Author:Owen Hatherley
'In the craven world of architectural criticism Hatherley is that rarest of things: a brave, incisive, elegant and erudite writer, whose books dissect the contemporary built environment to reveal the political fantasies and social realities it embodies' Will Self
During the course of the twentieth century, communism took power in Eastern Europe and remade the city in its own image. Ransacking the urban planning of the grand imperial past, it set out to transform everyday life, its sweeping boulevards, epic high-rise and vast housing estates an emphatic declaration of a non-capitalist idea. Now, the regimes that built them are dead and long gone, but from Warsaw to Berlin, Moscow to post-Revolution Kiev, the buildings, their most obvious legacy, remain, populated by people whose lives were scattered and jeopardized by the collapse of communism and the introduction of capitalism.
Landscapes of Communism is an intimate history of twentieth-century communist Europe told through its buildings; it is, too, a book about power, and what power does in cities. Most of all, Landscapes of Communism is a revelatory journey of discovery, plunging us into the maelstrom of socialist architecture. As we submerge into the metros, walk the massive, multi-lane magistrale and pause at milk bars in the microrayons, who knows what we might find?
Can one talk yet of vintage Hatherley? Yes, one can. Here are all the properties that have made him one of the most distinctive writers in England - not just 'architectural writers', but writers full stop: acuity, contrariness, observational rigour, frankness and beautifully wrought prose. This is a tempered love letter to eastern Europe and a fullblown love letter to an eastern European woman. I can't think of anything remotely akin
—— Jonathan MeadesThe latest heir to Ruskin.
—— Boyd Tonkin , IndependentHatherley is the most informed, opinionated and acerbic guide you could wish for.
—— Hugh Pearman , Sunday TimesAristocratic values, imperial mindsets and the emergence of modern nationalisms are the big themes of this illuminating history of late tsarist Russia by Lieven... he writes with all the clarity, conviction and fluent command of sources that readers have come to expect of him
—— Tony Barber , Financial TimesThis magnificent book, lively in perceptions and bristling with empirical novelty, traces the origins of the Russian-German rivalry. It is a pleasure to read
—— Robert Service , Literary Review[Lieven's] intimate familiarity with the Russia he describes and his extensive study of the letters, diaries and books of the chief actors in Russia's descent "towards the flames" - many not hitherto accessible to historians - are what render this book so authoritative and readable
—— Serge Schmemann , The New York TimesLieven presents Russia's road to war and revolution as a classical tragedy - a fate driven by the character of both the country and its rulers... [he] recovers a world that has been lost
—— William Anthony Hay , The Wall Street JournalLieven has a double gift: first, for harvesting details to convey the essence of an era and, second, for finding new, startling, and clarifying elements in familiar stories. This is history with a heartbeat, and it could not be more engrossing
—— Robert Legvold , Foreign AffairsIlluminating history of late tsarist Russia. Lieven writes with all the clarity, conviction and fluent command of sources that readers have come to expect of him
—— Tony Barber , FTRevelatory (...) adds freshness and texture to her account with original speculations. As someone who once wrote a book about the Brontës' afterlives, few people can have read as many biographies of them as I have. I thought I was Brontë-ed out, but reading this book-which will be equally accessible to someone coming to Charlotte for the first time-has drawn me back in
—— Lucasta Miller, The IndependentThree rounds of applause...for Claire Harman's superb retelling of Charlotte's story
—— Mark Bostridge, The Spectator[An] excellent new bicentennial biography....Ms. Harman writes with warmth and a fine understanding of Ms. Brontë's literary significance. Above all, she is a storyteller, with a sense of pace and timing, relish for a good scene and a wry sense of humour
—— EconomistA vigorous new biography (...) Harman does a splendid job
—— Mail on SundayAn immensely readable biography
—— Woman and HomeA substantial biography (...) that lets the disparate pieces speak for themselves
—— Daily TelegraphHarman renders her daring novels fresh, interweaving what shocked critics then with what surprises us still
—— Sunday TelegraphPrepare to suffer similar time-loss at the hands of Harman, Brontë's most recent biographer and a master storyteller in her own right. Level-headed, highly readable and always intelligent, Harman's account of Brontë's life and work is a delight from start to finish
—— Sunday TimesA subtle, measured biography, full of insight into Bronte's fiery intellect as well as the tragic intensity of her experience
—— Helen Dunmore, ObserverHarman brings a fresh eye to many of the same papers studied by Gaskell to compile her Charlotte Brontë: A Life. The Gothic atmosphere and heart-breaking details remain, but Harman achieves a great feat by making the story seem new again
—— Marcus Field, IndependentWith the remarkable advantage of access to long-buried and misfiled primary sources [...] the aging monarch receives a balanced treatment. [Gives] readers a fuller view of the confident, experienced, and adaptable queen
—— Publishers WeeklyThe dean of living Tudor-era historians
—— Christian Science MonitorMeticulously researched and highly readable revisionist biography. Recommended for lovers of British history and feminist biography
—— Library JournalA fresh, thrilling portrait
—— Stacy Schiff , New York TimesOft portrayed as fierce, this reveals an Elizabeth I who is in fact fallible and insecure
—— New DaySignificant, forensic and myth-busting, John Guy inspires total confidence in a narrative which is at once pacy and rich in detail
—— Anna Whitelock , Times Literary SupplementThe brilliance of Elizabeth: The Forgotten Years lies in the energy of its narrative, as well as in Guy's eye and ear for scene and conversation. To interweave all of this with the life of the queen is a formidable achievement. He has captured the complexity of contemporary politics. ... Most striking is Guy's portrait of Elizabeth
—— Stephen Alford , London Review of BooksThis is a helpful and insightful examination of Luther’s attitudes and relationships… Highly recommended.
—— Martin Wellings , Methodist RecorderRoper portrays a deeply flawed but fascinating human being to rival any of the major personalities of Tudor England.
—— Caroline Sanderson , BooksellerI heartily commend Martin Luther… It is simply the best English-language biography of Luther I’ve read and I’d be amazed if its combination of rigorous scholarship and approachable tone is bettered.
—— Francis Philips , Catholic Herald, Book of the Year[A] superb new biography… A challenging and deeply stimulating study of a major historical figure.
—— Elaine Fulton , History TodayThe work of a brilliant scholar, who had devoted years of research to the project, and it repays careful reading… There are rich treasures in the book, without a bout. Roper has a great gift for narrative… Roper’s exploration of the cultural and social world of the Saxon miners is masterly… Fascinating.
—— Euan Cameron , Church TimesA probing psychological account.
—— Very Rev. Professor Iain Torrence , Herald Scotland