Author:Georges Simenon,William Hobson
'Compelling, remorseless, brilliant' John Gray
During a quiet spell in June Maigret is called to investigate the disappearance of a reputable businessman. When a body is discovered near the famous Père Lachaise cemetery Maigret struggles to find any clues to the perpetrator and loses his temper when his own reputation is threatened by the case.
This novel has been published in a previous translation as Maigret Loses His Temper.
'His artistry is supreme' John Banville
'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian
One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories
—— GuardianA supreme writer . . . unforgettable vividness
—— IndependentThe most addictive of writers . . . a unique teller of tales
—— ObserverOnce Upon a River is magical, in every which way...it's the power of her storytelling that allows readers to suspend disbelief, and draws them through each tangled, dazzling chapter...This riverine novel has the mood and feel of a ghost story told late into the night, and will win over readers who enjoy a touch of age-old enchantment.
—— Financial TimesI was completely spellbound by this book. Numerous strands of the same story are skilfully woven into a magical web from which I, as a reader, had no desire to escape. Setterfield’s prose is beautiful, dark and eerily atmospheric, and her rich cast of characters convincingly illustrate the best and worst of humanity. Utterly brilliant!
—— Ruth Hogan,bestselling author of The Keeper of Lost ThingsOnce Upon a River is one of the most pleasurable and satisfying new books I've read in a long time. Setterfield is a master storyteller, her language flowing with a dark magic very like the river at the heart of her tale: swift and entrancing, profound and beautiful. Give yourself a treat and read it!
—— Madeline Miller,Orange Prize-winning author of The Song of Achilles and CirceI so didn't want to leave the world of Once Upon a River but now I have and I'm bereft of the company of country folk and river spirits. This charming story about stories and the mystery of life & death captured my heart. A truly extraordinary book.
—— Dinah JefferiesHer characters are so vivid, one feels as though one has met them, spent an evening in their company, telling stories around the hearth...Setterfield is a master storyteller herself, giving us all the depth and plot and richness of the great narrative novelists. This is dazzling, alive, all-consumer writing: one reads each page greedily, the beautiful sentences shining like jewels under the pulling current of the tale itself.
—— Daily TelegraphA satisfying, thickly characterised tale that plunges you into an evocatively realised historical setting. You care for its characters.
—— Sunday TimesA finely drawn cast and bravura storytellling.
—— Mail on SundayThis is magical, bewitching story telling – and so cleverly structured…it possesses all those narrative values I have always cherished…: high prose expressed with rare clarity, story for the unashamed sake of story, a kind of moral dreaminess.
—— Jim Crace,author of Man Booker shortlisted HarvestOnce Upon a River is a delight, just marvellous. I devoured it.
—— Jo Baker, author of LongbournDiane's masterful storytelling draws you in to a beguiling tale, full of twists and turns like the river at its heart, and just as rich and intriguing. It lures you into its depths and carries you along in its vividly evoked world.
—— M L Stedman, author of The Light Between OceansAn absolute feast of a book, which will keep you engrossed as the cold north wind whistles outside.
—— RedA bold, gripping narrative which fuses science, mystery and myth.
—— Daily MailBrimming with folklore, intrigue and romance, this is a story to savour.
—— Woman & HomeAn enchanting mix of mystery and folklore.
—— Good HousekeepingThis pungently atmospheric, quietly smoldering thriller sensitively mixes superstition, oral storytelling and the emerging psychology movement of the 19th century.
—— MetroOnce Upon A River succeeds in doing what you hope every book will do - pull you in from the first page, hold you captive in the middle, then leave you satisfied and thoughtful at the end. I loved it.
—— Renee Knight, author of DisclaimerThis enchanting historical story is full of folklore and intrigue.
—— PrimaThough Setterfield writes emotions with marvellous truth and subtlety, her most stunning prose is reserved for evocative descriptions of the natural world, creating an immersive experience made of light, texture, scent and sensation.
—— Washington PostLike Setterfield’s earlier novel The Thirteenth Tale, Once Upon a River is very much a story about the spellbinding power of storytelling...a deeply satisfying read.
—— New York Journal of BooksAs the story progresses - by turns slow and melancholy, fast and furious, like its river setting - Diane Setterfield dips beguilingly into the intertwined lives of her vibrant characters.
—— Sunday ExpressThis dense, absorbing, beautifully atmospheric novel weaves a truly hypnotic spell.
—— HeatSetterfield is a master of the medium. Like the river at its core, her plot twists and turns with ease and confidence, and her writing is beautiful.
—— SpectatorSetterfield brilliantly captures a time and place on the cusp of modernity, plays bleakness and warmth off against each other to create a life-affirming tale of what it means to be human.
—— Press AssociationAn exquisitely crafted multi layered mystery.
—— The WeekOnce Upon a River is one of the most pleasurable and satisfying new books I've read in a long time. Setterfield is a master storyteller, her language flowing with a dark magic very like the river at the heart of her tale: swift and entrancing, profound and beautiful. Give yourself a treat and read it!
—— Madeline Miller,Orange Prize-winning author of The Song of Achilles and CirceOnce Upon A River succeeds in doing what you hope every book will do - pull you in from the first page, hold you captive in the middle, then leave you satisfied and thoughtful at the end. I loved it.
—— Renee Knight, author of bestseller DisclaimerNerve-racking, you're sitting on the edge of your seat, and by the time you've finished the book you've got no nails left
—— Livetidukkehuset.dkSimply an unparalleled page-turner
—— Ord fra en bibliofilAbsolutely fantastic crime novel. The plot keeps you gripped, and you always end up wanting to read just one more page. Nerve-racking. Nail-biting. Thrilling. Hair-raising
—— Krummeskrummelurer.dkNot all good scriptwriters can produce a detective story designed to be read rather than watched on TV. But Søren Sveistrup, the man responsible for The Killing, proves . . . that it can be done . . . The characters, the plot with its deep, eerie undercurrent of the unknown, and the intense, compelling manipulation of suspense are qualities reminiscent of The Killing
—— Marie Louise ToksvigThis nerve-racking debut novel has a brilliant plot . . .
—— Ugebladet SøndagA powerful portrait of two intriguing detectives who are here to stay . . .
—— Vildmedkrimi.dkSimply so well written, well constructed and suspenseful. I've read a lot of fantastic crime novels, but this is far and away the best I've read in a long time. . . . insanely suspenseful and gripping
—— RandiGlensbo.dkCrime fiction of the highest quality - fascinating characters, great storytelling, and unbearable suspense. I absolutely loved it
—— Deon MeyerSveistrup is a skilled weaver of plot, able to surprise the reader and maintain a well-developed sense of pacing, tension and action. He keeps the reader hooked until the final page
—— Bok 365The ingredients in this stew are familiar to everyone who reads crime novels. Sveistrup's great skill becomes apparent in the solid, complex plot, as well as in the pacing and impact that drives the reader onward page after page. The Chestnut Man is a demonstration of how a novel of this type should be sewn together. The result is incredibly thrilling!
—— DagbladetWhile other writers come across as formulaic, Sveistrup's plot develops naturally, and he finds space amid the child abuse and harassment for enough injections of humanity that The Chestnut Man never turns into violence porn, a stumbling block for several of his Danish colleagues. The key is Thulin and Hess, the most promising pair of investigators in Nordic crime since Saga and Martin first met over a corpse on a bridge in 2011
—— A-magsinetIndividual scenes in the narrative stand out knife-sharp in all their calculated evil. Their encounter with brutal reality nearly overwhelms those involved, and the reader is profoundly challenged by the novel's material. But you survive because you retain a clear sense that there must be a deep well of sorrow behind the crimes, and because the author depicts his cast of characters in such a nuanced way that you sympathise with the hard-pressed investigative team, the victims, and the person behind the terrible murders. Sveistrup keeps the reader gripped until the very end. This is professional writing in the very best sense, and I'm looking forward to more.
—— Dagbladenes BureauThe Chestnut Man is an intensely gripping first novel that feels anything but debut-like. Seasoned crime fans with feel as though they're in very safe hands ... [Sveistrup] throws his hat into the ring with extreme professionalism and a talent for deploying his special tricks in precisely calibrated doses.
—— BørsenPraise for The Killing
—— -Excellent . . . A shrewd mix of police procedural, political thriller and domestic drama
—— New York TimesTV of the absolute finest quality . . . the writing shines
—— Guardian