Author:Gerard Jones
In the depths of the Depression, out of the crowded tenements of New York and Cleveland, the comic book superhero leapt into being. Out of a mix of geekiness, science fiction, and outsider yearning, a crew of young men from working-class Jewish neighbourhoods and shady backgrounds created a series of blue-eyed, chisel-nosed crime fighters and adventurers who quickly captured the imaginations of young and old. Within a few years their creations had spawned a new genre that still dominates youth entertainment seventy years later.
Gerard Jones draws on exhaustive research to portray how the immigrant experience and an outsider mentality shaped the vision of the make-believe hero, while a bizarre melting-pot of left-wing politics, mob money and the worlds of soft-porn and detective magazines contributed to the publishing world that produced the comics and brought them to millions. He chronicles how the success of the comics provoked a backlash that nearly destroyed the industry in the 1950s, and how later they surged back, inspiring a new generation to transmute pre-war fantasies into art, literature, blockbuster movies and graphic novels.
Men of Tomorrow rivetingly demonstrates how the creators of the superheroes established their crucial place in the modern imagination.
'Men of Tomorrow is written with the thrilled verve of the comic book fan, along with a historians concern for scholarly apparatus and a journalist's eye for a good story.'
—— Daily Telegraph[A] gleeful pop-culture history, told with comic book pacing, deadpan wit and an ear for a telling phrase... It's a Jewish story and it's an American story. It might even be an American classic.'
—— Glasgow HeraldThe fascinating and heartbreaking true story of the goniffs, shmendricks and shlemiels who gave birth to the superhero comics - written with all the verve and velocity of a golden age comic book
—— Art SpiegelmanHilarious and touching
—— DazedThis book is more fun than most holidays and more enlightening than a hundred blogs by self-appointed experience censors
—— Time OutA tour de force to rival Maus
—— The TimesAn adult and difficult story but [accompanied by] very simple black and white illustrations, comic book style, and it is exceptionally powerful...show the amazing power and depth that can come from a literary story shown through words and images
—— Ink PelletThe magic of Marjane Satrapi's work is that it can condense a whole country's tragedy into one poignant, funny scene after another.
—— Natasha Walter , Independent on SundayPersepolis is a stylish, clever and moving weapon of mass destruction.
—— David Jenkins , Sunday TelegraphMarjane Satrapi's books are a revelation. They're funny, they're sad, they're hugely readable. Most importantly, they remind you that the media sometimes tell you the facts but rarely tell you the truth. In one afternoon Persepolis will teach you more about Iran, about being an outsider, about being human, than you could learn from a thousand hours of television documentaries and newspaper articles. And you will remember it for a very long time.
—— Mark HaddonI cannot praise enough Marjane Satrapi's moving account of growing up as a spirited young girl in revolutionary and war-time Iran. Persepolis is disarming and often humorous but ultimately it is shattering.
—— Joe SaccoThroughout, there are magnificent feats of connectivity, startlingly complex internal monologues that unfold with perfect simplicity… I haven’t encountered a book about being an artist, or about the punishing entanglements of mothers and daughters, as engaging, profound or original as this one in a long time.
—— Rev’d Katie Roiphe , ScotsmanLively, fresh and expressive…humane, complex and beautiful.
—— Anna Carey , Irish TimesDon’t let the cartoons fool you, this is an exciting and intelligent book and, at many points, highly moving. It doesn’t just tell Alison’s story, Are You My Mother? allows to you to think about your own.
—— Emerald StreetFind everything this author has written. Every jot she makes on the paper enriches the baroque, painful, exhilarating story she has to tell.
—— Candia McWilliam , ScotsmanIt’s first and foremost funny, using graphical and verbal tricks to express the psychological dramas of an American household.
—— MacUser[Sacco’s] ability to cram in detail is extraordinary. And it is the details that linger.
—— The EconomistWhen stretched to its 24ft length in the Saga Magazine office, we pored over it for ages. We predict you will want to do the same.
—— Saga MagazineAbout Joe Sacco’s The Great War, one can write only essays or short, ecstatic sentences... A beautiful accordion-book, it unfolds on the Western Front, with all its monotony and misery: simple, but intricate; wordless, but vocal; brutal, but beautiful. A masterpiece of quietly affecting numbers, the thousands of lines, dots, and crosses that demarcate the thousands of lives, deaths, and crises.
—— Reggie Chamberlain-King , QuietusThe detail in this work is phenomenal, capturing the aloof generals, death in the trenches, and the wounded... [Sacco] makes visceral one of the bloodiest days in history.
—— Socialist ReviewWordless and brilliant.
—— Donal O'Donoghue , RTE GuideSometimes words and photographs are not enough… [An] astounding book.
—— Michael Hodges , Mail on SundayA unique and unforgettable experience.
—— Matthew Turner , Ask MenA meticulous visual depiction.
—— Observer