Author:Mihail Sebastian
'Deserves to be on the same shelf as Anne Frank's Diary and to find as huge a readership' - Philip Roth
Mihail Sebastian was a promising young Jewish writer in pre-war Bucharest, a novelist, playwright, poet and journalist who counted among his friends the leading intellectuals and social luminaries of a sophisticated Eastern European culture. Because of Romania's opportunistic treatment of Jews, he survived the war and the Holocaust, only to be killed in a road accident early in 1945. His remarkable diary was published only recently in its original language and is here translated into English for the first time.
Sebastian's Journal offers not only a chronicle of the darkest years of European anti-Semitism but a lucid and finely shaded analysis of erotic and social life, a reader's notebook, and a music lover's journal. Above all, it is a measured but blistering account of the major Romanian intellectuals, Sebastian's friends, writers and thinkers who were mesmerised by the Nazi-fascist delirium of Europe's 'reactionary revolution'. In poignant and memorable sequences, Sebastian touches on the progression of the machinery of brutalisation and on the historical context that lay behind it.
One of the most remarkable literary achievements of the Nazi period, Sebastian's journal vividly captures the now-vanished world of pre-war Bucharest. Under the pressure of hatred and horror in the 'huge anti-Semitic factory' that was Romania in the years of World War II, his writing maintains the grace of its intelligence, standing as one of the most important human and literary documents to survive from a singular era of terror and despair.
This book is alive, a human soul lives in it, along with the unfolding ghastliness of the last century, which passed an inch away from Sebastian's nose. His prose is like something Chekov might have written - the same modesty, candour, and subtleness of observation. Here is a life, and an absurd death, whose spell will last a long time
—— Arthur MillerThis humane masterpiece deserves to be ranked alongside the diaries of Victor Klemperer for its quiet, and indeed humorous, insights into the nature of wickedness
—— Paul Bailey , Times Literary SupplementA brilliantly haunting account of the rise of anit-Semitism and Fascism. At times it gives so intimate a feeling of fear that it is painful to read
—— BBC HistoryMoving, perceptive and sharply observed...the journal is a valuable addition not just to the canon of wartime and holocaust literature, but to that of all humanity
—— Literary ReviewFascinating… Tinniswood’s main aim here is not, in the end, to prove an abstract argument, but to tell some very good stories – something he does extremely well, with a command of atmospheric detail and a fund of human sympathy.
—— Noel Malcolm , Sunday TelegraphGlobalisation comes to mind when reading The Rainborowes.
—— Thomas Quinn , Big IssueTinniswood’s exceptional account succeeds in bringing the idealistic, God-fearing and often violent Rainborowes to life, while at the same time exploring the perils involved in trying to build a new state in two very different but intimately connected societies.
—— Ian Critchley , Sunday TimesA fascinating truth-is-stranger-than-fiction story.
—— Stourbridge ChronicleA masterful history of Olde and New England during the turbulent years of the Civil War.
—— Amanda Foreman , Mail on SundaySo impressive… Tinniswood writes in a fluent, engaging style, and has an impressive ability to recount a telling detail that simultaneously provides a larger historical perspective. The Rainborowes will appeal to a broad range of readers.
—— Claire Jowitt , BBC History Magazine[Tinniswood] adopts many techniques of a historical novelist to give a vivid urgency to portraits of events and a richness and colour to descriptions of places... The book has a commendable honesty as well as high literary quality.
—— Ronald Hutton , History TodayAtmospheric
—— Daily TelegraphThis is a gripping account of an extraordinary period
—— Good Book GuideLike the author's biography of Bruce Chatwin, this is, beneath the obvious drama, a subtle, masterfully written work
—— Thomas Keneally , The Australian, Books of the YearThis absorbing book has many of the excitements of a thriller
—— SpectatorPriscilla's is a remarkable story, teased out with great skill by her nephew, himself one of the best English novelists of our time
—— Allan Massie , Wall Street JournalNicholas Shakespeare has employed all his superb gifts as a writer to tell the picaresque tale of his aunt in wartime occupied France. Priscilla is a femme fatale worthy of fiction, and the author traces her tangled, troubled, romantic and often tragically unromantic experiences through one of the most dreadful periods of 20th century history
—— Max HastingsA thrilling story… an intimate family memoir, a story of survival and a quest for biographical truth
—— Sebastian Shakespeare , Tatler[An] extraordinary true story of the author's aunt. A life of dark secrets, glamour, adventure and adversity during wartime.
—— Fanny Blake , Woman & HomeA tantalisingly original perspective of the Second World War…Shakespeare shines a moving, intriguing light on the moral quandaries faced by ordinary civilians
—— Robert Collins , Sunday TimesPriscilla is an unusual book, part biography, part family memoir, part detective story, but it reads like a novel and I found it impossible to put down. As an evocation of the period and the moral hypocrisy of the times, it could hardly be bettered (4 stars, Book of the Week)
—— Juliet Barker , Mail on SundayThe novelist and biographer relates the extraordinary wartime derring-doings of his glamorous aunt, whose hidden past he discovered when he stumbled across a box of her papers. Glamorous and morally ambiguous, she married a French aristocrat, escaped from a PoW camp and at the liberation of Paris, was having a relationship with a mysterious man called “Otto”. Woven into her life story is a wealth of detail about life in Occupied France. Obvious appeal for fans of Agent Zigzag, Antony Beevor and Sebastian Faulks but also Suite Française. I was enthralled by it
—— Caroline Sanderson , The BooksellerAssiduous archival research is blended with the flair and craft of an acclaimed novelist
—— Times Literary SupplementA tender account of one woman's unpredictable, secretive and self-scarring wartime experiences... [Shakespeare is] a gifted novelist and biographer
—— Gaby Wood , Australian Financial ReviewAn excellently researched, beautifully written and unflinching memoir
—— Sarah Warwick , UK Press SyndicationGripping
—— Jeremy Lewis , Literary ReviewThe incredible story of the author's aunt, a young English woman in France during the Nazi occupation
—— Lutyens & Rubinstein , Absolutely Notting HillNicholas's research provides Priscilla with a full identity as a young, vulnerable woman whose heroism lay in being true to herself in terrifying times
—— Iain Finlayson , SagaAs both a biographer and novelist, [Shakespeare] is admirably placed to tell such a curious but utterly compelling story
—— Good Book GuideA story as haunting and improbable as any of the fictions of Modiano... Gripping
—— Julian Jackson , StandpointThis is both a family memoir and meticulously researched historical account of the dangerous world of Nazi-occupied France... Shakespeare perfectly captures the perilous and precarious atmosphere, and provides insight into the complexity of women's lives at that time
—— Alice Coke , Absolutely FulhamFascinating and sobering
—— Mail on Sunday[A] fascinating and lively history
—— 4 stars , Daily TelegraphVery complex – but you will grasp it
—— William Leith , Evening StandardA fascination exploration
—— Mail on SundayHighly readable but profoundly researched, The Trigger represents a bold exception to the deluge of First World War books devoted to mud, blood and poetry
—— Ben Macintyre , The Timesa fascinating original portrait of a man and his country
—— Country and Town House