It's no mystery why James Patterson is the world's most popular thriller writer ... Simply put: Nobody does it better.

It enjoyably and honourably concludes Rendell's six decades of exploring the death force that, as her last book demonstrates, may be triggered in unexpected people and places. - Mark Lawson

Dark Corners is written in a deceptively simple manner, and at times it reads like a twisted fairytale. It leaves an uneasiness behind like a dark stain on the consciousness . . . The violence of Dark Corners is the violence that stems from the mundane and the ordinary, and it is all the more frightening because of that.

Everything that makes Rendell's work so memorable - gothic but believable people and plots, simple yet vivid prose, peerlessly rendered settings, and fear and despair as the twin ‘parents’ of violence - is in evidence here.

Another of Rendell’s penetrating studies of ordinary people trapped in extraordinary circumstances . . . her countless admirers will seize on it with delight.

Cunningly wrought . . . a triumph . . . the ending is perfect – a fitting full stop at the end of a great career.

From the impressive variety of tones and styles to which she had access as a writer, Rendell chose for Dark Corners black comedy that echoes Muriel Spark . . . [Dark Corners] enjoyably and honourably concludes Rendell's six decades of exploring the death force that, as her last book demonstrates, may be triggered in unexpected people and places.

The late Ruth Rendell put a permanent stamp on crime fiction with 65 novels of screw-twisting suspense, written under both her own name and the pseudonym Barbara Vine. The posthumously published DARK CORNERS is a worthy final entry in her body of work

It’s a Rendell ‘stand-alone’ – a pitch-black thriller.

A gripping story . . . You will feel the authentic Rendell prickle of fear as you realise how easily a mis-step could plunge you into a situation like [the protagonist’s].

Dark Corners is compulsively readable and involving . . . [Rendell] had a superb gift for understanding and unsettling her legion of fans with her spare, elegant prose.

Not once does Rendell let up on the tension. This, her last book, is a triumph

As hard-edged as ever. A brooding, claustrophobic mystery

This is the innocent-seeming start of a journey into the very darkest recesses of the human mind; for such a nice woman, Rendell had an amazing empathy with psychotic killers. Dark Corners is Rendell at her incomparable best; talk about going out in style!

Rendell was a prolific and hugely popular writer of intricately plotted mystery novels that combined psychological insight, social conscience and, not infrequently, teeth-chattering terror.

Rendell was unequivocally the most brilliant mystery writer of our time.

When many of the literary novelists of our time are forgotten, Ruth Rendell’s books will remain, and future generations will see that not only did she keep her readers on tenterhooks with every book, she also wrote stories which held up a mirror to her times.

Rendell’s work, mapping the manic and malevolent extremes of human behaviour, was distinguished by terse yet elegant prose and sharp psychological insights.

Rendell’s novels have been a major force in lifting crime writing out of genre fiction and into both cutting-edge and mainstream literature.

Ruth Rendell: one of the all-time greats.

Every aspect of Ruth Rendell’s dark art is splendidly showcased in Dark Corners. One can’t say she saved the best for last, because a great many books by Ms Rendell and her alter ego Barbara Vine are so splendid, but it’s among the best. You won’t put it down. I loved it.

Rendell set an extraordinarily high benchmark in crime fiction that continued throughout her long career. She is revered by all who came after her.

Rendell transformed what had become a staid and formulaic genre into a different kind of crime novel. She turned it into a prism for examining the world around her with a critical eye.

WHAT SHE LEFT is bold and inventive storytelling. The reader becomes the investigator, sorting through diary entries, letters, tweets, and emails to discover the truth beneath the tales of an entire cast of potentially unreliable narrators. This is not only a clever thriller, but an insightful exploration of identity and the personae we create in the social-media era

I loved Falling, Emma Kavanagh’s debut novel. With Hidden I feel she has taken it to the next level. Emma Kavanagh is bound to be a leading light in psychological thriller authors. This is gripping, compulsive read. If her next book is half as good as this one it will be a cracking read.

This book is a refreshing take on your traditional thriller. There is no lengthy police investigation after the event - instead, the entire book is devoted to events prior to the shooting. Less a 'who done it' than a 'who's going to do it?' And it works brilliantly, with Emma Kavanagh laying her bait cleverly. Just when you think you've worked everything out, she throws in a bit more information and you realise you're barking up quite the wrong tree. Hidden is a very well-written book, packed with detail yet remaining a book so easy to read that you could devour it in just a few greedy gulps. Dialogue is relevant and characterisation is excellent, making for a most enjoyable, and layered, read.

I think this is the first book I’ve read where the main police character is a Police Firearms Officer rather than a detective. This fresh angle really makes the story stand out, as does the rest of the brilliantly drawn characters and the complex relationships (and hidden secrets) they have with each other. It’s hard to go into detail about this book without giving away spoilers, but what I can say is that it’s a story that keeps you on your toes as a reader. I love books that keep me guessing and challenge me to work out who is responsible, and this story did just that. With several crimes taking place, multiple narrators giving glimpses into different elements of the story, and a super pacey non-linear timeline, the author cleverly ramps up the suspense and the mystery, and kept me guessing right to the end. This is a gritty, tense, twisty page-turner of a book – and a must read for crime and thriller fans.

A second novel is a tricky beast – can the author do it again? Can they build on the success of the first? Can it follow in the same genre without being too much the same?
Kavanagh has succeeded with Hidden when other authors have failed. Similarly to some series on television, the novel starts with the crime and then takes the reader back a stage, to the start of the action. Rather than peeling away the layers to get at ‘who dun it,’ Kavanagh builds up the layers, so that we get to the ‘why’ of ‘who dun it’. Clever stuff, with multiple viewpoints. Kavanagh uses her years of experience training police forces and military units on the psychology of life threatening incidents, to give credence to her work. The tension builds, and never lets up.
Let’s hope there’s another Kavanagh gem soon. Bravo.

The most cunning crime novels, like many of the greatest detectives, trick you into believing you’re smarter than them before pulling out the rug from under you. None more so than Hidden… Kavanagh is certainly deft, batting around the reader like a car with a caught mouse.

It’s clever, complicated and the characters are completely believable….Kavanagh is an original and interesting addition to the genre.