Author:Georges Simenon,Ros Schwartz
'Compelling, remorseless, brilliant' John Gray
Maigret shrugged his shoulders, buried his hands in his pockets and went off without answering. He had just spent one of the most wretched days in his life. For hours, in his corner he had felt old and feeble, without idea or incentive. But now a tiny flame flickered. 'You bet we'll see' he growled.
Maigret's peaceful retirement in the countryside is disrupted when a relative unwittingly embroils himself in a crime he did not commit and the inspector returns to Police Headquarters in Paris once again.
This novel has been published in a previous translation as Maigret Returns.
'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian
'A supreme writer . . . unforgettable vividness' Independent
Donna Leon’s deft and descriptive words do for Venice what Canaletto did for this serenest of cities with his brushes and paint palette and bring it to life in all its reach and colourful gaiety…[An] intriguing tense thriller. The ending is to die for.
—— Daily ExpressThis is Leon at her best … Her writing is as ever subtle and elliptical and conversations and people always have multiple layers which often only reveal themselves on second reading … This is a compelling read and kept me up long past my usual bed time as I just had to finish it to find out what happened. The nail biting finale was well worth staying up for.
—— JillySheepThe star of the story is Venice itself and Donna Leon, who has lived there for thirty years, brings the city to life . . . I read the book in two sittings . . . glued to the page as the tension ramped up - and everything came to a very satisfying finale.
—— The Book BagThe author provides us once again with an entertaining mystery and an opportunity to catch up with the estimable Guido Brunetti. Leon never disappoints.
—— CrimesquadAs always, a gentle and intriguing look at life in Venice, the vagaries of the police force, and a sharp and clever investigation from Brunetti mixed in a delightful way, is at the heart of this novel. Another enjoyable outing for this complex, intelligent detective.
—— EurocrimeIt’s always a pleasure to read a Brunetti novel; doubly so in this case.
—— Promoting CrimeThe characterisation is imaginative and the plot distinctly quirky... Humour is cast over even the darkest of themes and the oddball central characters entertain as much as the plot intrigues
—— French EntreeDog Will Have His Day firmly demonstrates why Vargas is so highly thought of
—— Good Book Guideit's BLIDDY FABLISS, isn't it! A long long time since a book gripped me like this
—— Tweet from Marian KeyesThe Girl on the Train is one of those delicious thrillers that can be devoured in four sittings, that's two return journeys on a typical train trip! There's a whiff of Agatha Christie and a dollop of Gone Girl with plenty of blind alleys that we happily wander up and get lost in. Pick it up, solve the crime and pass it on . . .
—— Ryan TubridyAgatha Christie meets Rear Window...a taut psychological thriller that's chockful of chilling twists.
—— Mail on Sunday, Events MagazineClever, exciting and full of twists, this is undoubtedly the cream of this year's crop
—— Daily MailUnputdownable . . . the new literary sensation . . . nothing short of sensational
—— Daily Mail...this unusual clammy-palmed thriller.
—— THE TIMESHawkins juggles perspectives and timescales with great skill, and considerable suspense builds up along with empathy for an unusual central character.
—— GUARDIANAbsorbing . . . refreshingly unconventional
—— Irish TimesA real page-turner.
—— Independent 'i'a wholly original writer.
—— S MagazineA thrilling plot, full of suspense.
—— The SunClaustrophobic, compulsive and gripping
—— Daily ExpressIntriguing ... presents enough believable suspects and motives to keep the reader gripped
—— The HeraldWhat She Left leads the reader down a dark and twisty path of suspense and intrigue. This gripping and stylishly written novel left me chilled to the bone and captivated me from beginning to end
—— Heather Gudenkauf, author of The Weight of SilenceWHAT SHE LEFT is bold and inventive storytelling. The reader becomes the investigator, sorting through diary entries, letters, tweets, and emails to discover the truth beneath the tales of an entire cast of potentially unreliable narrators. This is not only a clever thriller, but an insightful exploration of identity and the personae we create in the social-media era
—— Alafair Burke, New York Times bestselling author of The ExA faultlessly constructed, page-turning debut, Disclaimer delivers its twists and surprises with ease. It is both clever and moving, and I'm full of admiration.
—— JOANNA BRISCOEIt's Disclaimer that turns out to be the Gone Girl of the season
—— New York TimesAn ingenious and involving tale and a very successful first novel
—— Literary ReviewFiendishly clever
—— Daily MailRenee Knight's stunning debut is a thriller with a particularly literary flavour, but also with a heart. Best enjoyed slowly, with no skipping to the heart-wrenchign conclusion. Terrific.
—— Saga MagazineA deeply probing, intense psychological thriller that was gripping and very difficult to put down
—— Huffington PostDisclaimer forms a trinity alongside Gone Girl and The Girl on the Train as the best of domestic noir . . . Disclaimer will be climbing the bestseller list
—— New York Daily NewsAn original plot, well-paced to its unexpected climax
—— The TimesA highly assured debut novel with a cracking premise . . . a remarkable well written page turner
—— Euro CrimeA superior piece of dark emotional fiction that will get under your skin.
—— Sainsburys magazinePlunges us into our worst nightmare - somebody knows our darkest secret, and they're sharing it
—— Val McDermidA finely crafted puzzle box
—— SpectatorA brilliant premise, superbly executed. I love this book
—— CLARE MACKINTOSH, author of I LET YOU GOfantastic - was absolutely gripped. Great idea, could not put it down.
—— Tweet from Lucy DiamondDisclaimer is a real one-nighter
—— Tweet from Polly SamsonIt's knockout
—— Tweet from Claudia WinklemanThe marvel of the new suspense novel “Disclaimer” is that it lives up to its unusually gripping premise.
Disclaimer forms a trinity alongside “Gone Girl” and the “The Girl on the Train” as the best of domestic noir. That this is a first novel from Renee Knight, a British television screenwriter, makes her sure hand with what’s sinister that much more stunning.
A sensational psychological thriller
—— Jackie Collinsexcellent debut
—— KATE MOSSE, GuardianThis bestseller is definitely one of the best thrillers of 2015.
—— Marie ClaireMore original and sophisticated than your average psychological thriller, Renée Knight's DISCLAIMER is an accomplished and addictive tale.
—— Sunday Times