Author:Misha Glenny,Misha Glenny
'Glenny does the sort of history I wish I had been taught at school'
Jemima Lewis, The Telegraph
Former BBC Central European correspondent Misha Glenny investigates the borders, stories and people of nine countries worldwide, and asks how they acquired the shape and character they have today. Aided by a wealth of expert contributors, he discovers the geographical quirks, Game Of Thrones-style battles and history-changing personalities that have defined each nation - busting some persistent myths and stereotypes along the way.
In Germany, Glenny blows away the fog of Nazism to reveal the country's high culture and often feeble past, taking us from the Thirty Years' War to the rise of Prussia and the emergence of a unified nation. Spain chronicles the rise and fall of an empire - from 1492 to 1898, from Columbus to El Desastre - and explores the fractured state of the nation, both in history and now. In Italy, Glenny tells a tale of fragmentation, occupation, unification (and the birth of the Mafia), and expansionist dreams that led to mass Italian bloodshed in the First World War. Brazil sees him stripping away the happy imagery of carnival and beach volleyball to expose a dark colonial history, as he charts the country's transformation from giant factory farm for Europeans to modern BRIC economy.
France considers Joan of Arc's part in resisting the English invasion, analyses the French Revolution through Robespierre, and looks at the other Napoleon: Napoleon III, whose defeat ultimately led to two world wars. In The USA, Glenny examines the creation of the most powerful nation in the world, from the Founding Fathers to frontier wars and the melting pot of immigration. In The Netherlands, Glenny explains how the country is much more than just Holland, probes how a few boggy Netherlandish provinces became one of the military and trading heavyweights of the world, and wonders why Belgium exists. And in Britain, he presents the story of England, Scotland, Northern Ireland and Wales, from Offa's Dyke to Hadrian's Wall via London, Derry and Edinburgh. He delves into England's dominance of the United Kingdom, discusses the significance of our island status, and ponders British identity, asking what binds us - and what divides us. And in Ireland, Glenny learns about Catholics, Protestants and the early seeds of war.
This collection also includes three extra series on things that have shaped Europe as much as any nation: The Alps, which divide Europe and swallow up armies, Giuseppe Garibaldi, the legendary Italian general, and The Habsburgs, a family who ruled in Europe for 1,000 years.
Written and presented by Misha Glenny
Produced by Miles Warde
This collection contains:
The Invention of Germany
The Invention of Italy
The Invention of Brazil
The Invention of Spain
The Invention of France
The Invention of the Netherlands
The Invention of the USA
The Invention of Britain
The Invention of Ireland
First broadcast BBC Radio 4, October 2011 - March 2019
Sequins is a powerful and unusual book, in that it combines the familiar traveller's tales with an account of another kind of journey and process of discovery, as Johnson confronts the 'ghost who was haunting herself' in order that she might come to terms with her sense of a fragmented identity
—— GuardianThis immersive biography, by the author of the Costa-shortlisted The Story of Alice, had me hooked... published in a sumptuous package, with illustrations throughout.
—— The Bookseller, Editor’s ChoiceClever and witty, packed with fiercely academic research and erudite analysis, but written in featherlight, elegant prose.
—— Natalie HaynesThe Turning Point...builds incrementally towards Bleak House...[and] makes for a very satisfying finale... Robert Douglas-Fairhurst has taken pains of his own and this wonderfully entertaining book is the result.
—— Anthony Quinn , ObserverDouglas-Fairhurst is a shrewd, amusing and original guide... [he] gives you fascinating facts... [and] a brisk and brilliant analysis of Bleak House.
—— Laura Freeman , The Times[The Turning Point] is beautifully written and packed with wonders and insight and I shall definitely be rereading it before the year is out. Moreover, by the author's holding the magnifying glass aloft and allowing the sun to focus on one spot, 1851, the leaf catches flame.
—— A N Wilson , Oldie[The Turning Point] hums with the intellectual life of the day.
—— Rose Shepherd , Saga MagazineTaking his cue from that novel [Bleak House], Douglas-Fairhurst uses a fascinating range of interconnected sources, side-plots and telling details to dramatise the complex social and imaginative web out of which it came...He gives us history not as grand narrative or teleology but as total immersion and multiplicity. As such, Douglas-Fairhurst invites us to feel what it felt like to be Dickens in 1851.
—— Lucasta Miller , Financial TimesA fascinating biography that ultimately brings fresh insight to the life of Charles Dickens and his work as a novelist.
—— Tom Williams , SpectatorSparklingly informative
—— GuardianThe Turning Point is a perceptive and enjoyable account of how deeply enmeshed Dickens's art was with the shifting cultural landscape of mid-Victorian England; it illustrates why he was the emblematic novelist of the age.
—— Tomiwa Owolade , ProspectDouglas-Fairhurst's... immersive book echoes the experimental form of the novel, blending stories, sub-plots and telling details to bring to life a complex moment in the life of a city and one of its greatest writers.
—— Carl Wilkinson , Financial Times, *Books of the Year*Robert Douglas-Fairhurst pulls off an extraordinary trick of immersive history, taking a single year in Charles Dickens's life, 1851, and placing the personal story of one of the most extraordinary writers ever to have lived within his social and cultural context
—— Lucasta Miller , Spectator, *Books of the Year*It's amazing how eruditely Robert Douglas-Fairhurst manages to illuminate our history through a microscopic focus on one brief period.
—— Alan Johnson , New Statesman, *Books of the Year*It is hard to imagine a better book on Dickens.
—— New Statesman (BECOMING DICKENS)A startling and exciting writer.
—— Spectator (THE STORY OF ALICE)In a year of striking biographies, the most striking of all - due to its erudition, empathy and freshness of approach - is Douglas-Fairhurst's Becoming Dickens.
—— TLS (BECOMING DICKENS)