Author:David Bellos
The full story of one of France's greatest cinema legends, a clown whose film-making innovation was to turn everyday life into an art form.
Jacques Tati's Monsieur Hulot, unmistakable with his pipe, brolly and striped socks, was a creation of slapstick genius that made audiences around the world laugh at the sheer absurdity of life. This biography charts Tati's rise and fall, from his earliest beginnings as a music hall mime during the Depression, to the success of Jour de Fête and Mon Oncle, to Playtime, the grandiose masterpiece that left the once celebrated director bankrupt and begging for equipment to complete his final films.
Analysing Tati's singular vision, Bellos reveals the intricate staging of his most famous gags and draws upon hitherto inaccessible archives to produce a unique assessment of his work and its context for film lovers and film students alike.
[An] outstanding filmmaker biography... Deconstructs the French comedian-auteur as if he were an intricate human clock mechanism, which in some ways he was
—— Nigel Andrews , Financial TimesThe best of the year’s biographies...David Bellos examines with perception and style how the creator of Monsieur Hulot staked a legitimate claim in a rapidly changing medium to the mantle once worn by Chaplin and Keaton
—— John Coldstream , Daily TelegraphElegantly written and illustrated, brilliantly illuminating about the work... this is a book of which Jacques Tati, who was extremely proud of his work but never thought much of himself, would surely approve
—— Margot Norman , Literary ReviewThis splendidly illustrated book pays a handsome tribute to a comic creator whose craft was an art which turned a delight in human absurdity into the most accessible form of sanity
—— David Coward , Times Literary SupplementA witty, well-informed collection of fact and anecdote, full of fascinating bits and pieces
—— UncutGoddard widens his previous book's mixture of detail and passionate celebration to Morrissey's entire aesthetic universe
—— Dave Hill , The Guardian