Author:Ross King
In 1508, Pope Julius II commissioned Michelangelo to paint the ceiling of the Sistine Chapel. The thirty-three-year-old Michelangelo had very little experience of the physically and technically taxing art of fresco; and, at twelve thousand square feet, the ceiling represented one of the largest such projects ever attempted.
Nevertheless, for the next four years he and a hand-picked team of assistants laboured over the vast ceiling, making thousands of drawings and spending back-breaking hours on a scaffold fifty feet above the floor. The result was one of the greatest masterpieces of all time. This fascinating book tells the story of those four extraordinary years and paints a magnificent picture of day-to-day life on the Sistine scaffolding - and outside, in the upheaval of early sixteenth-century Rome.
Ross King deftly stitches modern Michelangelo scholarship into his fluent and gripping narrative. The result is a delightful book that overturns many legends
—— IndependentA fascinating and carefully researched account of day-to-day life atop the Sistine scaffolding
—— The TimesA narrative that never falls back on exaggeration or deviates from the facts
—— Sunday TimesWe learn an enormous amount by reading this book; King's grasp of and research into the period seem all-encompassing
—— SpectatorWell written, well documented, quite often serious but not too grave, allergic to over -imaginative fantasy but not immune to romantic pull of those colourful worsted threads on plain linen. Carola Hicks's book weaves its own spell
—— Peter Mandler , Times Literary SupplementA perceptive and sure-footed guide… Hicks tells her fascinating tale with deftest of touches
—— GuardianHicks' enchantment with the tapestry is compelling and her style confident and writerly
—— Daily TelegraphA beguiling study
—— Financial TimesEngaging
—— Gillian Tindal , Literary ReviewThis beautifully written book is a splendid testament to the intelligence, attention to detail, depth of research, and down to earth vision of a first rate scholar
—— Theodore K Rabb , Times Literary SupplementThere are still interesting things to be said about Van Eyck's great double portrait
—— Michael Glover , Independent, Books of the YearExploring the double-portrait image in often revelatory detail, Hicks presents a truly inspiring picture of her own
—— Erica Wagner , The Times, Books of the YearNo-one can write, and explain, like Hicks. Here her mastery is complete
—— SpectatorThis impressive work of art historical scholarship is in every way as engaging as its subject
—— Peter Murray , Irish ExaminerA rattlingly readable effort... Greig does a fine job revealing tales one suspects the artist may have wished to keep private.
—— Alastair Smart , TelegraphAnybody with an ear for a good story, never mind an eye for fine art, will be beguiled.
—— Hephzibah Anderson , Mail on SundayGreig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was answered with great candour and judiciousness… Wry, dry and completely beguiling.
—— William Boyd , Guardian[Greig’s] perceptive observations and eagle’s eye for detail immediately drew me in.
—— Rebecca Wallersteiner , VantageThe Freud who emerges in this account is a slippery figure, not only for journalists who tried to explain him but also for his intimates.
—— New YorkerMr Greig's is a compelling portrait of a complete amoralist who became a monstre sacré.
—— The EconomistGreig’s portrait glimmers with his eye for the telling detail.
—— Robert Collins , Sunday TimesA mesmerising book, seamlessly crafted, totally absorbing, and impossible to put down.
—— The TabletA very readable and enjoyable book, full of salacious detail of the artist and his fascinating life.
—— Julia Weiner , Jewish ChronicleThis intimate biography of Lucian Freud spares no blushes in its account of one of Britain's greatest painters, tracing his life and work through candid revelations about his views on art, relationships and family.
—— Charlotte Mullins , Art QuarterlyBuilding up brush stroke by brush stroke, Greig has produced a three-dimensional study of equal candour. Part demon, part genius, it is an absorbing portrait of the complexity of a strange human character.
—— Peter Lewis , Daily MailAn unapologetic mixture of intelligent perception and high gossip... It is, overall, more revealing than anything about [Freud] yet written.
—— Frances Spalding , GuardianI am captivated by this fascinating memoir... It's an extraordinary read.
—— Barbara Taylor Bradford , Daily MailCandid and intelligent.
—— Spear'sA gripping, page-turning vision of Lucian Freud that penetrates deep into the artist's private life.
—— Sunday Times OnlineUtterly engrossing and lavishly illustrated
—— Mail on Sunday