Author:Neely Tucker
'Gripping from start to finish, it has a great line in snappy dialogue and a twist that puts Tucker in the finest Elmore Leonard tradition.' Daily Mail
When Billy Ellison, the son of Washington, D.C.’s most influential African-American family, is found dead in the Potomac near a violent drug haven, veteran metro reporter Sully Carter knows it’s time to start asking some serious questions—no matter what the consequences.
With the police unable to find a lead and pressure mounting for Sully to abandon the investigation, he has a hunch that there is more to the case than a drug deal gone bad or a tale of family misfortune. Digging deeper, Sully finds that the real story stretches far beyond Billy and into D.C.’s most prominent social circles.
An alcoholic still haunted from his years as a war correspondent in Bosnia, Sully now must strike a dangerous balance between D.C.’s two extremes—the city’s violent, desperate back streets and its highest corridors of power—while threatened by those who will stop at nothing to keep him from discovering the shocking truth.
When I reviewed this veteran Washington Post reporter's debut a year or so ago, I called him 'a fine new talent'. This, his second, utterly confirms that promise… Gripping from start to finish, it has a great line in snappy dialogue and a twist that puts Tucker in the finest Elmore Leonard tradition.
—— Daily MailExplosive ... Murder, D.C. is another excellent offering from Neely Tucker; his style and characters are simply engrossing. Here there are even more liars to expose, more puzzles to solve and more interesting characters to enjoy.
—— Culture FlyNeely Tucker is that rare and wonderful being, an author who seems almost to be writing his own life story, such is his empathy with his main character. Sully lives and breathes. The style is as fractured as he is, the plot as edgy. This is a gritty novel, full of suspense and depth… Ladies and Gentlemen, this novel lives. Go along for the ride. It will be worth it.
—— Frost MagazineHis debut Ways of the Dead was a cracker, now the follow up fizzes with danger.
—— Peterborough TelegraphThis second novel from a veteran newspaper reporter has remained lodged in my mind all year…Razor-sharp dialogue and a taste for delicate irony that would make Elmore Leonard envious.
—— Daily Mail, Books of the YearThere is much to relish, from its revival of the sexy spy (this time female) to its mischievous portrayal of Putin
—— John Dugdale , The Sunday TimesAs authentic a spy novel as you are ever apt to read, rendered in exciting prose by a master who helped craft the rules by which spying is conducted. A ten-cloak, ten-dagger read
—— Washington TimesMatthews is the insider's insider. He knows the secrets. And he is also a master storyteller
—— Vince FlynnThe world of a spy is unique and claustrophobic, but this bold tale captures its every nuance with expert precision. A tantalizing premise, and a heroine who's an alpha female, forge a solid piece of entertainment that does not disappoint
—— Steve Berry, New York Times bestselling author of The Patriot ThreatA sequel that's every bit as good as his début . . . Authentic tradecraft, a complex plot that steadily builds tension, and credible heroes and villains on both sides make this a standout
—— Publishers WeeklyThe tough and talented Egorova is a brilliant creation - her adventures make for a dazzling thrill-filled journey across the globe. Matthews spent 30 years as a CIA agent so this is the real deal. Thrilling, absorbing and brilliantly descriptive ... you won't fail to be won over
—— Sunday MirrorEgorova could well turn out to be the greatest ever female character in spy fiction
—— The Sunday Times MagazineJason is the first senior former CIA officer to become a successful thriller writer. The CIA considered Palace of Treason so realistic that it demanded Jason excise a quarter of it and jettison the ending. . . Egorova could well turn out to be the greatest ever female character in spy fiction
—— The Sunday Times MagazineAn intelligent and twisty thriller
—— ElleA terrific novel with a brilliantly creepy central premise. One of the best debut thrillers I have ever read
—— PAULA DALYAssured debut novel . . . strong and compelling portrait of two individuals who are forced to confront unpalatable, even unbearable, truths.
—— GuardianFabulously gripping, I just could not put it down.
—— MARIAN KEYESTense and shocking, and full of twists and turns
—— BooktimeA genuinely original debut novel, nail-bitingly tense and chilling
—— Irish IndependentRenee Knight skilfully peels away the layers of her story to reveal a tale that is dark, deep and skin crawlingly sinister. I thought it was faultless, a masterclass in thriller writing.
—— Colette McBethI read Disclaimer in two sittings . . . It's that good. . . The premise is the star of the show but Knight's success lies in keeping her plot, characterisation and unpredictability up to that same standard.
—— Daily ExpressA fine example of the genre . . . unbearably tense
—— Sunday ExpressAn unsettling page-turner of The Girl on the Train variety that wil live on in readers' imaginations
—— GraziaA faultlessly constructed, page-turning debut, Disclaimer delivers its twists and surprises with ease. It is both clever and moving, and I'm full of admiration.
—— JOANNA BRISCOEIt's Disclaimer that turns out to be the Gone Girl of the season
—— New York TimesAn ingenious and involving tale and a very successful first novel
—— Literary ReviewFiendishly clever
—— Daily MailRenee Knight's stunning debut is a thriller with a particularly literary flavour, but also with a heart. Best enjoyed slowly, with no skipping to the heart-wrenchign conclusion. Terrific.
—— Saga MagazineA deeply probing, intense psychological thriller that was gripping and very difficult to put down
—— Huffington PostDisclaimer forms a trinity alongside Gone Girl and The Girl on the Train as the best of domestic noir . . . Disclaimer will be climbing the bestseller list
—— New York Daily NewsAn original plot, well-paced to its unexpected climax
—— The TimesA highly assured debut novel with a cracking premise . . . a remarkable well written page turner
—— Euro CrimeA superior piece of dark emotional fiction that will get under your skin.
—— Sainsburys magazinePlunges us into our worst nightmare - somebody knows our darkest secret, and they're sharing it
—— Val McDermidA finely crafted puzzle box
—— SpectatorA brilliant premise, superbly executed. I love this book
—— CLARE MACKINTOSH, author of I LET YOU GOfantastic - was absolutely gripped. Great idea, could not put it down.
—— Tweet from Lucy DiamondDisclaimer is a real one-nighter
—— Tweet from Polly SamsonIt's knockout
—— Tweet from Claudia WinklemanThe marvel of the new suspense novel “Disclaimer” is that it lives up to its unusually gripping premise.
Disclaimer forms a trinity alongside “Gone Girl” and the “The Girl on the Train” as the best of domestic noir. That this is a first novel from Renee Knight, a British television screenwriter, makes her sure hand with what’s sinister that much more stunning.
A sensational psychological thriller
—— Jackie Collinsexcellent debut
—— KATE MOSSE, GuardianThis bestseller is definitely one of the best thrillers of 2015.
—— Marie ClaireMore original and sophisticated than your average psychological thriller, Renée Knight's DISCLAIMER is an accomplished and addictive tale.
—— Sunday Times[Eileenis] compulsively deviant and utterly delicious… I savoured every single word of it.
—— Mark O'Halloran , Sunday Business Post, Book of the Year