue of charm'. George Bernard Shaw 'died as he lived - very selfishly'. But Chips's gift for friendship and his frequent kindness shine through, too.

He has been described as 'The greatest British diarist of the 20th century'. This final volume fully justifies that accolade.

© Chips Channon 2022 (P) Penguin Audio 2022

Reviews

An utterly addictive glimpse of London high society and politics in the 40s and 50s, superlatively edited by Simon Heffer.

—— Robert Harris

An instant classic. The thing that makes the diary so compelling is [Channon's] ability to characterise the privileged elite of London Society. The diary is his masterpiece, written with freshness and verve . . . In spite of Chips's prejudices and snobbishness, his diaries are quite simply the greatest social and political diaries of the 20th century. The three published volumes, each one 1,000-plus pages long, record a vanished world of privilege, promiscuity and inequality - a vast cast of characters, aristocrats, royalties and American socialites. Simon Heffer has done a marvellous job of editing the manuscript. He identifies everything the reader needs to know, but his notes never get between the reader and the text.

—— Daily Telegraph

Another 1,000-plus pages of Chips Channon's unexpurgated diaries - with barely a dull passage among them, Simon Heffer's editing has been as adroit as the task is monumental, and his stamina as bottomless as his subject's . . . It is never less than diverting.

—— New Statesman

Nothing compares with the unexpurgated Channon diaries. They are rich, exuberant, copious and shatteringly honest. For those interested in the parliamentary politics of 20th-century England, in the conniving and jostling among European traders of influence, in the swansong of aristocratic glamour in Mayfair and Belgravia, in the capering duplicity necessitated by a criminalised sexuality, the diaries are matchless . . . His editor Simon Heffer, who has been deftly aided by Hugo Vickers, deserves a lifetime award for his strenuous efforts in mastering 3,000 pages of text with such precision and nimble wit.

—— The Spectator

[The diaries] have disappointed no one in search of gossip, breathtaking snobbery and prejudice, as well as being a window on the political scene . . . It's the parliamentary picture that is of chief value. Channon was a political lightweight, but his diaries will be a historians' resource for centuries.

—— Country Life

Chips writes with such vividness that one feels one is living each day in his exalted company . . . An infectious joie de vivre permeates . . . No reader could not be absorbed by his unorthodox depiction of 1940s London and the following decade.

—— Oldie

Magnificently indiscreet . . . No praise is too high for the diaries' editor Simon Heffer . . . Channon excels in descriptions of great parliamentary events . . and other accounts of important occasions, read in their entirety, are profoundly moving . . . What unending joy Channon will bring to his readers through these irresistible records of upper-class life in a vanished Britain.

—— Lord Lexden , The House magazine

Scrupulous . . . relieved by flashes of malicious wit.

—— Literary Review

Chips Channon is irresistibly entertaining company - at any rate in print . . . All in all, a pretty disgraceful life that is a guilty pleasure to read about.

—— Peter Parker , Spectator

Reading Chips is a mesmerising experience. The diaries give a riveting account of politics and society in Britain from the 1920s through to the 1950s. Snobbish and judgmental, Channon is not a likeable character, but the waspishness is what makes him a great diarist. Heffer is an exemplary editor.

—— Jane Ridley , Spectator

Channon is honest, frank, intelligent, and wrong about practically everything, but always intensely readable.

—— Books of the Year , Spectator

Chips is raised from the dead.

—— Best Biographies of 2022 , Daily Telegraph

The MP and socialite 'Chips' Channon was an unlikeable character - bitchy, snobby, prejudiced and caustic. But those vices make him an entertaining diarist. This is the final volume of a triologywhich provides a running commentary on high society and politics from the 1920s onwards, edited with aplomb by Simon Heffer.

—— Biography and Memoir Book of the Year 2022 , The Times

A veritable treasure trove . . . Generations to come will view Heffer's work as an incredible source for studying the interwar, war and postwar years. Yet, the diaries are also a human story, portraying a man's life from early adulthood to premature death. Chips knew everyone, went everywhere and had an opinion on everything.

—— The Critic Magazine

The great political diaries - think 'Chips' Channon, Tony Benn, Alan Clark, Alastair Campbell or Chris Mullin - offer an insight into politics and a flavour of the writer's personality that no other form can.

—— Spectator

Heffer has done a great service to political diary writing . . . Herculean work on a political world now long vanished.

—— Order! Order! Magazine

A masterpiece.

—— Robert Harris, Books of the Year , Sunday Times

You are wooed into a world of upper-class intrigue and indiscretions, played out in Westminster, Belgravia and snooty country mansions.

—— Books of the Year , Daily Mail

I have embarked on Simon Heffer's hefty yet meticulously edited three-volume edition of the diaries of 'Chips' Channon . . . and [Chips] does write beguilingly well.

—— Gyles Brandreth , The Oldie

A scurrilous read. Fascinating. Gripping!

—— Alan Titchmarsh, Best Books of 2022 , Daily Mail

Three formidable volumes have appeared, admirably edited by Simon Heffer displaying considerable scholarship . . . Channon, for all his misjudgements, ingratiating behaviour and bigotry, is revealing about public and private life, society and sexuality, and honest about himself to a degree that makes these Diaries a weird kind of masterpiece.

—— LRB

The greatest British diarist of the 20th century. A feast of weapons-grade above-stairs gossip.

—— Ben MacIntyre , The Times

Wickedly entertaining . . . scrupulously edited and annotated by Simon Heffer. Genuinely shocking, and still revelatory.

—— Andrew Marr , New Statesman

Channon's chief virtue as a writer is his abiding awareness that dullness is the worst sin of all, and for this reason they're among the most glittering and enjoyable [diaries] ever written.

—— The Observer

Through interviews and personal experience, Katja Hoyer brings a new understanding to a country that has now vanished ... A fresh look at what life was like for average people in East Germany ... intriguing and surprising

—— ABC, Radio National

With Beyond the Wall, Katja Hoyer confirms her place as one of the best young historians writing in English today. On the heels of her superb Blood and Iron, about the rise and fall of the Second Reich, comes another masterpiece, this one about the aftermath of the Third Reich in the East. Well-researched, well-written and profoundly insightful, it explodes many of the lazy Western cliches about East Germany

—— Andrew Roberts

Utterly brilliant. This gripping account of East Germany sheds new light on what for many of us remains an opaque chapter of history. Authoritative, lively and profoundly human, it is essential reading for anyone seeking to understand post-WW2 Europe

—— Julia Boyd

A gripping and nuanced history of the GDR from its beginnings as a separate German socialist state against the wishes of Stalin to its final rapprochement with its Western other against those of Gorbachev. Beyond the Wall is a unique fresco of everyday reality in East Germany. Elegantly moving between diplomatic history, political economy and cultural analysis, this is an essential read to understand not only the life and death of the GDR but also the parts of it that still survive in the emotions of its former citizens.

—— Lea Ypi

Superb, totally fascinating and compelling, Katja Hoyer's first full history of East Germany's rise and fall is a work of revelatory original research - and a gripping read with a brilliant cast of characters. Essential reading

—— Simon Sebag Montefiore

A beyond-brilliant new picture of the rise and fall of the East German state. Katja Hoyer gives us not only pin-sharp historical analysis, but an up-close and personal view of both key characters and ordinary citizens whose lives charted some of the darkest hours of the Cold War. If you thought you knew the history of East Germany, think again. An utterly riveting read

—— Julie Etchingham

A fantastic, sparkling book, filled with insights not only about East Germany but about the Cold War, Europe and the forging of the 20th and 21st centuries

—— Peter Frankopan

The joke has it that the duty of the last East German to escape from the country was to turn off the lights. In Beyond the Wall Katja Hoyer turns the light back on and gives us the best kind of history: frank, vivid, nuanced and filled with interesting people

—— Ivan Krastev

A refreshing and eye-opening book on a country that is routinely reduced to cartoonish cliché. Beyond the Wall is a tribute to the ordinary East Germans who built themselves a society that - for a time - worked for them, a society carved out of a state founded in the horrors of Nazism and Stalinism

—— Owen Hatherley

A colourful and often revelatory re-appraisal of one of modern history's most fascinating political curiosities. Katja Hoyer skilfully weaves diverse political and private lives together, from the communist elite to ordinary East Germans

—— Frederick Taylor

Katja Hoyer is becoming the authoritative voice in the English speaking world for all things German. Thanks to her, German history has the prominence in the Anglosphere it certainly deserves.

—— Dan Snow

Katja Hoyer brilliantly shows that the history of East Germany was a significant chapter of German history, not just a footnote to it or a copy of the Soviet Union. To understand Germany today we have to grapple with the history and legacy of its all but dismissed East

—— Serhii Plokhy

Katja Hoyer's return to discover what happened to her homeland - the old East Germany - is an excellent counterpoint to Stasiland by Anna Funder

—— Iain Macgregor

Beguiling and beautifully written, this is the work of an author with a bright future

—— Tortoise

Coruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force

—— Yorkshire Times

Fierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you

—— Economist

I was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything

—— Lauren Elkin, author of 'Flaneuse'

Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow

—— MoneyControl

A masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound

—— Tess Gunty , Guardian

An extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended

—— Financial Times on 'Assembly' in audiobook

'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'

—— Rebecca Tamas, author of 'Witch'

Every line of this electrifying debut novel pulses with canny social critique

—— Oprah Daily

Devastatingly eloquent, bold, poignant

—— Shelf Awareness

An achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next

—— Shondaland

[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising

—— Rowan Hisayo Buchanan , Guardian

A brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment

—— Guardian, 'Best Fiction of 2021' , Justine Jordan
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