Author:Derek S. Pugh,David J. Hickson
Businesses today need employees who can operate on a global stage, whether as international managers, technical specialists, expatriates or 'parachutists' who make occasional troubleshooting trips abroad. Yet cultural misunderstandings in the workplace can complicate even the simplest tasks. Something that sounds like a 'Yes' to a foreigner may actually be a polite way of saying 'No'. Fully updated and expanded for this second edition, Management Worldwide is essential for managers, students ofmanagement and organizations who want to know how managers operate and business is conducted in different societies. It is essential reading in a global economy where cultural differences can still mean make or break.
Offers a tidy lesson in not just getting more from art, but more from life itself . . . lucid and revealing . . . Gompertz is at his best
—— Michael Prodger , The TimesArt can amaze us into changing our minds. This remarkable book teaches us how
—— Es DevlinHighly engaging and thought-provoking
—— Philip Hook, author of Breakfast at Sotheby’sBy going straight to the essence of each one's work, Will Gompertz provides a fluent and refreshing introduction to the way art can enable us, in the most unexpected ways, to see the world anew
—— Michael PeppiattGompertz insightfully explores the processes and personalities of a remarkable roster of artists . . . effortless prose and laser focus on the communicative potential of art make this a worthwhile read
—— James Woods Marshall , Library JournalThorough and diverse . . . Gompertz's illuminations of artists' lives and minds are accessible and full of valuable information. This is an exhilarating resource for personal growth, a consciousness-raising exploration for artists and art lovers, and an asset for anyone interested in the who, what, and why of great artworks
—— BooklistGompertz doesn't have it in him to be boring
—— The TimesWill Gompertz is the best teacher you never had
—— GuardianHe is a natural communicator whose passion for art is expressed with wit and verve
—— Sir Nicholas Serota, Chair of Arts Council EnglandHugely accessible . . . writes about difficult things without letting on that they are difficult
—— Independent on Sunday on What Are You Looking At?The Shock of the New redone à la Bill Bryson . . . richly detailed and highly entertaining
—— Daily Telegraph on What Are You Looking At?Lively, fresh, energetic . . . He explains movements and "isms" with clarity and humour
—— Scotsman on What Are You Looking At?The pace of a thriller and the riches of a Renaissance painting
—— Rachel Joyce , ObserverA vivid imagining of the artistic world of Renaissance Venice. There is an incredible charm in its depiction of the great painters of the period with all their flesh-and-blood idiosyncrasies and flaws. The life of the studio and the supreme importance of colour in all the essentials of its make up is rendered absolutely convincingly. The work has all the more emotional power as it focusses on a lesser known artist as he negotiates the precarious life of his city alongside competitors, those whose names have resounded through history.
—— S. G. MacLeanA great work of historical fiction, which weaves together conspiracy, art and love in a thriller
—— Ruth MillingtonPraise for Damian Dibben
—— -Bask in the brilliance
—— Mail on SundayOriginal, ambitious, moving
—— StylistWhat a novel! Ambitious and wonderfully achieved
—— Michael MorpurgoI was captivated from the beginning. Ornate, vivid, deeply coloured, and so precise I could smell and taste the world
—— Rachel JoyceAn epic tale of love, of courage, of hope
—— Evening StandardA stunning and captivating tale
—— The SunA grand sweep of adventure and travel, war and romance, and a rich exploration of love, life and loyalty
—— National Public Radio[An] opulent tale, with elements of both love story and thriller, featuring some of Venice's most admired High Renaissance artists hunting desperately for a dazzling new pigment that will transform their work and fortunes
—— MetroAlthough women have always made art, for far too long, art history has been told as the story of male achievement. Katy Hessel's The Story of Art without Men is a brilliantly readable and lively corrective. Outraged and celebratory, it's chock-full of female trail-blazers - from the Renaissance until the present day - who forged their way, despite facing the kind of hurdles that would stump most mortals
—— Jennifer Higgie, author of The Mirror and the PaletteCompiled with zip and wit, even the informed reader will learn something new on every page - we really cannot recommend it enough
—— The FenceA sumptuously illustrated history... at once broad in scope and meticulously researched
—— Breeze Barrington , TLSThis book has blown my mind. Really passionately recommend
—— India Knight , Sunday TimesAn extraordinary eye-opener, and very readable ... we badly need books like Hessel's
—— Evening StandardHessel's beautifully written 500-year survey is a welcome, necessary, addition to the bookshelves
—— Claire Armitstead , GuardianHighly readable and lavishly illustrated... a rich storehouse of groundbreaking female art
—— Liz Hodgkinson , The LadyAstonishing
—— Bella MackieThis book changes everything. As soon as you open it, it's like you've opened a box of lit fireworks - out soars great artist after great artist. Her retake on the canon has changed it forever
—— Ali Smith , ObserverHessel possesses that rare quality of a public intellectual, whereby she can distill vast amounts of knowledge and history into something accessible, relevant and joyful
—— Pandora SykesExtraordinary
—— L.A. Times