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Modern Buildings in Britain
Modern Buildings in Britain
Oct 5, 2024 6:30 AM

Author:Owen Hatherley

Modern Buildings in Britain

The definitive illustrated guide to modern British architecture, from one of the most acclaimed critics at work today

Modernism is now a century old, and its consequences are all around us, built into our everyday lived environments. Its place in Britain's history is fiercely contested, and its role in our future is the subject of ongoing controversy - but modernist buildings have undoubtedly changed our cities, politics and identity forever.

In Modern Buildings in Britain, Owen Hatherley applauds the ambition and explores the significance of this most divisive of architectures, travelling from Aberystwyth to Aberdeen, from St Ives to Shetland, in search of our most important and distinctive modern buildings. Drawing on hundreds of examples, we learn how the concrete of Brutalism embodies post-war civic principles, how corporate values were expressed in the glass façades of the International Style, and why Ecomodernist experimentation is often consigned to the geographic fringes. As Hatherley considers the social, political and cultural value of these structures - a number of which are threatened by demolition - two linked questions emerge: what happens to a building after it has been lived in, and what becomes of an idea when its time has passed?

With more than six hundred pages of trenchantly opinionated, often witty analysis, and with three hundred photographs in duotone and colour, Modern Buildings in Britain is a landmark contribution to the history of British architecture.

Reviews

The latest instalment in one of the most extraordinary oeuvres in writing about space and form, and a welcome antidote to the pre-industrial phantasmagoria of the new monarch

—— Thomas Meaney, Best Books of the Year , New Statesman

Owen Hatherley, long an eloquent proselytiser for municipal Modernism, has produced a new Britannica for our era of reassessment... Hatherley has superbly documented a moment in which we are rapidly losing what many have only just learnt to appreciate

—— Edwin Heathcote , Financial Times

It is an addictive book to dip in and out of, to open at random to learn something new. ... an approachable guide... Hatherley's introduction is possibly the most lucid and concise history of modern architecture in Britain you will find anywhere

—— Oliver Wainwright , Guardian

Insightful and inspiring... One of its strengths is the devotion and persistence with which Owen Hatherley has sought out gems across the country... [A] phenomenal work of gathering and observation

—— Rowan Moore , Observer

Owen Hatherley is something of a phenomenon... Hatherley is a "béton brut" Ruskin for the twenty-first century... The book is a triumph and a thrill ride. A great big doorstopper, it is a classy production generally, generously illustrated with Chris Matthews's superb photography... The historical overview in the introduction is a masterpiece of lucid, pithy explication'

—— Otto Saumarez Smith , Apollo

A weighty, glossy gazetteer of the most significant British modernist buildings... Packed with pleasurable details... [Hatherley] is trenchant, never fawning; a provocateur, and a good one - and more entertaining than Nicholas Pevsner... He writes glorious contextual critiques... Emotional and affecting

—— Helen Barrett , Spectator

A masterpiece. A book that distills an accumulated life's work of thinking, seeing and writing

—— Jonathan Nunn

Swashbuckling... A very considerable achievement... Being a gazetteer, this is a book to dip in and out of, and you will keep dipping in and out, it's an addictive process that is made easy to navigate

—— Hugh Pearman , RIBA Journal

The best blueprint for understanding Britain's modern architecture... An erudite and informative new classic ... a book that is colossal in ambition, range, and achievement

—— Darran Anderson , Elephant

A book that will get you excited about architecture

—— Teddy Jamieson , The Herald

Those with more than a passing interest in modernism will have great fun planning excursions with the help of the book's geographically arranged chapters

—— David Nicholls , House and Garden

Hatherley's urban perambulations are in the great tradition of some of the best writers on architecture and design... Over 600 pages, our author and guide present us with a very personal selection, seeking out the diamonds in the rough and finding just the right pithy observations to praise the unusual, while damning the neglect, philistinism, and opposition that often comes with the territory

—— Jonathan Bell , Wallpaper*

A gorgeous treat... Hatherley is a flâneur with a cause. He incites his readers to engage, as he does, with what is
around them, no matter how banal it may appear at first glance, and to take nothing for granted

—— Jonathan Meades , Literary Review

Strange, engrossing…superbly illustrated.

—— Caroline Jackson , Country Life

Craske remains as private a man as before…but Blackburn’s eloquent appreciation of his work and her sympathy with his sorrows make this remarkable book the best tribute he could have received.

—— Claire Harman , Guardian

Her most glittering book to date.

—— Ian Collins , Eastern Daily Press

This is biography with a difference.

—— Dovegreyreader Scribbles

Compelling and beautifully written.

—— Country & Town House

My favourite book of the year.

—— Rachel Joyce , Observer

It is hard to tell whether this is a simple or a complicated book: its power lies in its being both.

—— Alexandra Harris , The Times Literary Supplement

I don’t know of many books that give a better sense of the frustrations and excitement of research.

—— Ian Patterson , London Review of Books

The energy is infectious, but the tone is melancholic.

—— Ian Patterson , London Review of Books

Blackburn captures the understated artist John Craske with elegance and precision.

—— Bridget Arsenault , Vanity Fair

A vibrant account of the life of Norfolk fisherman John Craske […] another maverick choice of subject by this always compelling writer.

—— Penelope Lively , Guardian

Outsider art requires outsider biography, and Blackburn, an expert in finding new forms to fit odd lives, has managed her task magnificently.

—— Kathryn Hughes , Guardian

Beautifully delicate.

—— Big Issue

Richly satisfying.

—— Charlotte Heathcote , Sunday Express

A gorgeous, dreamy quest, for a man named John Craske.

—— Rose George , New Statesman

The book has an understated charm and is a beautifully rendered portrait of an artist’s life and landscape.

—— Ian Critchley , Sunday Times

This tender biography is gossipy and philosophical by turns.

—— Daily Telegraph

Executed with undeniable skill and the sense of an intimate acquaintance with life on the open seas.

—— Herald Scotland

Unusually moving.

—— William Leith , Evening Standard
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