William Boyd has probably written more classic books than any of his contemporaries

A finely judged performance: a deft and resonant alchemy of fact and fiction, of literary myth and imagination

One of Britain's most celebrated contemporary novelists

What a jewel this is, driven by desire, grief, yearning loss, illuminated by hope, the kindness of strangers continually making tribute to the delicacy and grace of the Arab home the author lost so many years ago

A fluid series of meditations on the big questions of life, on love, faith, time and on the nature and purpose of art, the influence of architecture and, most important of all to this author, grief, mourning and memory

Mingles insightful and often moving art history with frank personal recollection in a way that reminds us of the communality we share not only with our contemporaries, but with all historical epochs. I can think of no better expression of the humane than this economical, modest, yet altogether breathtaking book

Hisham Matar is a brilliant narrative architect and prose stylist, his pared-down approach and measured pace a striking complement to the emotional tumult of his material

What interests him in this art is the human knowledge the painter is trying to convey. The description is exact and graceful, as Matar's prose tends to be

A Month in Siena bears all the hallmarks of Matar's writing: it is exquisitely constructed and the use of language is precise and delicately nuanced without pretension. And there is a deceptive simplicity to his endeavour: to look at art. What emerges is an altogether more complex philosophical exploration of death, love, art, relationships and time

A deeply moving, engrossing book. Written in elegant, concise prose, it is a remarkable mediation on life, loss, mourning, exile, friendship and the power of art

Hisham Matar has the quality all historians - of the world and the self - most need: he knows how to stand back and let the past speak

A thing of beauty and wisdom

A dazzling exploration of art's impact on his life and writing, and a moving contemplation of grief

An exquisite, deeply affecting book

Everybody should get to spend a month with Mr. Matar, looking at paintings

Bewitching . . . Meditating on art, history and the relationship between them, this is both a portrait of a city and an affirmation of life's quiet dignities in the face of loss

A compelling and thoroughly absorbing amalgam of history, autobiography, travelogue and philosophical ruminations on the nature of creativity and many other things besides

De Waal…sees the world in a shard of white porcelain, thoughtfully and poetically tracing its invention and material production from imperial China through medieval Europe, and Cherokee creeks to the satanic factories of Nazi Germany. Global cultural history, structural and individual: this should be a humanising core text on the now sadly abandoned liberal arts curriculum.

An intimate and lyrical writer with a sophisticated grasp of cultural history… De Waal’s prose thrives on exchanges of curiousity… The White Road feels like a long book, and a long book may sometimes have qualities peculiar to its size. It may be by turns capricious, slow-drifting, and affected. It may yet enlarge your world.

A stylishly written account with a surprisingly spiritual dimension. Engrossing.

De Waal’s charm lies in his ability to undertake obsessive research, to pile up and accrue, to involve the reader in almost frantic travelling, note-taking and reading. There’s no doubting that The White Road is a mighty achievement.

His enthusiasm is infectious... This is not just about one ancient industry – somehow, superbly, it's about industry itself

Combining what is clearly a life-long love of art with an admirable depth of knowledge, Barnes brings a novelist’s eye to the gallery wall and, with this, a fresh, accessible approach to the stories being told in each painting.

Thought-provoking, beautifully presented, tender.

Barnes has a wonderful eye for what makes a good picture, and a command of language that again and again allows readers to share what he sees.

Well-informed and deeply admiring, but never didactic.

[It] gave me a new confidence in how to engage with, understand and, more importantly, enjoy wandering around an exhibition.

For those…insecure when viewing art, not always sure how to decode it or emotionally engage with it, this offers a lifeline…Utterly compelling.

A typically elegant ad absorbing book by one of t great contemporary English Writers, and with strong Gallic undertones – a wonderful set of essays about artists, many of them French, covering the period from Romanticism through to modernism.

Opinionated, enthusiastic, witty and beautifully written.

Julian Barnes is best known for his fiction...but he's also an excellent art writer... Peppered with personal insights and select historical detail, each piece is as engaging as the next

Unusually moving.