Author:Edward Gibbon
Edward Gibbon was one of the world's greatest historians and a towering figure of his age. When he died in 1794 he left behind the unfinished drafts of his Memoirs, which were posthumously edited by his friend Lord Sheffield, and remain an astonishing portrait of a rich, full life. Recounting Gibbon's sickly childhood in London, his disappointment with an Oxford 'steeped in port and prejudice', his successful years in Lausanne, his first and only love affair and the monolithic achievement of The Decline and Fall of the Roman Empire, he distils his genius for history into a remarkable gift for autobiography. Candid and detailed, these writings are filled with warmth and intellectual passion.
a complex examination of faith and the search for meaning in the modern world... an often disconcerting but thoughtful and challenging pie ce of work.
—— The Sunday Times'Man does for the reader that most difficult of tasks: he conjures up an ancient people in an alien landscape in such a way as to make them live . . . a gripping present day quest'
—— Guardian'Attila is known as a savage but there was much more to this great warrior. Man takes his readers on a thrilling ride alongside the man who marauded across Europe, striking terror into the hearts of entire nations'
—— The Good Book Guide'Racy and imaginative...sympathetically and readably puts flesh and bones on one of history's most turbulent characters'
—— Sunday Telegraph'Man's excellent writing breathes new life into a character whose spirit lives on in China and Mongolia today'
—— Historical Novels Review'Man is an excellent guide...well-versed in Mongolian, he has travelled extensively in the country while researching the more mysterious elements Genghis' life, and this experience shines through the book...he writes knowledgeably'
—— Literary ReviewA top biography...This is great, grisly stuff and an education for anyone
—— Evening Standard... This bright, engaging and breezy book ... suits the tenor of our times.
—— The TimesA remarkable feat of documentary detail and novelistic vividness...an unfolding literary event
—— New York Times Book ReviewThe Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in 'drawing us closer to the bleak heart of the Holocaust'
—— New York TimesA quiet triumph, moving and simple - impossible to describe accurately, and impossible to achieve in any medium but comics
—— Washington PostAll too infrequently, a book comes along that' s as daring as it is acclaimed. Art Spiegelman's Maus is just such a book
—— EsquireA remarkable work, awesome in its conception and execution... at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant
—— Jules FeifferMaus is a masterpiece, and it's in the nature of such things to generate mysteries, and pose more questions than they answer. But if the notion of a canon means anything, Maus is there at the heart of it. Like all great stories, it tells us more about ourselves than we could ever suspect
—— Philip PullmanSpiegelman's Maus changed comics forever. Comics now can be about anything
—— Alison BechdelReading [his work] has been an amazing lesson in storytelling
—— Etgar KeretIt can be easy to forget how much of a game-changer Maus was.
—— Washington Post