Author:Nazrin Choudhury,Shelley Islam
Nazrin Choudhury's play, which won the Richard Imison Award for the best play by a writer new to radio, tells the story of a young British Asian woman whose life begins to unravel when she's faced with the possibility that her real father may actually be white. When Sharmila finds some letters in her late mother's belongings, she uncovers her mother's affair with a man called Peter while she was at university. More importantly, Sharmila discovers that she may be the product of that affair. Outraged that her mother betrayed her and father for so long, Sharmila decides to track Peter down, and face the man who could be her father.
The godfather of British performance poetry
—— Daily TelegraphSmart, rude and angry
—— Simon Hattenstone , GuardianThere are a legion of new young poets who rightly pay homage to Cooper Clarke
—— Julian Hall , IndependentA poet who writes about darkness and decay but makes people laugh, a human cartoon, a gentleman punk, a man who has stayed exactly the same for thirty years but never grown stale. John Cooper Clarke is an original
—— Claire Smith , ScotsmanFrankly alarming
—— MetroCatching Mark Kermode in full rant is like witnessing an irate bloke slagging off an unfaithful mistress. Only funnier ... Disagreeing with Kermode is just as much fun as agreeing with him
—— Daily TelegraphA spectacularly well-researched and vehement argument
—— Sunday TimesCombines historical context with hilariously barbed anecdotes
—— Total FilmThe angrier Mark Kermode gets, the funnier he is; good news then that this book is FURIOUS
—— Empire[A] laugh-out-loud account that will tickle the funny bone of any film fanatic
—— StarWitty and incisive
—— ChoiceCutting and witty
—— Loaded[Kermode] clearly has a profound love of film and the depth of knowledge to go with it
—— Jeff Dawson , Sunday TimesAn angry blast about the state of cinema-going
—— Christopher Fowler, Books of the Year: Cinema , IndependentKermode sits in the stalls peeking through his fingers at what we’re served up on the silver screen and motormouthing about bad cinema in a frank and funny counterblast to all the Hollywood hype
—— SagaThe Good, the Bad and the Multiplex is the film critic’s anguished cri de coeur against overpriced 3D film tickets and soulless cinemas ... often very funny and enlivened with wonderful digressions borne out of a lifetime’s movie-going
—— Books of the Year , MetroDifficult to ignore
—— Good Book Guidea spritely, spirited tome ... with welcome doses of spicy self-deprecation and fascinating cultural history.
—— The Big Issue in the NorthI can’t remember a music journal that I enjoyed reading more. One comes away full of admiration for Rusbridger’s ambition and determination.
—— Jeremy Nicholas , GramophoneInspiring.
—— O, The Oprah MagazineRead about Rusbridger's obsession in his inspiring, diary-like new book.
—— Huffington PostA wonderful account of trying to learn a complex piano piece while running the Guardian at the time of Wikileaks and phone hacking.
—— Susie Orbach , GuardianRusbridger’s book is fascinating because you see him visibly struggling to keep up with the complexities of the Chopin piece along with everything else that’s going on in his life
—— Jim Carroll , Irish Times
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