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King and Emperor
King and Emperor
Oct 2, 2024 8:29 PM

Author:Janet L. Nelson

King and Emperor

A DAILY TELEGRAPH AND BBC HISTORY MAGAZINE BOOK OF THE YEAR 2019

'A remarkable book: the dramatic story of a truly extraordinary man ... brilliant' Helen Castor, author of She-Wolves

A major new biography of one of the most extraordinary of all rulers, and the father of present-day Europe

Charles, King of the Franks, is one of the most remarkable figures ever to rule a European super-state. That is why he is so often called 'Charles the Great': by the French 'Charlemagne', and by the Germans 'Karl der Grosse'. His strength of character was felt to be remarkable from early in his long reign. Warfare and accident, vermin and weather have destroyed much of the evidence for his rule in the twelve centuries since his death, but a remarkable amount still survives.

Janet L. Nelson's wonderful new book brings together everything we know about Charlemagne and sifts through the evidence to come as close as we can to understanding the man and his motives. Nelson has an extraordinary knowledge of the sources and much of the book is a sort of detective story, prying into and interpreting fascinating material and often obdurate scraps, from prayerbooks to skeletons, gossip to artwork.

Above all, Charles' legacy lies in his deeds and their continuing resonance, as he shaped duchies and counties, rebuilt and founded towns and monasteries, and consciously set himself up not just as King of the Franks, but as the new 'Emperor governing the Roman Empire'. His successors - in some ways to the present day - have struggled to interpret, misinterpret, copy or subvert Charlemagne's legacy. Nelson gets us as close as we can ever hope to come to the real figure, as understood in his own time.

Reviews

Nelson assembles an astonishingly rich picture from the most unrewarding of texts. The way she puzzles out probable facts and motivations is a joy to witness ... The narrative voice emerges as that of a patient, inquisitive, incisive and helpful master detective, with funny asides, a beautiful style and sensible politics.

—— Bettina Bildhauer , Times Literary Supplement

This is a terrific book ... It is lovely to read, in part because it is so lightly written ... One leaves Jinty Nelson's book with the sense that one does, yes, get from it a sense of what Charlemagne was actually like. Which is what biographies are for, and why this is one to read.

—— Chris Wickham , History Today

An immense achievement - brilliantly learned and profoundly wise, it is as revelatory about the practise of history as it is about the great man himself.

—— Helen Castor , BBC History Magazine

An imaginative, deeply thoughtful, often provocative, always important book.

—— Geoffrey Koziol, Professor of History at UC Berkeley

This is a remarkable book: at once the dramatic story of a truly extraordinary man, and a masterclass in the practice of history from a superlative historian. Janet Nelson's brilliant insight illuminates a world that is both familiar and strange, and full of resonances between past and present. Here - seen through challenging sources, sifted and weighed with wisdom and wit - is everything we can know, twelve centuries on, about the king and emperor called Charlemagne.

—— Helen Castor, author of SHE-WOLVES and JOAN OF ARC

Christianity entered a new era in 800 when Charles, King of the Franks, became the first Holy Roman Emperor, and entrenched the faith in European civilisation. His story is told in Janet L Nelson's outstanding King and Emperor.

—— The Telegraph

[The author is] a giant in the field, who knows that myths concerning Charlemagne, which began before his corpse grew cold, are difficult to lay to rest.

—— H-France Review

Riveting, immensely insightful and horrifically recognisable

—— Emma Dabiri

A must read for everyone

—— Lynn Ruane

Compelling ... devastatingly human, [Republic of Shame] will make you shake with sadness and anger

—— RTÉ Guide

A beautifully written and impeccably researched book ... We need more books like this

—— Caitriona Palmer

Caelainn's book brings real people to the fore

—— Hot Press

A vital and damning portrait of Ireland's mother and baby homes

—— GCN.ie

I've laughed, cried & RAGED reading this book

—— Taryn De Vere

For anyone interested in understanding modern Ireland. A compelling and beautifully written investigation into institutions for "fallen women" and the culture which facilitated them

—— Siobhán Fenton

Caelainn Hogan's harrowing account of the "shame industrial complex" shows how the legacy of Ireland's treatment of "fallen women" remains part of the scenery of modern life

—— Totally Dublin

[A] sensitive, can't-look-away book ... Through moving stories, Hogan shows how the past is still present

—— NPR

A gripping, eye-opening and challenging read ... Hogan sheds light on the darkest corners of our recent history in Ireland, but also holds up a mirror to today

—— Dublin Inquirer

Its pleasures are slow, cumulative and utterly absorbing, it would be the perfect choice for a holiday with long stretches of reading time… A wonderful meditation on the half-truths and half-lights that make up our understanding of a life

—— Lucy Lethbridge , Tablet, *Summer reads of 2019*

An absolute masterpiece. A book bursting with love – love lost and love found, love misunderstood, unsaid and denied. I was spellbound by Laura Cumming’s warm, intelligent, searching voice and her intense scrutiny of images to reveal the unexpected and make us think again. I am in complete awe. A beguilingly lovely book – as big as the sea

—— Keggie Carew, author of Dadland

An absolutely utterly transfixing narrative which I could hardly bear to leave in order to go to sleep at night and which I could not wait to wake up to in the morning, writing of such sublime beauty that I delighted in page after page, and above all a story of such emotional power, not only about Laura’s mother, but also about Laura herself, that sometimes I found myself putting my copy down just to take a moment to breathe

—— Juliet Nicolson, author of A House Full of Daughters

An intricately structured and perfectly written swirl of memoir, history and art: the prose equivalent of beautifully marbled paper. I adored it

—— Adèle Geras

A true masterpiece: an unveiling of family secrets written in prose of the utmost beauty, and an astonishing act of filial love. Read it!

—— Jonathan Coe

Exquisitely written, compelling and painful

—— Amanda Craig

[An] intriguing and beautiful book… Cumming summons a novelist’s skill, making it impossible to stop reading the unravelling story. Every chapter ends with a new discovery, or the potential for one, and right up to the very last page the serpentine revelations twist like an anaconda

—— Sue Gaisford , Tablet

Haunting, luminous and revelatory… one of the best memoirs in recent years

—— Sarah Hughes , i, *Best books of 2019*

[A] compelling, beautifully written book… Chapter by chapter, Cumming slowly pieces together an authentic portrait of her ancestors, a paean dedicated lovingly to her mother

—— Jackie Annesley , Daily Mail

Extraordinary… It is a scrupulously, luminously empathic book, and the work of a masterful storyteller

—— Stephanie Cross , The Lady

A remarkable new book, which blends mystery, memoir, art criticism and Lincolnshire history… The story may be unique but the themes are universal

—— Yusef Sayed , Lincolnshire Life

A profound and beautiful book… Cumming illuminate the darkness of secrets, shame and betrayal and their effects in a riveting book

—— Kirsty McLuckie , Scotland on Sunday

[An] excellent mystery memoir

—— attitude

The story, beautifully written, is enriched by Cumming’s skill at making pictures speak

—— Mark Mazower , Financial Times

On Chapel Sands is as compelling as any detective novel of the golden age. The rigour and pace of the writing, its themes of mistaken identity, confinement and sexual deceit are reminiscent of Josephine Tey

—— Nancy Campbell , Times Literary Supplement

Laura Cumming writes very beautifully and I take real pleasure in the prose

—— Jacqueline Wilson , Time & Leisure

On Chapel Sands is beautifully written, immersive and moving – and it’s one of the finest books of the year

—— Will Gore , Spectator

A haunting investigation into family trauma and secrets from a forgotten England that turns out to lie closer to the surface than anyone suspected. Turning detective, she [Laura Cumming] interrogates old snapshots with the forensic skill of a professional art critic

—— Mark Mazower , New Statesman, *Books of the Year*

On Chapel Sands starts by seeming to be about one kind of mystery but soon starts being about another, much more profound one… the subtlety and suspense of the narrative lies in the way Cumming allows details about their relationship to emerge slowly, like a photograph socking in developing fluid

—— Bee Wilson , London Review of Books

With her critic’s eye, Cumming turns detective to investigate who took her mother and tell a pacy story about relationships, pride and the ramifications of what goes unsaid

—— Susannah Butter , Evening Standard, *Books of the Year*

In a year strong in ingenious memoir, Laura Cumming’s On Chapel Sands…stood out, not just for its great storytelling but for Cumming’s wonderful ability to bring to life a Lincolnshire coastal community…its moods, characters and toxic secret-harbouring machinery

—— Claire Harman , Evening Standard, *Books of the Year*

This beautifully written memoir of family mystery proved one of the surprise hits of 2019

—— James Marriot , The Times, *Books of the Year*

[A] twisting literary mystery that also serves as a deeply moving love letter

—— Claire Allfree , Metro, *Books of the Year*

A complex story of family secrets, beautifully written, and illustrated

—— Craig Brown , Mail on Sunday, *Books of the Year*

A beautiful, multi-layered story full of lost love, human motivation and tender secrets

—— SheerLuxe

[A] bewitching blend of history and mystery

—— Charlotte Heathcote , Daily Mirror

A scrupulous work of storytelling, radiant with empathy and filial affection

—— Hephzibah Anderson , Observer
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