How NOT to Write a Novel

Sep 30, 2024 1:32 AM

Author:Howard Mittelmark,Sandra Newman

There are many ways prospective authors routinely sabotage their own work. But why leave it to guesswork? Misstep by misstep, How Not to Write a Novel shows how you can ensure that your manuscript never rises above the level of unpublishable drivel; that your characters are unpleasant, dimensionless versions of yourself; that your plot is digressive, tedious and unconvincing; and that your style is reliant on mangled clichés and sesquipedalian malapropisms. Alternatively, you can use it to identify the most common mistakes, avoid them and actually write a book that works.

Guardian Award shortlisted novelist Sandra Newman and veteran editor Howard Mittelmark have distilled 30 years of teaching, editing, writing and reviewing fiction into a hilarious and liberating guide that is the perfect read for anyone who's ever laughed at a badly written piece of prose and for anyone who's ever penned one - and doesn't want to do it again.

Reviews

This writing how-to should carry a warning: it's the kind of book one reads at the expense of all other responsibilities.

—— Library Journal

A great resource and a fun read with a lot of solid advice for would-be novelists.

—— Publishers Weekly

words you never knew you needed but now can’t live without

—— Saga Magazine

...a fantastic collection of words without English counterparts

—— Entertainment Weekly

… will make you think, laugh and discover situations you never knew there was a word for

—— ELLE Canada

Great editor: great teacher of editors

—— Peter Stothard, editor of the Times Literary Supplement

Harry Evans is the journalist we all wanted to be. He could write, sub, design, re-write, think - everything short of standing on the streets and selling the paper himself. Essential English has for generations been the bible of any aspiring Harry Evans. It is as fresh today as it was when it was first published nearly thirty years ago

—— Alan Rusbridger, Editor-in-Chief, Guardian

Welcome back to the standard and brilliant text on written English for journalism. Good writing is good writing, and Harold Evans is a good writer, when all around are letting standards slip. Essential English should be essential reading for all journalism students, and all journalists who seek to improve their writing

—— Peter Cole, Professor of Journalism, University of Central Lancashire

Eager, conscientious, affectionate… Endearingly old-fashioned in its family piety, protective partisanship and unembellished decency… A work that murmurs and sidles in a self-effacing tone… A likeable, informative and poignant book that Findlay is uniquely suited to have written

—— Richard Davenport-Hines , Literary Review

There is a tenderness with which [Findlay] cherishes even the most inconsequential events… Fitting tribute

—— Jonathan Beckman , Daily Telegraph

Entertaining

—— Financial Times

Findlay’s welcome biography reveals him to be a fascinating character… Admirably and engagingly fulfils its brief

—— Peter Parker , Oldie

A revealing portrait of an extraordinary man

—— Independent

Findlay ably amplifies her portrait with family history and evocations of the Edwardian literary scene

—— New Yorker

Respectful and sympathetic

—— Lesley McDowell , Independent on Sunday

Compelling

—— Clive Aslet , Country Life

A colourful treatment of a colourful life

—— Lady

Personal and affectionate tribute

—— Sally Morris , Daily Mail

Affectionate, familial tribute to this many-sided man.

—— The Catholic Herald

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