Author:Ruby Wax
Sunday Times Bestseller
With a brand new introduction for 2020.
How Do You Want Me? is critically acclaimed as brutally honest, vivid and gripping.
Ruby Wax's unflinching revelation of a childhood poisoned, and a youth spoiled, culminates in a moving account of her breakdown and recovery. But How Do You Want Me? is also funny, rude and irreverent. It's unusually honest about fame and celebrity and happy to burst ego-balloons and golden myths.
A brilliantly fast, furious and surprising read from the inimitable Ruby Wax.
Hilarious and affecting
—— YOU MagazineA dark and dazzling memoir. Waist-deep in vitriol ... but funny
—— Sunday TelegraphAn insightful part-memoir, part-exploration, which swings from hilarity to heart-rending sadness
—— OK! MagazineAn extraordinary and brave book that simultaneously provokes both gales of laughter and tears
—— Woman and HomeCompletely jaw-dropping
—— Lynn Barber , TelegraphWay above most celebrity memoirs. Ruby leaves no stone unturned in her brutally honest journey of self-discovery and she writes beautifully. Look no further for a good holiday read
—— BellaWitty and engaging
—— Saturday ExpressA heartbreaking work of staggering genius
—— Rachel Johnson , SpectatorWill provide plenty of laughs
—— SheMagnificently written
—— Vanessa Feltz , Daily ExpressIlluminating . . . deftly gathers in the connections . . . In 288 pages, Tunbridge gives us detail enough to create a rounded portrait . . . She makes us marvel at Beethoven all the more
—— Fiona Maddocks , ObserverYou don't have to be a music scholar to enjoy this brilliant, and pleasingly concise book. But, if you don't love Beethoven, both the man and his music, when you start, you should by the time you finish
—— Roger Alton , Daily MailCuts straight to the action . . . Tunbridge balances the traditional narrative of universal, timeless genius, of innovation before its time, with a pragmatic, jobbing musician working hard to make a living
—— Alexandra Coghlan , SpectatorCompact but also rewarding...a lot of information is packed into her musical portraits
—— Richard Fairman , Financial TimesLaura Tunbridge finds something fresh to say about Beethoven by looking at his life through nine pieces... An entertaining way to celebrate the great man's 250th birthday
—— James Marriott , Sunday Times Books of the YearA twinkling elucidation of concert life in Vienna... fluent, concise and engaging
—— Paul Griffith , Times Literary SupplementLaura Tunbridge, in her new biographical study, has found an elegant way to give Beethovenian heroism and struggle its due, while slyly plucking at the reverse of Solomon's martial banner... Each chapter delivers its little shock of correction
—— James Wood , London Review of BooksLaura Tunbridge offers a timely portrait of the composer in an elegant biography . . . refreshingly, [she] focuses on the man rather than the myth. Knowledgeable and humane, this is a deeply sympathetic portrait of a turbulent musical genius
—— Jane Shilling , Daily MailTunbridge never stints on musical description, nor compromises her admirable rigour, while her prose is vivid, crystal-clear and never less than fascinating . . . a wonderfully rewarding book
—— Jessica Duchen , Classical Music MagazineBeautifully written, warmly-accessible, fascinating
—— BBC Music Magazine on Singing in the Age of AnxietyThought-provoking, superb
—— Classical Music on Schumann’s Late StyleSubtle and extensive
—— The New York Review of Books on Singing in the Age of AnxietyFascinating
—— Roger Parker, King's College London on Singing in the Age of AnxietyImportant, beautifully written, fascinating
—— Susan Youens, University of Notre Dame on The Song CycleConsistently perceptive critical acumen
—— Kenneth Stilwell , Nineteenth-Century Music Review on Schumann’s Late StyleOriginal, superbly done, beautifully written
—— Susan Youens, University of Notre Dame on The Song CycleIlluminating
—— Classical Music on The Song CycleAbdurraqib, known for his playful, intelligent sense of humor on Twitter, highlights amazing performances that shed light on societal constructions and moments of sheer joy his book about Black culture in America. Writing about joy is challenging; falling back on cliche is a constant temptation that Abdurraqib avoids in this insightful tome
—— ForbesThat sense of limitlessness wraps itself around every essay in Abdurraqib's newest book, A Little Devil in America: Notes in Praise of Black Performance. In it, he writes about Black performance in America-from Great Depression-era dance marathons to the enduring cool of Don Cornelius to the art of Mike Tyson entering a boxing ring-with both great reverence and rigorous analysis. The book, in the way Abdurraqib's work so often does, erects monuments to our should-be legends and our unignorable icons alike, and paints an expansive, deeply felt portrait of the history of Black artistry
—— Leah Johnson , Electric LiteratureThis deft consideration of seemingly irreconcilable values, between the personal and private dimensions of performance, can be found throughout the essays in A Little Devil in America...Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual. We watch him watching his idols and we watch him dancing along with them, sometimes clumsily. If Brooks's goal is to make a case for performers' intellectualism, Abdurraqib's is to help us understand how they teach us to live richer, more embodied lives
—— Danielle A. Jackson , VultureEngrossing and moving ... A new, poetic take on essays that, I think, changes the game in many ways.
—— Roger Robinson , New Statesman Books of the YearAstonishing, impressive ... the connections he makes point to the enduring influence of Black art ... a book as bold as it is essential
—— TIME Book of the YearAbdurraqib writes with uninhibited curiosity and insight about music and its ties to culture and memory, life and death, on levels personal, political, and universal.
—— Booklist (starred)A towering work full of insightful observations about everything from the legacy of Nina Simone to the music of Bruce Springsteen... a powerful work about art, society, and the perspective through which its author regards both.
—— Electric LiteratureA joyful requiem - emphasis on joyful. Abdurraqib has written a guide for the living as well as a memorial for those we have lost.
—— Los Angeles Review of BooksAs powerful and touching as anything I've read this year, and Abdurraqib has emerged as the Ta-Nehisi Coates of popular culture.
—— James Mann , The Big Takeover