Author:Marc Chagall
'As fresh, poignant and individual as his paintings' Lucy Beckett, TLS, Books of the Year 2018
'Here is my soul. Look for me here; here I am, here are my pictures, my roots'
Marc Chagall, one of the twentieth century's most popular artists, grew up in a close-knit, bustling Russian-Jewish community, the son of a herring seller. In his colourful, dreamlike autobiography, written as he was about to leave his homeland for good in 1922, he vividly brings to life the memories and places that fed into his unique work, from his shtetl childhood to revolutionary Russia and Belle Èpoque Paris. Filled with Chagall's own evocative illustrations, My Life is as warm, joyful and humane as his art.
'Chagall writes as whimsically as he paints: lovingly ofother people, humorously and lovingly of himself' Daily Mail
'Anyone who likes Chagall's paintings will enjoy this book:the work of an unteachable, unspoiled folk artist' Evening Standard
The latest instalment in one of the most extraordinary oeuvres in writing about space and form, and a welcome antidote to the pre-industrial phantasmagoria of the new monarch
—— Thomas Meaney, Best Books of the Year , New StatesmanOwen Hatherley, long an eloquent proselytiser for municipal Modernism, has produced a new Britannica for our era of reassessment... Hatherley has superbly documented a moment in which we are rapidly losing what many have only just learnt to appreciate
—— Edwin Heathcote , Financial TimesIt is an addictive book to dip in and out of, to open at random to learn something new. ... an approachable guide... Hatherley's introduction is possibly the most lucid and concise history of modern architecture in Britain you will find anywhere
—— Oliver Wainwright , GuardianInsightful and inspiring... One of its strengths is the devotion and persistence with which Owen Hatherley has sought out gems across the country... [A] phenomenal work of gathering and observation
—— Rowan Moore , ObserverOwen Hatherley is something of a phenomenon... Hatherley is a "béton brut" Ruskin for the twenty-first century... The book is a triumph and a thrill ride. A great big doorstopper, it is a classy production generally, generously illustrated with Chris Matthews's superb photography... The historical overview in the introduction is a masterpiece of lucid, pithy explication'
—— Otto Saumarez Smith , ApolloA weighty, glossy gazetteer of the most significant British modernist buildings... Packed with pleasurable details... [Hatherley] is trenchant, never fawning; a provocateur, and a good one - and more entertaining than Nicholas Pevsner... He writes glorious contextual critiques... Emotional and affecting
—— Helen Barrett , SpectatorA masterpiece. A book that distills an accumulated life's work of thinking, seeing and writing
—— Jonathan NunnSwashbuckling... A very considerable achievement... Being a gazetteer, this is a book to dip in and out of, and you will keep dipping in and out, it's an addictive process that is made easy to navigate
—— Hugh Pearman , RIBA JournalThe best blueprint for understanding Britain's modern architecture... An erudite and informative new classic ... a book that is colossal in ambition, range, and achievement
—— Darran Anderson , ElephantA book that will get you excited about architecture
—— Teddy Jamieson , The HeraldThose with more than a passing interest in modernism will have great fun planning excursions with the help of the book's geographically arranged chapters
—— David Nicholls , House and GardenHatherley's urban perambulations are in the great tradition of some of the best writers on architecture and design... Over 600 pages, our author and guide present us with a very personal selection, seeking out the diamonds in the rough and finding just the right pithy observations to praise the unusual, while damning the neglect, philistinism, and opposition that often comes with the territory
—— Jonathan Bell , Wallpaper*A gorgeous treat... Hatherley is a flâneur with a cause. He incites his readers to engage, as he does, with what is
around them, no matter how banal it may appear at first glance, and to take nothing for granted
Strange, engrossing…superbly illustrated.
—— Caroline Jackson , Country LifeCraske remains as private a man as before…but Blackburn’s eloquent appreciation of his work and her sympathy with his sorrows make this remarkable book the best tribute he could have received.
—— Claire Harman , GuardianHer most glittering book to date.
—— Ian Collins , Eastern Daily PressThis is biography with a difference.
—— Dovegreyreader ScribblesCompelling and beautifully written.
—— Country & Town HouseMy favourite book of the year.
—— Rachel Joyce , ObserverIt is hard to tell whether this is a simple or a complicated book: its power lies in its being both.
—— Alexandra Harris , The Times Literary SupplementI don’t know of many books that give a better sense of the frustrations and excitement of research.
—— Ian Patterson , London Review of BooksThe energy is infectious, but the tone is melancholic.
—— Ian Patterson , London Review of BooksBlackburn captures the understated artist John Craske with elegance and precision.
—— Bridget Arsenault , Vanity FairA vibrant account of the life of Norfolk fisherman John Craske […] another maverick choice of subject by this always compelling writer.
—— Penelope Lively , GuardianOutsider art requires outsider biography, and Blackburn, an expert in finding new forms to fit odd lives, has managed her task magnificently.
—— Kathryn Hughes , GuardianBeautifully delicate.
—— Big IssueRichly satisfying.
—— Charlotte Heathcote , Sunday ExpressA gorgeous, dreamy quest, for a man named John Craske.
—— Rose George , New StatesmanThe book has an understated charm and is a beautifully rendered portrait of an artist’s life and landscape.
—— Ian Critchley , Sunday TimesThis tender biography is gossipy and philosophical by turns.
—— Daily TelegraphExecuted with undeniable skill and the sense of an intimate acquaintance with life on the open seas.
—— Herald ScotlandUnusually moving.
—— William Leith , Evening Standard