For 9+ readers, this gripping, thoughtful update to the Blytonesque 'secret society' genre engages squarely with racism and social injustice.

I utterly loved The Good Turn; it's bone-deep brilliant; a joy to the very end. It's so warm and so funny, and so ferociously on the side of justice and of hope. I wanted to know the kids; I loved them like they were real - and I wanted every child I know to have the chance to be in the Copseys. It has a clarity to it that means that to read it feels like being nourished. I adored it.

I love it! Josie, Margot and Wesley are so real to me after reading it. Sharna really knows how to properly tell stories with and for young people. I want to be in the Copseys!

An intriguing mystery adventure with bold and brilliant characters, and heartfelt themes of family, friendship and good intentions.'

Fully-rounded characters that young readers will recognise and engage with. The dialogue is number 1 haircut grade sharp - it powers the story along and is full of witty, entertaining banter. Perfect for the middle-grade reader. A joy to read.

Praise for Sharna Jackson:
Jackson's voice is distinct and original, while her deft characterisation and evocation of place make for a funny, engaging modern mystery.

Praise for Sharna Jackson:
This story reads with a rare freshness and energy. The voices and the setting are convincing and vivid... an intriguing mystery

A funny, warm and thought-provoking celebration of community of all kinds

Effortlessly merging the gothic and ghastly with the eccentric and absurd, Hana Tooke's mesmerising debut sends a quintet of abandoned orphans off on a caper across nineteenth-century Amsterdam, complete with sinister supervillains, heart-in-mouth cliff-hangers and lashings of evocative period flavour.

While the vivid, Dickensian setting - grim orphanage, icy mists, and shadowy dockyards - and quaint clockwork creations and life-size puppets spin a web of Gothic creepiness, the bonds among this found family of lively orphans add plenty of warmth and light. Unfolding with the clarity of a fairy tale, this sure-footed debut casts a delightfully spooky spell

Offbeat orphans! Sinister villains! Sort of creepy life-sized puppets! In her debut middle-grade book, Hana Tooke has crafted a terrific, atmospheric story wherein five 'unadoptable' orphans, each of whom showed up in the orphanage in very unusual ways and have unique not-quite-powers, are about to be taken in by the callous Rotman for nefarious purposes and must go on the run. The Unadoptables will make you wish your own parents had loved you enough to leave you at a Dutch orphanage in the 19th century to join in their adventures. Great for readers of A Series of Unfortunate Events and the Serafina series.

When Milou discovers the orphanage matron's plot to sell her and her friends to a nefarious figure, she hatches an escape plan. Using only the clues left with her as a baby (a coffin-shaped basket, a cat puppet, a velvet dress), Milou and her friends dive headlong into a new adventure outside the orphanage's walls. The Unadoptables has everything: evil ship captains, lifelike puppets, a charming Dutch setting complete with windmills and canals, a ragtag group of orphans looking for a family, and a mystery at the heart of it all. Perfect for reading out loud, and just the right amount of scary, this has the feel of a classic in the making.

The world building in The Unadoptables was absolutely unforgettable. This book has everything you need: villians, action, comedy and adventure all rolled into one. Perfect for fans of Nevermoor and Hero's Guide to Saving Your Kingdom.

In a cold, dark, Amsterdam winter, a group of unique orphans shine brightly with hope and love. Milou and her band of talented friends set out from the Little Tulip Orphanage on a quest for freedom and family, over frozen canals to evade a despicable villain. With a little bit of spookiness and a whole lot of quirkiness, this book will capture your heart!

Targeted in a wicked scheme, five resourceful kids flee their orphanage in 1892 Amsterdam. Each longs to be adopted, but would-be parents reject them when they see the kids' atypical attributes: Lotta's 12 fingers, Egg's East Asian ancestry (other characters default to white), Fenna's muteness, clumsy Sem's ears, and Milou's wild ferocity. That is, until sinister Meneer Rotman sees their remarkable gifts - but Milou's special sense warns her that Rotman's evil.

Indeed: They discover he intends to buy them as slave labor to crew his ship. Milou, who keeps a Book of Theories regarding why her birth family hasn't claimed her, persuades them to escape to the puppet-making Poppenmaker family she's sure she belongs to. Loyal if not convinced, the others join her. Lotta's math and Egg's cartographic acumen help them follow coordinates on Milou's mysterious timepiece to the Poppenmakers' windmill home and puppet theater, now abandoned. Thanks to Lotta's technical ingenuity, Egg's artistry, Fenna's culinary prowess, and Sem's needlework-assisted by clockmaker and dike warden Edda Finkelstein - it's almost home. Then Milou forgets the other orphans have family longings, and the orphans discover Rotman has not forgotten them....While the vivid, Dickensian setting - grim orphanage, icy mists, and shadowy dockyards - and quaint clockwork creations and life-size puppets spin a web of Gothic creepiness, the bonds among this found family of lively orphans add plenty of warmth and light. Unfolding with the clarity of a fairy tale, this sure-footed debut casts a delightfully spooky spell.