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Japan
Dec 27, 2024 8:47 PM

Author:Christopher Harding,Alex Bellos,Rana Mitter,David Peace,SF Said,Natasha Pulley,Matthew Sweet,Richard Lloyd Parry,Roy Jenkins,Philip Dodd,Various

Japan

A captivating anthology of programmes, painting a multi-faceted portrait of a unique country

Japan is a land of complexity, contrast and contradictions. The world's third-largest economy, it is a powerhouse of innovation and a pioneer in technology, fashion and pop culture. But it also has a rich, ancient heritage and a deep reverence for custom, ritual and tradition. This illuminating 2-part radio collection traverses the different aspects of this fascinating country, from its famous historical figures to its diverse cultural landscape.

Part 1: History opens with Japan in Five Lives, in which cultural historian Christopher Harding portrays the lives of five colourful characters from the country's past to answer the question 'Who are the Japanese'? In Killing Time in Imperial Japan, he explores early 20th Century Tokyo, a bustling, cosmopolitan capital where the meaning of 'time' was hotly contested. Dark Blossoms sees him examining the doubts and misgivings accompanying Japan's rapid embrace of modernity, while in Japanese Tsunami, broadcasters Richard Lloyd Parry and Matthew Sweet discuss the devastating natural disaster that rocked the country in 2011. In Land of the Rising Sums, Alex Bellos visits Kyoto to ask why Asian cultures seem so much better at maths; in Japan and Religion, Roy Jenkins discusses the place of religious traditions in modern Japan; and in Supernatural Japan, Christopher Harding looks at how the Japanese have used ghosts and ghost stories to make sense of their world.

Part 2: Culture celebrates Japan's art, literature and film. In Japan Now 2020, Philip Dodd talks to writers Hiromi Ito and Yukiko Motoya and photographer Tomoko Sawada about women's roles in Japanese culture today. Meanwhile, in Images of Japan, illustrator Fumio Obata and manga translator Jocelyne Allen discuss Japanese comic book imagery, and we join novelists Kyoko Nakajima and Yuya Sato in conversation with Christopher Harding. Landmark: Seven Samurai and Landmark: Rashomon see Matthew Sweet and Rana Mitter investigating the stories behind Akira Kurosawa's two most influential films, in the company of guests including film scholar Ian Christie and authors SF Said, David Peace and Natasha Pulley. The Tale of Genji takes us into the shimmering world of mediaeval Japan, as Rana Mitter explores Murasaki Shikibu's masterpiece, widely considered to be the world's first novel. Finally, in Godzilla and Hayao Miyazaki, Christopher Harding considers cinematic depictions of Japanese fear, as exemplified by the legendary monster king and the 2013 animated film The Wind Rises.

Contents

Japan in Five Lives

Killing Time in Imperial Japan

Dark Blossoms

Japanese Tsunami

Land of the Rising Sums

Japan and Religion

Supernatural Japan

Japan Now 2020

Images of Japan

Landmark: Seven Samurai

Landmark: Rashomon

The Tale of Genji

Godzilla and The Wind Rises

© 2022 BBC Studios Distribution Ltd. (P) 2022 BBC Studios Distribution Ltd.

Reviews

Lewis Gordon's expansive philosophical engagement with the current moment - its histories and globalities, its politics and protests, its visual and sonic cultures - reminds us that the ultimate aim of Black freedom quests is, indeed, universal liberation

—— Angela Y. Davis , author of Women, Race and Class

Powerful . . . one of the most prominent scholars of racism, tries to enrich our knowledge with his unique brand of intellectual precision and analysis

—— Kehinde Andrews , Observer

Gordon's surprising observations crack open the mind to connect various creative disciplines

—— Vanessa Willoughby , Literary Hub

Reading Fear of Black Consciousness had me nodding so often and so vigorously, I got a mild case of whiplash . . . With surgical precision, laser sharp wit, and the eye of an artist, Lewis Gordon doesn't just dissect race, racism, and racial thinking but offers a clarion call to embrace Black Consciousness, to take political responsibility for decolonizing and transforming the world as it is

—— Robin D G Kelley , author of Thelonious Monk: The Life and Times of an American Original

A thinker whose reflections on race have produced singular illuminations on our times . . . he draws on a wide range of colonial histories, African popular culture, aboriginal histories, contemporary films and stories, to show the critical powers of creativity in dismantling racism by the making of Black consciousness, the making of a world where breath and love and existence become possible

—— Judith Butler , author of Gender Trouble

Striking... You will want Lewis Gordon's Fear of Black Consciousness among your primary intellectual road supplies for the future

—— Hortense Spillers , author of Black, White and in Color

As atrocity, injury, white supremacy, and racial violence loom, Gordon holds steady a Fanonian outlook, theorizing black consciousness as the realization of possibility - that is, a sustained political commitment that recalculates the stakes of freedom

—— Katherine McKittrick , author of Demonic Grounds

A resolute response to the ongoing pessimism . . . Gordon seamlessly weaves together discussions of contemporary and historical Western philosophers such as Gabriel Marcel and Friedrich Nietzsche with his analyses of film, music, culture, and more . . . Sprinkled with personal stories, witty anecdotes, and powerful arguments, the book encourages readers to rethink historical descriptions of anti-black violence as well as the vocabulary used to talk about race and racism today.

—— Edward O'Byrn , The Philosophical Quarterly

I just love it

—— John Connolly

Unusual, arresting and genuinely enriching

—— Sharon Arbuthnot , Irish Times

Highly original . . . engagingly candid [and] thought-provoking

—— Martina Devlin , Irish Independent

I loved this luminous, radical book about bodies in time. It is a deeply personal history, that simultaneously brings medieval myth and poetry to breathing, bleeding life. An education for the mind and the heart

—— Clare Pollard

Fiercely smart, strange, surprising

—— Jennifer O'Connell , Irish Times

Extremely intriguing . . . I found myself completely absorbed. Fascinating

—— Ryan Tubridy

Everything is illuminated, magnified, revisioned: sexual desire, motherhood, family. Her writing is unorthodox, unnerving, and very exciting

—— Tanya Shadrick, author of The Cure for Sleep

An outstanding achievement. Fierce Appetites defies easy categorization, is brilliantly written and simply deserves to be read

—— Darach Ó Séaghdha

I absolutely loved this utterly original book. Immersing myself in Elizabeth Boyle's considerable brain was a true privilege, and the way she uses medieval narratives to unpick her own present was endlessly surprising and beautiful. I read it in two sittings, devouring her perspective on life, love, loss

—— Clover Stroud

[A] marvellous, astonishing, funny, moving, wise, reflective, deeply scholarly, fascinating book

—— Aidan O'Sullivan

All twelve essays are freighted with that fierceness the title trumpets

—— RTÉ Guide

This book is extraordinary . . . a wonderful work of women's memoir

—— Sinéad Crowley

There's been a swell of books about the former German Democratic Republic this year, but this chunky tome might be the best. Historian Hoyer blends large-scale political insights with engaging personal stories

—— Independent, Summer Books

Katja Hoyer’s history of East Germany infuses history with memoir to tell a story of country that will surprise many of us by holding up facts to our prejudices about the place. Through political, economic and social history, Beyond the Wall presents an East Germany that was not as backward as most thought and one that, for all its repression, offered some economic security that today’s east Germans might feel they lack

—— Eoin O'Malley , Irish Independent

Katja Hoyer's monumentally successful history of the GDR is a call to restore the history of East Germany to the mainstream of German modern history ... a feast of vignettes and anecdotes, it is a genuine pleasure to read

—— Roger Moorhouse , Aspects of History

Beyond the Wall recreates vividly what it was like to live under communist rule behind the Iron Curtain. Fascinating and wholly original

—— Richard Hopton , Country and Town House

Through interviews and personal experience, Katja Hoyer brings a new understanding to a country that has now vanished ... A fresh look at what life was like for average people in East Germany ... intriguing and surprising

—— ABC, Radio National

With Beyond the Wall, Katja Hoyer confirms her place as one of the best young historians writing in English today. On the heels of her superb Blood and Iron, about the rise and fall of the Second Reich, comes another masterpiece, this one about the aftermath of the Third Reich in the East. Well-researched, well-written and profoundly insightful, it explodes many of the lazy Western cliches about East Germany

—— Andrew Roberts

Utterly brilliant. This gripping account of East Germany sheds new light on what for many of us remains an opaque chapter of history. Authoritative, lively and profoundly human, it is essential reading for anyone seeking to understand post-WW2 Europe

—— Julia Boyd

A gripping and nuanced history of the GDR from its beginnings as a separate German socialist state against the wishes of Stalin to its final rapprochement with its Western other against those of Gorbachev. Beyond the Wall is a unique fresco of everyday reality in East Germany. Elegantly moving between diplomatic history, political economy and cultural analysis, this is an essential read to understand not only the life and death of the GDR but also the parts of it that still survive in the emotions of its former citizens.

—— Lea Ypi

Superb, totally fascinating and compelling, Katja Hoyer's first full history of East Germany's rise and fall is a work of revelatory original research - and a gripping read with a brilliant cast of characters. Essential reading

—— Simon Sebag Montefiore

A beyond-brilliant new picture of the rise and fall of the East German state. Katja Hoyer gives us not only pin-sharp historical analysis, but an up-close and personal view of both key characters and ordinary citizens whose lives charted some of the darkest hours of the Cold War. If you thought you knew the history of East Germany, think again. An utterly riveting read

—— Julie Etchingham

A fantastic, sparkling book, filled with insights not only about East Germany but about the Cold War, Europe and the forging of the 20th and 21st centuries

—— Peter Frankopan

The joke has it that the duty of the last East German to escape from the country was to turn off the lights. In Beyond the Wall Katja Hoyer turns the light back on and gives us the best kind of history: frank, vivid, nuanced and filled with interesting people

—— Ivan Krastev

A refreshing and eye-opening book on a country that is routinely reduced to cartoonish cliché. Beyond the Wall is a tribute to the ordinary East Germans who built themselves a society that - for a time - worked for them, a society carved out of a state founded in the horrors of Nazism and Stalinism

—— Owen Hatherley

A colourful and often revelatory re-appraisal of one of modern history's most fascinating political curiosities. Katja Hoyer skilfully weaves diverse political and private lives together, from the communist elite to ordinary East Germans

—— Frederick Taylor

Katja Hoyer is becoming the authoritative voice in the English speaking world for all things German. Thanks to her, German history has the prominence in the Anglosphere it certainly deserves.

—— Dan Snow

Katja Hoyer brilliantly shows that the history of East Germany was a significant chapter of German history, not just a footnote to it or a copy of the Soviet Union. To understand Germany today we have to grapple with the history and legacy of its all but dismissed East

—— Serhii Plokhy

Katja Hoyer's return to discover what happened to her homeland - the old East Germany - is an excellent counterpoint to Stasiland by Anna Funder

—— Iain Macgregor

Beguiling and beautifully written, this is the work of an author with a bright future

—— Tortoise

Coruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force

—— Yorkshire Times

Fierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you

—— Economist

I was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything

—— Lauren Elkin, author of 'Flaneuse'

Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow

—— MoneyControl

A masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound

—— Tess Gunty , Guardian

An extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended

—— Financial Times on 'Assembly' in audiobook

'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'

—— Rebecca Tamas, author of 'Witch'

Every line of this electrifying debut novel pulses with canny social critique

—— Oprah Daily

Devastatingly eloquent, bold, poignant

—— Shelf Awareness

An achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next

—— Shondaland

[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising

—— Rowan Hisayo Buchanan , Guardian

A brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment

—— Guardian, 'Best Fiction of 2021' , Justine Jordan
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