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Minds at War
Minds at War
Sep 20, 2024 11:46 AM

Author:Fintan O'Toole,Ruth Padel,Heather Jones,Elif Shafak,David Edgerton,Sara LeFanu,Various

Minds at War

The complete BBC Radio 3 series exploring how great creative minds responded to the First World War in individual works of art and scholarship

World War I saw an unprecedented loss of life in Western Europe, and destruction on a scale no one alive had ever seen. All those who experienced it were irrevocably changed, including many writers and artists upon whose oeuvre it left an indelible mark.

This captivating series examines the impact of the war on artists and thinkers through the prism of their great works. In each episode, a leading figure from the worlds of science, culture and the arts reflects on a single iconic piece, and discusses how the events of 1914-18 shaped its creation.

The 29 artworks in this collection comprise paintings, plays, books, films, sculptures and cartoons. Ian Christie appraises Eisenstein's seminal Soviet drama Battleship Potemkin; Dame Gillian Beer considers Virginia Woolf's masterpiece Mrs Dalloway; Fintan O'Toole decodes James Joyce's epic modernist novel, Ulysses; and Dr Heather Jones looks at the controversy and war connections around Marcel Duchamp's notorious 'Fountain'.

Key texts such as Sigmund Freud's twin essays Thoughts for the Time on War and Death; Rabindranath Tagore's Nobel Lectures; and Siegfried Sassoon's celebrated 1917 protest letter to The Times are analysed by Dr Michael Shapira, Santanu Das and Joanna Bourke; and a panoply of other pieces, among them Kathe Kollwitz's 'The Grieving Parents', Sean O'Casey's The Silver Tassie and Rudyard Kipling's Epitaphs are discussed by experts including Ruth Padel, Elizabeth Kuti and Janet Montefiore.

Powerful, moving, thought-provoking and often shocking, these landmark works are all, in their very different ways, a response to the horrors of World War I and its aftermath - one that vividly demonstrates the transformative effects the conflict had on the collective artistic psyche.

Production credits

Presented by Allan Little, Sara LeFanu, Martin Rowson, Prof David Edgerton, Michal Shapira, Dr Heather Jones, Ian Christie, Lyse Doucet, Santanu Das, Ruth Padel, Arthur Smith, Prof Gillian Beer, Richard Cork, Sasha Dugdale, Fintan O'Toole, Gerald Dawe, John D McHugh, Elizabeth Kuti, Tarek Osman, Joanna Bourke, Elif Shafak, Dr Imaobong Umoren, Janet Montefiore, Jane Potter and Alex Walton

Produced by Beaty Rubens, Benedict Warren, Emma Kingsley, Simon Elmes and Sarah Bowen

Episode list:

1. Paths of Glory

2. Non-Combatants and Others

3. Der Krieg

4. The Memorandum on the Neglect of Science

5. Thoughts for the Times on War and Death

6. Le Feu

7. Battleship Potemkin

8. Fighting France, from Dunkerque to Belfort

9. The Broken Wing

10. The Grieving Parents

11. Tagore's Nobel Lectures

12. Tzara's Dada Manifesto

13. Woolf's Mrs Dalloway

14. Parade

15. Akhmatova's July 1914

16. James Joyce's Ulysses

17. Elizabeth Bowen's The Last September

18. Francis Ledwidge's poem O'Connell Street

19. Father Browne's Photograph of a Wounded Soldier

20. Sean O'Casey's The Silver Tassie

21. Marcel Duchamp

22. Gertrude Bell

23. Siegfried Sassoon's Letter to The Times

24. Mata Hari's Final Performance

25. Isaac Rosenberg's Dead Man's Dump

26. WEB Dubois' Returning Soldiers

27. Rudyard Kipling's Epitaphs

28. Mary Borden's The Forbidden Zone

29. Isobel Rae

© 2022 BBC Studios Distribution Ltd (P) 2022 BBC Studios Distribution Ltd

Reviews

Magnificent, authoritative and deeply-researched... a supreme work of scholarship.

—— Simon Heffer , The Telegraph

Clark has achieved the impossible: a synoptic history of a subject which defies synopsis... this is history on an epic scale... a masterpiece and one of the best history books you will read this decade.

—— Jonathan Boff , History Today

Refreshingly original... it's fascinating, suspenseful, revelatory, alive. Familiar characters are given vibrancy and previously unknown players emerge from the shadows.. Clark's prose is beautiful but also crystal clear

—— Gerard de Groot , The Times

Magnificent... does a remarkable job weaving together the myriad strands that make up the narrative, allowing us to see the events in granular detail and with synoptic, Europe-wide vision.

—— Kenan Malik , Observer

Full of characters, colour and story, but also makes the arresting case that the revolutions ... changed Europe and the world in ways felt to this day... the history teacher you wished you'd had.

—— Jonathan Freedland , Daily Mail

A marvel of research and analysis. No corner of Europe, from the Ukrainian borderlands to the Greek islands, escapes his gaze.. a titanic monument to historical scholarship.

—— Dominic Sandbrook , Sunday Times

Exhilarating, heroic, horrifying and tragic, the events of the mid-19th century in Europe invite a good retelling ... Christopher Clark's new book is, arguably, the best to date ... deeply researched, rich, engaging and though-provoking. There is now no better place to turn for readers who want to immerse themselves in this period and to reflect on how it resonates today.

—— Mike Rapport , Literary Review

Thrills with unexpected energy ... this is narrative history in the grand style ... superb.

—— Abigail Green , Times Literary Supplement

An engrossing dissection of a revolutionary year in European society.

—— The Independent

Scintillating ... [a] magnificent chronicle of the events leading up to and beyond 1848 ... he tackles the complexity by giving sufficient space to the often thrilling stories of every uprising.

—— Economist

Magnificent ... Sophisticated analysis and beautiful prose ... The author vividly depicts a Europe grasping toward the future.

—— Michael F. Bishop , Wall Street Journal

Combines over-arching analysis and explanation with a ground-level reporter’s skill at narrating events and capturing character with vividness and compassion … a historian working at the height of his powers.

—— Michael Ignatieff , CEU Review of Books

Here is that rare thing: a little-known story of the Great War, featuring a pioneering surgeon every bit as daring as the soldiers he saved. Beautifully written, illuminating, and bursting with fascinating detail, The Facemaker is a groundbreaking work that deserves its own genre: medical noir. You won't be able to put it down

—— Karen Abbott, author of THE GHOSTS OF EDEN PARK

I was an admirer of Fitzharris's award-winning first book, The Butchering Art, about Joseph Lister. This is her absorbing account of another surgeon: Harold Gillies, who established one of the world's first hospitals dedicated entirely to facial reconstruction

—— Editor's pick , The Bookseller

Equal parts devastating and inspiring. The horrors of war are laid bare here, but the stories of each of the soldiers, doctors, nurses, and artists are incredibly poignant and fascinating. I couldn't put it down

—— Jenny Lawson

An extraordinary story about a remarkable man whose work, determination and skill changed countless lives

—— Peter Frankopan, author of THE SILK ROADS

Graphic yet inspiring, engaging... [Fitzharris] delivers a consistently vivid account... An excellent biography of a genuine miracle worker

—— Starred review , Kirkus

Wonderful... It was written with a clarity that I loved - although the book is packed with fascinating information, it read as easily as a novel... It is really inspiring and beautifully written

—— Lucy Nathan , Bookbrunch

A fascinating portrait of pioneering plastic surgeon Harold Gillies and the soldiers whose faces he rebuilt during WWI... Meticulously researched and compulsively readable, this exceptional history showcases how compassion and innovation can help mitigate the terrible wounds of war

—— Starred Review, Publishers Weekly

Sometimes, you just know. From the moment I read The Facemaker's excellent prologue, I knew I had a book on my hands... Fitzharris is a gifted storyteller and delights in just about the right amount of detail

—— Matthew Shipsey , Irish Times

Informative... A powerful portrait of a gifted man

—— Oliver-James Campbell , New Scientist

The Facemaker conveys the emotional, physical and psychical effects of having an injured and altered face, directly from those who had to deal with them... Powerful

—— Sharrona Pearl , Washington Post

In The Facemaker, Fitzharris rescues another vital yet largely forgotten figure from history. Blending scrupulous research with a novelist's eye, the author charts Gillies's extraordinary contribution to reconstructive surgery and weaves in touching accounts of the soldiers he treated. Stark and occasionally unsettling, the book reveals Gillies as both a craftsman and an artist, and underlines how by restoring the faces of the maimed Gillies was also restoring their lives and identities

—— Brendan Daly , Business Post

Vividly thrilling

—— Nature

Full of breath-taking events at the cross-roads of empires at a moment in history when notions such as Europe, Asia, Christianity and Islam were infinitely more fluid and permeable than they are today

—— KEREM OKTEM, Professor of International Relations at Ca' Foscari University, Venice

Original... de Bellaigue... offers a vivid presentation of events, re-imagined as scenes and episodes... a different, literary kind [of history]

—— Noel Malcolm , Times Literary Supplement

De Bellaigue writes with impecable scholarship, piecing together contemporary accounts to create a thrilling narrative

—— Church Times

De Bellaigue is an expert stylist, sensitive to rhythm and vocabulary, and passionate in his pursuit of the fugitive detail that gives meaning to a whole episode

—— Literary Review

An exhilarating read

—— Rose Shepherd , Saga Magazine

An engrossing book... This is history turned into drama and poetry, awesomely spectacular yet also intensely intimate

—— Yasmin Alibhai-Brown , iNews

The world of Suleyman the Magnificent...is brought to life in this history

—— The Times, *The Year’s Top 50 Non-Fiction Books*

A masterpiece

—— Monty Don

Jessie Child's The Siege of Loyalty House turns an English Civil War stand-off into a fable of murderous polarisation: gripping, timely history

—— Spectator, *Best Books of 2022 I*

The Siege of Loyalty House ... tingles with a discerning historical imagination

—— Spectator, *Best Books of 2022 II*

[A] thrilling tale of war

—— Mail on Sunday

[A] gripping tale of a royalist house standing its grown against the Roundheads ... Atmospheric, unflinching, and at times extraordinarily witty

—— UK Daily News, *Best History and Politics Books of 2022*

[A] poignant book... the story is timeless

—— Economist, *Books of the Year*

Compelling

—— Spectator, *Books of the Year 2022*

Exhaustively researched and beautifully written, [The Siege of Loyalty House] tells the story of the epic two-year siege of Basing House, a royalist mansion finally captured by Oliver Cromwell in 1645.

—— Daily Express, *Books of the Year 2022*

When you are as good a writer as Jessie Childs, and as assuredly immersed in the archives, the pages zing with the technicolour of celluloid. ... [A] masterpiece.

—— Critic, *Non-fiction books of the year 2022*

Childs writes an engrossing, spellbinding narrative while laying out a clear and comprehendible history

—— New York Journal of Books

The broad subject of this poignant book is what happens to people during civil war: how quickly and imperceptibly order becomes chaos and decency yields to cruelty. In other words, how close to inhumanity humanity always is. The focus is on an episode in the English civil war, but the story is timeless

—— Economist

A gripping account of the agony at Basing, The Siege of Loyalty House is also a potted social history of the civil wars and how they started. Jessie Childs, [is] a gifted storyteller

—— London Review of Books
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