Author:John Peacock,Todd Carty,Charles Simpson,Full Cast
A BBC Radio thriller series about two old-school detectives who solve crimes in Victorian London
1839, and Bow Street Runner Pip Shepherd is out of a job. The Runners have been disbanded, merged with Sir Robert Peel's new Metropolitan Police - and there's no way Pip's signing up with them. But when he befriends 'Peeler' Thomas Tedman, and hears about an upcoming detective division, he has second thoughts: and soon the duo are investigating their first cases together.
The Last of the Bow Street Runners sees Tom and Pip teaming up to solve the mystery of a murdered earl and a missing fiancé.
In A Cuckoo in the Nest, a man lost at sea for 14 years returns to claim his fortune. But is he the Nettlefields' true son and heir, or an imposter?
Out on the Drag finds Pip going undercover to infiltrate a gang of 'draggers' led by the sinister Brock - and finding more than he bargained for.
In The Kitten House, the two policemen probe a sophisticated vice ring operating in the highest echelons of society...
Scripted by award-winning writer John Peacock, these four fantastic historical crime dramas star Todd Carty (Grange Hill, EastEnders) as Pip, with Charles Simpson (London Bridge, Kavanagh QC) as Thomas.
Written by John Peacock
Directed by David Blount
Pianist: Harry Myers
Cast
Pip Shepherd - Todd Carty
Thomas Tedman - Charles Simpson
Dolly Jenks - Maggie McCarthy
With Deborah Berlin, Ioan Meredith, Tessa Worsley, Zulema Dene, Stephen Critchlow, Tracy Wiles, Becky Hindley, Elizabeth Conboy, Harry Myers, Maggie McCarthy
First broadcast BBC Radio 4, 11 June-2 July 1999
© 2022 BBC Studios Distribution Ltd
(p) 2022 BBC Studios Distribution Ltd
Patterson knows where our deepest fears are buried... there's no stopping his imagination.
—— NEW YORK TIMES BOOK REVIEWNo one gets this big without natural storytelling talent - which is what Jim has, in spades.
—— LEE CHILD, bestselling author of the Jack Reacher seriesPatterson boils a scene down to a single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.
—— MICHAEL CONNELLYJames Patterson is the boss. End of.
—— IAN RANKIN, bestselling author of the Inspector Rebus seriesJames Patterson is the gold standard by which all others are judged.
—— STEVE BERRY, bestselling author of the Colton Malone seriesPatterson is in a class by himself.
—— VANITY FAIRThis Might Hurt has all the ingredients of a great mystery: a remote island, estranged sisters, some whopping secrets and a cult to boot. In the deft hands of sophomore author Stephanie Wrobel, these ingredients mix together to give us a novel that's fun, creepy and incredibly fast-paced. Wrobel is such an observant and clever writer; It's quite the trick to execute plot twists so perfectly that the reader at once doesn't see them coming but then can't believe they didn't catch on. A ridiculously wry and absorbing thriller
—— AMY STUARTDark, hypnotic, and mesmerizing, This Might Hurt is a masterwork in family dynamics and the ties that bind--along with the ones that tear us apart. Prepare to be unsettled in the best possible way
—— LAURIE ELIZABETH FLYNN, bestselling author of The Girls Are All So Nice HereI don't know if blood is thicker than water, but I know that my blood ran cold at several points reading this book. Filled with menace, this was a gripping and compulsive read from first page to last. I thought I'd never get off that island!
—— LIZ NUGENT, bestselling author of Little CrueltiesA riveting exploration of sisterhood, suffering, and secrecy. With its unforgettable characters, spectacular setting, and intricate plot, This Might Hurt will take you on a journey to the heart of fear.
—— ROSE CARLYLEA tonic for readers of thrillers
—— MAIL ONLINEOriginal, sinister and compelling, this was a great read
—— PRIMADeliciously dark and so very clever, This Might Hurt is a tense, unsettling and twisty read. I was gripped from beginning to end. I felt like I was on the island with them! A brilliant, heart-thumping and compulsive thriller.
—— CLAIRE DOUGLASI loved This Might Hurt! I adore novels set within cults, and the inclusion of the magician element was completely engaging. Stephanie has woven a complex, fascinating novel exploring such an intriguing world. I was hooked from page 1
—— MELANIE GOLDINGSophisticated, tantalising and chilling, This Might Hurt is a masterful exploration of manipulation and deceit. Wrobel has a knack for conjuring worlds and characters that stay with you long after the final page
—— ROBIN MORGAN-BENTLEYPraise for The Recovery of Rose Gold
—— -Sensationally good - two complex characters power the story like a nuclear reaction, and won't let you forget them. Wrobel is one to watch
It's rare for something genuinely fresh to come along in this genre, but this book has it all - a killer premise, twisty plotting, crisp writing and compelling characters. Dazzling, dark and utterly delicious
—— J. P. DelaneyA rivetingly nasty psychological duel
Pacy and vivid, this is a delicate, merciless probing of a topic as unsettling as it is intriguing
—— GuardianA simmering and shocking tale, sensitively told
—— Crime MonthlyA nail-biting read
—— OK!Compelling
—— BustleEvocative, compelling, intoxicating. I loved it
—— Tammy CohenThis red-hot book will have you gripped
—— SunPacked with cherishable details and intriguingly ambivalent about the role of the Secret Intelligence Service, John le Carré's last novel brings his career to a close in fine style
A very fine finale . . . for writing of subtlety, cadence and strength, with a special aptitude for the revealing particular, [le Carré] is virtually unequalled . . . Time and again, le Carré was able to weave an entrancing, haunting world of his own, a feat repeated in Silverview. There are few writers to match him, and fewer who are still alive
—— SpectatorIn his trademark lucid prose, le Carré sets the scene for an atmospheric tale of betrayal, deceit and secret service malpractice . . . John le Carré, one of the great analysts of the contemporary scene, has left us a minor masterpiece of secrets and lies in spy land
—— Evening StandardA winner with fans of the master spy-writer
—— OldieA piercing portrait of moral ambivalence
—— iIt is classic le Carré . . . If this is the quality le Carré was producing in the last years of his life, we can be certain there are further posthumous delights coming our way
—— HeraldI gobbled up Silverview . . . Here le Carré is on more familiar territory - what was once known as Mitteleuropa, with its shape-shifting double agents, scarred idealists on the prowl for lost causes
—— SpectatorIt has often been said that le Carré is a novelist, not a mere thriller writer. Yet the thing is that, for all his protests that his creations were always more fictional than credited, what he excels at is giving us a plausible peek into the spy's world
—— The Times[Le Carré's] prose is as quietly impressive as ever and it's a thoroughly enjoyable read. It makes for bittersweet reading - the final work of a master, on fine form
—— Daily ExpressPromises to be filled with intrigue, surprises and timely meditations on the relationship between individuals and nations
—— iOne of the great moral writers of recent times
—— MetroFirst-rate prose and a fascinating plot . . . a fitting coda to a remarkable career
—— Publishers WeeklyExpertly Plotted
—— GuardianPulls you into the heart of its story, while celebrating redemption, rehabilitation and the good in people. All set to the backdrop of a truly fascinating slice of history
—— Phase Eight Book ClubHistorical events and characters are cleverly blended into a thought-provoking tale
—— CandisAdams disguises a social-history lesson on women's rights as a gripping period drama
—— CosmopolitanMindblowingly brilliant, it's a cracker - everyone should preorder IMMEDIATELY
—— Lisa HallWrong Place Wrong Time is an astonishingly accomplished psychological thriller that pinpoints the ferocious love between mother and son, and the lengths we go to for that love. I couldn't turn the pages fast enough. I was entertained, but more than that: I was moved
—— Laura Jane WilliamsWrong Place, Wrong Time is an intricately plotted, highly original thriller full of heart, layers and jaw-dropping twists. Gillian McAllister is one of the finest suspense writers in the market today and this outstanding novel deserves every success
—— Phoebe MorganThe most inventive thriller of the year
—— Daily ExpressThe next I Let You Go, the next Gone Girl, the next Girl on the Train . . . Wrong Place, Wrong Time will be a huge hit, deservedly so
—— Sarah Turner, Costa Book Awards JudgeAmbitious, menacing and shocking - a brilliant concept and her best book yet
—— Woman & Home, 'BOOK CLUB AWARDS'McAllister pulls off this adventure with aplomb. Tightly plotted. Couldn't put it down . . . Don't miss it
—— GuardianWrong Place Wrong Time contains layers of intrigue and secrecy . . . You'll turn each page of Jen's story, eager to find out - as she did - what secrets have been hiding in plain sight all along. You'll recommend this book to everyone you know
—— HeraldMasterfully crafted in every way, this novel races along-backward-for a reading experience so intriguing and immersive that you'll only pause to wonder how McAllister has done it. An original and emotional thriller that nails the tender moments of a mother's love as much as the big, impressive twists. A total stand-out and great fun to read-I loved it
—— Ashley Audrain, New York Times bestselling author of THE PUSHWRONG PLACE, WRONG TIME is the spellbinding story of a mother going back in time to try to prevent her son from committing a murder. Masterfully plotted and wholly original, McAllister keeps the surprises coming until the very last page, with an ending as satisfying as it is haunting.
—— Stephanie WrobelPage-turning time-loop thriller . . . An intelligent puzzle full of heart and good sense
—— Guardian, '50 hottest new books for a great escape'It's extraordinary, just One of Those Books. She's carved through time, and created something three dimensional. It's like peering into the interior of a beautiful twisty shell. I absolutely loved it.
—— Eve ChaseClever, original, and so addictive it should come with a warning. I loved it!
—— Alice FeeneyGillian McAllister takes detective fiction in a new direction with this novel. Convincingly portrayed, and the criminal plot is cleverly designed
—— Literary ReviewTense . . . an affecting portrayal of a family careening toward crisis. [A] twisty book by a writer with a fine grasp of the subtleties of familial dysfunction. Unexpectedly tender
—— New York TimesThis book is clever, clever, clever. Tightly plotted with a great cast of characters and tension in every line, I lived it and loved it
—— Fiona BartonA super-clever, belter of a book that will stay with you long after you finish it
—— SunWrong Place, Wrong Time is a mind-bending, time-twisting knockout of a book. Genius plotting and pacing easily make this one of my favourite reads this year. Gillian McAllister is a rare talent
—— Samantha DowningOnce I started reading I whizzed through the book in a couple of sittings. Such deft crafting! It would make great TV
—— Clare ChambersThis unique, riveting novel is best described as Groundhog Day meets crime drama
—— Yours MagazineA game-changer. What an amazing book
—— Phil Williams , Times RadioBrilliant. A genre defining book. So clever. It's going to be huge
—— Hannah Beckerman , Times RadioChannels Groundhog Day with an endlessly replayed murder, as a woman's unassuming son kills a stranger - over and over again. The familiar plot motif is given an unguessable reset, and McAllister ensures that characterisation is as central to the novel's success as the plotting
—— Financial TimesIt's terrific. It's ingenious. A GREAT concept
—— David KoeppFull of originality, this is a memorable thriller that will stay with readers long after the last page
—— The Upcoming