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Lost Voices
Lost Voices
Sep 7, 2024 11:35 PM

Author:Gilda O'Neill

Lost Voices

In the 1940s, nearly a quarter of a million East Londoners decamped annually for the hopfields of Kent. Most of the pickers were women, who would take their children and other dependent relatives to stay in the hoppers' huts on the farms.

This book records the memories of some of them, in their own lively words. Funny, nostalgic and ironic by turns, they tell of hopping as 'a break from him', an escape from the chesty London smog, respite from the bombs of war, as well as a source of income - and the nearest thing to a holiday that adults or children were likely to get. It was a time of hard graft, of laughter and companionship and long evenings around the faggot fire. In the memories of those who were there, it was a time when the sun always shone ...

Gilda O'Neill was herself a hop picker as a girl. In this vivid book she not only pays tribute to the creative genius of the working class of London's East End, but examines the role of memory and oral history in our understanding of the past.

Reviews

Funny, nostalgic and ironic

—— Daily Express

A vivid, honest and enchanting evocation

—— Daily Mail

A charmer

—— Evening Standard

The stories are atmospheric, but it is O'Neill's open-minded examination of her own position in relation to the women, the history and the writing that makes this book a work of art

—— What's On In London

Gilda O'Neill has brought to life a time when women relished simple pleasures and the close friendships formed while working alongside one another each summer

—— Sunday Express

The (pearly) queen of East End memoirists

—— Financial Times magazine

A captivating story beautifully told ... and what an inspiration for anyone who dreams of a life on the stage

—— Cat Deeley

Dance historians will be as charmed by this sidelight on dance as ambitious girls will be inspired by Lynne's description of the dancer's life as an amalgam of "the Impossible and the Spiritual all wrapped up with a ribbon of passion

—— Iain Finlayson , The Times

Sincere and unpretentious... She paints [...] a picture of austerity Britain in which ballet was a supremely glamorous career path.

—— Rupert Christiansen , Literary Review

A charming and moving portrait of a wartime childhood and an extraordinary account of what it takes to make it on stage ... I couldn't put it down

—— Elaine Paige

An intriguing and moving account of a young girl's balletic ambitions during wartime. Wonderfully readable, spirited and honest

—— Derek Jacobi

I loved this book ... her energy, enthusiasm and passion are present in every line, and her commitment to the theatre and her determination to excel make for a fascinating and thoroughly absorbing read.

—— Dame Monica Mason , Director of the Royal Ballet

This is a remarkable book which I read overnight. It's gripping, touching, eye-opening and pitch perfect about a period of time almost lost from view. Gillian Lynne's tenacity's palpable from the outset. Definitely one to savour and treasure.

—— Gloria Hunniford

In A Dancer in Wartime, Gillian Lynne canters through her amazing experiences like the thoroughbred she is

—— Sir Ian McKellen

A warm, affectionate portrait of the ballet world, and of success tinged with sadness

—— Sally Morris , Daily Mail

Thrilling

—— Lady

Utterly fascinating, and grippingly well-written. With extraordinary skill Wade Davis manages to weave together such disparate strands as Queen Victoria's Indian Raj, the 'Great Game' of intrigue against Russia, the horrors of the Somme, and Britain's obsession to conquer the world's highest peak

—— Alistair Horne

Davis’ descriptions of the trenches – the bodies, the smell, the madness – are some of the best I’ve ever read

—— William Leith , Scotsman

Sheds new light on history that we thought we knew... meticulously detailed and very readable

—— David Willetts , New Statesman

The miracle is that there isn’t a dull page. As it moves towards its deadly climax, the story hangs together as tightly as a thriller. Into the Silence is as monumental as the mountain that soars above it; small wonder that it won the 2012 Samuel Johnson prize for non-fiction … Once you start wandering the snowy passes with Mallory and the lads, you won’t want to come down again. There can be no better way, surely, to spend a week in winter

—— Arminta Wallace , Irish Times

He sees the climbers as haunted dreamers, harrowed by their desperate experiences in the First World War, living amid romantic dreams of Imperial grandeur and the elemental, sublime grandeur of the mountain

—— Steve Barfield , Lady

This is the awesomely researched story of Mallory, Irvine and the early Everest expeditions. It puts their efforts and motivations into the context of Empire and the first world war in a way I don’t think previous books have ever managed

—— Chris Rushby , Norfolk Magazine

A vivid depiction of a monumental story…Wade Davis’ passion for the book shines through and I can only hope that his next book doesn’t take as long to write as I will certainly be reading it

—— Glynis Allen , Living North
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