Author:Joe Sacco
‘The blessing of an inherently interpretive medium like comics is that it hasn't allowed me to . . . make a virtue of dispassion. For good or for ill, the comics medium is adamant, and it has forced me to make choices. In my view, that is part of its message’ – from the preface by Joe Sacco
Over the past decade, Joe Sacco has increasingly turned to short-form comics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost international correspondents working today.
Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's 'untouchables' to the ordeal of sub-Saharan refugees washed up on the shores of Malta. Sacco also confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history – the torture of detainees.
Vividly depicting Sacco's own interactions with the people he meets, the stories in this remarkable collection argue for the essential truth in comics reportage, an inevitably subjective journalistic endeavour. Among Sacco's most mature and accomplished work, Journalism demonstrates the power of a great comics artist to chronicle lived experience with a force that often eludes other media.
It is clear that Sacco is one of the masters of his craft.
—— Alex Hern , New StatesmanOne of the most original cartoonists of the past two decades.
—— GuardianSacco is formidably talented. A meticulous reporter…and a gifted artist whose richly nuanced drawings tread a delicate path between cartoonishness and naturalism.
—— IndependentJoe Sacco's brilliant, excruciating books of war reportage are potent territory... He shows how much that is crucial to our lives a book can hold.
—— New York Times Book ReviewMoving and informative.
—— Rachel Cooke , ObserverAs reportage, these pieces are as evocative as documentary film, and yet, drawn in Sacco’s calm, simple lines, as restrained, characterful and understated as the very best journalism.
—— Robert Collins , Sunday TimesPretty much the hands-down boss of his particular corner of contemporary literature.
—— Stuart Hammond , Dazed & ConfusedCollected here for the first time, Sacco’s darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today.
—— Military TechnologyWellum's story is astonishing . . . moving yet startlingly clear-eyed
—— Andrew Pettie , TelegraphNo other account of flying in the Battle of Britain has been articulated as well as Geoffrey's in First Light
—— Gillian Crawley , Daily ExpressA brilliantly fresh, achingly written memoir. Thrilling and frightening on virtually page . . . Wellum takes you into battle with him. A book for all ages and generations, a treasure
—— Daily ExpressAmazing fresh and immediate . . . absolutely honest, it is an extraordinarily gripping and powerful story
—— Evening StandardWeimar Germany… was arty, tolerant, and forward-looking. But other forces lurked. Hett explains these forces, and their devastating effects, superbly well.
—— William Leith , Evening StandardChilling reading … Serves as a warning to the West’s imperilled democracies … Faced with jingoist politicians who resort to poisonous lies, [Hett’s] book fairly proclaims, the forces of democracy can prevail only if they muster courage, resolve and cooperative spirit.
—— Roger Lowenstein , Washington PostHistories of Nazi Germany can be overwhelming. The Death of Democracy is carefully focused on the conditions and cynical choices that enabled Nazism, in just a few years turning one of the world’s most advanced and liberal societies into a monstrosity. Its author is also that rarity, a specialist who writes lucidly and engagingly. In this post-truth, alternative-facts American moment, The Death of Democracy is essential reading.
—— Kurt Andersen, author of FantasylandThe story of how Germany turned from democracy to dictatorship in the fifteen years following World War I is not a simple one. But the moral lessons are exceptionally clear. Benjamin Carter Hett honours that complexity in this account while never straying from the path of moral clarity. An outstanding accomplishment.
—— Rick Perlstein, author of Nixonland and The Invisible BridgeHett’s brisk and lucid study offers compelling new perspectives inspired by current threats to free societies around the world… It is both eerie and enlightening how much of Hett’s account rings true in our time. The larger story he tells resonates, too.
—— E. J. Dionne , Washington PostA first-rate history lesson with a surprisingly prescient message for the world of today... Hett's sharp prose and careful use of newfound material not only sets the work apart from that of his peers, but also effectively draws significant (and particularly scary) parallels with current socio-political climates.
—— Essential JournalismInspirational
—— ExpressPowerful ... hard to put down.
—— Choice MagazineComparisons to Man's Search for Meaning are natural but this work has the potential to be even more bold.
—— Michael Berenbaum, Former Project Director, US Holocaust Memorial MuseumThe distressed fabric of the author's traumatic past becomes a beautiful backdrop for a memoir written with integrity and conviction...A searing, astute study of intensive healing and self-acceptance through the absolution of suffering and atrocity.
—— Kirkus ReviewsA splendidly colourful read ... an enthralling and resonant story of populist politicians, and religious war, and the reshaping of nations
—— BooksellerThis book’s fascination is as a joint portrait of the royal couple, the most human of historical actors in England’s greatest political drama.
—— Rebecca Fraser , The TabletA highly intelligent, fair and sympathetic biography.
—— Allan Massie , The Catholic Herald[ An] absorbing biography of Charles I
—— The TelegraphThis is a striking insight into both developing contemporary thought and religious controversies
—— Terry Philpot , The Tablet, **Books of the Year**White King is a lively attempt to make him [Charles I] flesh and blood
—— Robbie Millen , The Times, **Books of the Year**