Author:Susan Neiman
'An ambitious and engrossing investigation of the moral legacies which stubbornly refuse to pass' Brendan Simms
As the western world struggles with its legacies of racism and colonialism, what can we learn from the past in order to move forward?
Susan Neiman's Learning from the Germans delivers an urgently needed perspective on how a country can come to terms with its historical wrongdoings. Neiman, who grew up as a white girl in the American South during the civil rights movement, is a Jewish woman who has spent much of her adult life in Berlin. In clear and gripping prose, she uses this unique perspective to combine philosophical reflection, personal history and conversations with both Americans and Germans who are grappling with the evils of their own national histories.
Through focusing on the particularities of those histories, she provides examples for other nations, whether they are facing resurgent nationalism, ongoing debates over reparations or controversies surrounding historical monuments and the contested memories they evoke. It is necessary reading for all those confronting their own troubled pasts.
Susan Neiman relates hard truths from which others shrink. Her audacious work is a refreshing change from those, afraid to offend, who leave unsaid things that seem self-evident.
—— The GuardianGrowing up in the American south during the civil rights era, and spending much of her adult life in and around Berlin as a Jewish woman, Neiman has a keen ear for discomforts and awkwardnesses and the tics of guilt and avoidance
—— Anne McElvoy , The ObserverAmbitious and detailed... ranges from the initial reluctance of German citizens to begin the process of truth and reconciliation to small-town Mississippi, and the shooting of nine African American American churchgoers in Charleston, South Carolina
—— The GuardianAn imaginative, deeply thoughtful, often provocative, always important book.
—— Geoffrey Koziol, Professor of History at UC BerkeleyThis is a remarkable book: at once the dramatic story of a truly extraordinary man, and a masterclass in the practice of history from a superlative historian. Janet Nelson's brilliant insight illuminates a world that is both familiar and strange, and full of resonances between past and present. Here - seen through challenging sources, sifted and weighed with wisdom and wit - is everything we can know, twelve centuries on, about the king and emperor called Charlemagne.
—— Helen Castor, author of SHE-WOLVES and JOAN OF ARCChristianity entered a new era in 800 when Charles, King of the Franks, became the first Holy Roman Emperor, and entrenched the faith in European civilisation. His story is told in Janet L Nelson's outstanding King and Emperor.
—— The Telegraph[The author is] a giant in the field, who knows that myths concerning Charlemagne, which began before his corpse grew cold, are difficult to lay to rest.
—— H-France ReviewRiveting, immensely insightful and horrifically recognisable
—— Emma DabiriA must read for everyone
—— Lynn RuaneCompelling ... devastatingly human, [Republic of Shame] will make you shake with sadness and anger
—— RTÉ GuideA beautifully written and impeccably researched book ... We need more books like this
—— Caitriona PalmerCaelainn's book brings real people to the fore
—— Hot PressA vital and damning portrait of Ireland's mother and baby homes
—— GCN.ieI've laughed, cried & RAGED reading this book
—— Taryn De VereFor anyone interested in understanding modern Ireland. A compelling and beautifully written investigation into institutions for "fallen women" and the culture which facilitated them
—— Siobhán FentonCaelainn Hogan's harrowing account of the "shame industrial complex" shows how the legacy of Ireland's treatment of "fallen women" remains part of the scenery of modern life
—— Totally Dublin[A] sensitive, can't-look-away book ... Through moving stories, Hogan shows how the past is still present
—— NPRA gripping, eye-opening and challenging read ... Hogan sheds light on the darkest corners of our recent history in Ireland, but also holds up a mirror to today
—— Dublin InquirerIts pleasures are slow, cumulative and utterly absorbing, it would be the perfect choice for a holiday with long stretches of reading time… A wonderful meditation on the half-truths and half-lights that make up our understanding of a life
—— Lucy Lethbridge , Tablet, *Summer reads of 2019*An absolute masterpiece. A book bursting with love – love lost and love found, love misunderstood, unsaid and denied. I was spellbound by Laura Cumming’s warm, intelligent, searching voice and her intense scrutiny of images to reveal the unexpected and make us think again. I am in complete awe. A beguilingly lovely book – as big as the sea
—— Keggie Carew, author of DadlandAn absolutely utterly transfixing narrative which I could hardly bear to leave in order to go to sleep at night and which I could not wait to wake up to in the morning, writing of such sublime beauty that I delighted in page after page, and above all a story of such emotional power, not only about Laura’s mother, but also about Laura herself, that sometimes I found myself putting my copy down just to take a moment to breathe
—— Juliet Nicolson, author of A House Full of DaughtersAn intricately structured and perfectly written swirl of memoir, history and art: the prose equivalent of beautifully marbled paper. I adored it
—— Adèle GerasA true masterpiece: an unveiling of family secrets written in prose of the utmost beauty, and an astonishing act of filial love. Read it!
—— Jonathan CoeExquisitely written, compelling and painful
—— Amanda Craig[An] intriguing and beautiful book… Cumming summons a novelist’s skill, making it impossible to stop reading the unravelling story. Every chapter ends with a new discovery, or the potential for one, and right up to the very last page the serpentine revelations twist like an anaconda
—— Sue Gaisford , TabletHaunting, luminous and revelatory… one of the best memoirs in recent years
—— Sarah Hughes , i, *Best books of 2019*[A] compelling, beautifully written book… Chapter by chapter, Cumming slowly pieces together an authentic portrait of her ancestors, a paean dedicated lovingly to her mother
—— Jackie Annesley , Daily MailExtraordinary… It is a scrupulously, luminously empathic book, and the work of a masterful storyteller
—— Stephanie Cross , The LadyA remarkable new book, which blends mystery, memoir, art criticism and Lincolnshire history… The story may be unique but the themes are universal
—— Yusef Sayed , Lincolnshire LifeA profound and beautiful book… Cumming illuminate the darkness of secrets, shame and betrayal and their effects in a riveting book
—— Kirsty McLuckie , Scotland on Sunday[An] excellent mystery memoir
—— attitudeThe story, beautifully written, is enriched by Cumming’s skill at making pictures speak
—— Mark Mazower , Financial TimesOn Chapel Sands is as compelling as any detective novel of the golden age. The rigour and pace of the writing, its themes of mistaken identity, confinement and sexual deceit are reminiscent of Josephine Tey
—— Nancy Campbell , Times Literary SupplementLaura Cumming writes very beautifully and I take real pleasure in the prose
—— Jacqueline Wilson , Time & LeisureOn Chapel Sands is beautifully written, immersive and moving – and it’s one of the finest books of the year
—— Will Gore , SpectatorA haunting investigation into family trauma and secrets from a forgotten England that turns out to lie closer to the surface than anyone suspected. Turning detective, she [Laura Cumming] interrogates old snapshots with the forensic skill of a professional art critic
—— Mark Mazower , New Statesman, *Books of the Year*On Chapel Sands starts by seeming to be about one kind of mystery but soon starts being about another, much more profound one… the subtlety and suspense of the narrative lies in the way Cumming allows details about their relationship to emerge slowly, like a photograph socking in developing fluid
—— Bee Wilson , London Review of BooksWith her critic’s eye, Cumming turns detective to investigate who took her mother and tell a pacy story about relationships, pride and the ramifications of what goes unsaid
—— Susannah Butter , Evening Standard, *Books of the Year*In a year strong in ingenious memoir, Laura Cumming’s On Chapel Sands…stood out, not just for its great storytelling but for Cumming’s wonderful ability to bring to life a Lincolnshire coastal community…its moods, characters and toxic secret-harbouring machinery
—— Claire Harman , Evening Standard, *Books of the Year*This beautifully written memoir of family mystery proved one of the surprise hits of 2019
—— James Marriot , The Times, *Books of the Year*[A] twisting literary mystery that also serves as a deeply moving love letter
—— Claire Allfree , Metro, *Books of the Year*A complex story of family secrets, beautifully written, and illustrated
—— Craig Brown , Mail on Sunday, *Books of the Year*A beautiful, multi-layered story full of lost love, human motivation and tender secrets
—— SheerLuxe[A] bewitching blend of history and mystery
—— Charlotte Heathcote , Daily MirrorA scrupulous work of storytelling, radiant with empathy and filial affection
—— Hephzibah Anderson , Observer