Author:Sue Roe
'She vividly charts the birth of surrealism . . . a tale rich in absurdity and outlandish characters, from Cocteau and Max Ernst to Dali and Picasso' Sunday Times
In this entertaining and informative biography, Sue Roe illustrates how surrealism emerged in Paris amidst an artistic ambience of lively experimentation. Before surrealism made its startling impact, artists including Marcel Duchamp and Giorgio De Chirico had already begun to shift the focus of the art scene in Montparnasse. Beginning with Duchamp, Roe tells the story of the wonderfully eccentric and avant-garde Dada movement, the birth of Surrealist photography with Man Ray and his muse Kiki de Montparnasse, the love triangle between writer Paul Éluard, his wife Gala and the artist Max Ernst, until the arrival of Salvador Dalí in 1929. In Montparnasse recounts the extraordinary, revolutionary work these artists undertook as much as the salons, café life, friendships, rows and love affairs that were their background.
'Highly colourful . . . they're all here, the big names of the time - behaving badly, and, at times, quite madly too' Observer
'Brings together some of the chief protagonists in one of the 20th century's most inventive art movements. A vivid read' Radio Times
Highly colourful . . . they're all here, the big names of the time - behaving badly, and, at times, quite madly too
—— Rachel Cooke, ObserverRoe is a talented writer, fascinated by la vie Boheme . . . She can find phrases that perfectly capture the feeling of a neighbourhood
—— John Carey, Sunday TimesBrings together some of the chief protagonists in one of the 20th century's most inventive art movements. A vivid read
—— Radio TimesShe vividly charts the birth of surrealism . . . a tale rich in absurdity and outlandish characters, from Cocteau and Max Ernst to Dali and Picasso
—— Dominic Sandbrook, Sunday TimesSue Roe describes with plenty of colour how surrealism was born and developed in Montparnasse . . . Roe marshals [the figures behind dada and surrealism] with great finesse
—— The TimesEnjoyable, engaging, rollicking - the storytelling is lively
—— Spectator, on ‘In Montmartre’Admirable. What an eye for art Roe has. Brilliant
—— Guardian, on ‘In Montmartre’An elegant synthesis of complex material... it excels: Roe is a skilled and graceful writer.
—— The Telegraph on 'In Montmartre'Lively and engaging... in her entertaining, ingeniously structured account Roe brings Montmartre's heyday back to life.
—— The Sunday Times on 'In Montmartre'[Roe]skilfully weaves her descriptions of artworks into her romp through the artists' struggles and fractious relationships.
—— The Times on 'In Montmartre'A colourful narrative describing the travails and triumphs of an equally colourful cast.
—— New Statesman on 'In Montmartre'With evocative imagery Roe sketches out the intensely visual spectacle on which Montmartre's artistic community was able to draw
—— Financial Times on 'In Montmartre'Ai Weiwei is the kind of visionary any nation should be proud to count among its creative class. He has drawn the world's attention to the vibrancy of contemporary Chinese culture
—— Time MagazineElegiac... vivid and revealing
—— Guardian[An] ambitious memoir... 1,000 Years of Joys and Sorrows touches on the inevitable contradictions of being an activist and an art superstar, but it is above all a story of inherited resilience, strength of character and self-determination
—— Sean O'Hagan , ObserverAi Weiwei's detention in 2011... forms by far the most compelling part of the book... These exchanges are crisply and humanely recreated, as are those with Ai's well-educated interrogators
—— Christopher Harding , Daily TelegraphA close look at a father-son dynamic, written in affecting terms, as well as a narrative about legacy, politics and creativity
—— TimeFew people have combined art and activism to greater international acclaim than Ai Weiwei, with installations that address free speech, the environment and the global migrant crises.... Ai's new memoir, 1000 Years of Joys and Sorrows, can be seen as another act of defiance. As a child in Mao Zedong's China, he writes, he was subject to a culture "that made our memories vanish like shadows." The book, published November 2, is his effort to reclaim his country's and his family's dramatic past
—— Wall Street Journal MagazineAn illuminating through-line emerges in the many parallels Ai traces between his life and his father's... Ai writes evocatively of the nights spent in his detention cell when "all I could do was use memories to fill the time, looking back at people and events, like gazing at a kite on a long string flying farther and farther, until it cannot be seen at all." Most poignant are his midnight conversations with the young, rural-born men employed to guard his door, their cracking joints reminding Ai of "a crisp snapping sound like a turnip being broken into two pieces... In "1000 Years of Joys and Sorrows," Ai does not allow his own scraps to remain buried. To unearth them is an act of unburdening, an open letter to progeny, a suturing of past and present. It is the refusal to be a pawn - and the most potent assertion of a self
—— New York Times Book ReviewMoving and passionate... Weiwei writes with clarity and detail, and readers can feel the anxiety of political turmoil and the power of disobedience as he defies Chinese authorities, over and over again ... heart-rending yet exhilarating
—— BookpageA heartfelt history of his own experiences, and those of his father, the celebrated poet Ai Qing... Through his reflections, Ai presents a gripping history of twentieth-century China and a timely reflection on the importance of art as a medium for underscoring injustice, and never forgetting
—— UK Press Syndication[A] tale of extraordinary resilience...Ai Weiwei vividly reflects on his own life and that of his father
—— Fiona Sturges , Guardian, *Books of the Year*A powerful memoir-cum-manifesto
—— New StatesmanEntirely keeping Ai Weiwei's taste for provocation...his memoir refuses to play by the rules... [1000 Years of Joys and Sorrows] leaves the reader with little doubt of Ai's commitment to freedom of expression and his willingness to confront power and inequality in all its forms
—— Nick Holdstock , Literary Review[A] brave commentary on totalitarianism and his confrontation of the Chinese authorities
—— Art Newspaper, *Summer Reads of 2022*An eye-raising, compelling read.
—— Creative Bloom, *Best Art Books of Summer 2022*