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Nests
Nests
Oct 27, 2024 12:24 PM

Author:Susan Ogilvy

Nests

An exquisitely illustrated, one-of-a-kind celebration of the hidden beauty of nature and the ingenuity of birds

Susan Ogilvy started painting bird nests almost by accident. One day, while tidying up her garden after a storm, she found a chaffinch nest - a strange, sodden lump on the grass under a fir tree. She carried it inside and placed it on a newspaper; over the next few hours, as the water drained out of it, the sodden lump blossomed into a mossy jewel. She was amazed, and dropped everything to make a painting of the nest at exact life size.

This was the start of an obsession; Ogilvy has since painted more than fifty bird nests from life, each time marvelling at its ingenious construction. Every species of bird has its own vernacular, but sources its materials - most commonly twigs, roots, grasses, reeds, leaves, moss, lichen, hair, feathers and cobwebs, less usually, mattress stuffing and string - according to local availability. Ogilvy would, of course, never disturb nesting birds; instead she relies upon serendipity, which is why all her nests have either been abandoned after fulfilling their purpose, or displaced by strong winds.

Although Nests showcases the specimens she has found near her homes in Somerset and on the Isle of Arran, its subject matter is by no means only British, since these same birds can be found all over Europe, Scandinavia and as far afield as Russia, Turkey and North Africa. This wondrous book is all the more special for its rarity. Few modern books exist specifically on the subject of bird nests; the most recent among the author's reference works was published in 1932. Exquisitely designed and packaged, Nests will be an essential addition to the libraries of all nature lovers.

Reviews

A magical book

—— Killian Fox , Observer

The birds' nests in Susan Ogilvy's new book are beautifully painted in watercolour and at life-size... The shapes of her paintings, as of the nests themselves, are each different. They are also clearer than photographs could have been - you can almost feel you're holding them in your hand. This is an enchanting book

—— David Gentleman

This is the most beautiful, treasure-like book, a collection of exquisitely painted discarded bird nests accompanied by highly informative text. The nests are life-sized and Ogilvy's beautiful work is minutely detailed, so you can really see every last bit of twig and moss. The variety is extraordinary and the birds' building styles even more so... A really wonderful book

—— India Knight , Sunday Times

A gem of a book

—— Anita Rani , BBC Radio 4 Woman's Hour

A cool, clean ruffle of winter air. Ranging across almost 30 species, it is an illustrated guide to the nests Ogilvy discovered around her home. Like Tracey Emin's bed, avian housekeeping reveals a lot about the species in question

—— Alex Diggins , Telegraph

[A] timely and ruminative novel.

—— Observer

Testing Christian ethics against post-religious eco-panic in a picturesque English novel makes this an unusual and fascinating read. At first it seems like a simple domestic dramedy about a grumpy husband and his eye-rolling wife. But Bray is on a real philosophical quest here and, in common with all great writers, isn't afraid to have her characters say clever things and get into unusual situations. There is no whimsy here. No cheap, easy imagery (crows, I'm talking about you). This is a powerful and truthful story about hope and how to find it. Eschatology with rabbits and needlecraft. It's intelligent, truly timely and subtly reassuring.

—— Melissa Katsoulis , The Times

Bray's satire shines with observation and subtlety . . . With sharp wit, Bray teases out the tiny domestic dramas, identifying the pinch points that can make the most solid relationships briefly or permanently unendurable. Bray shows how the most well-regulated household can still tremble on the brink of collapse. What message could be more timely than that?

—— Guardian

Beautifully-written ... superb on family dynamics.

—— Daily Mail

It's bleak and it's laugh-out-loud funny, and just how Bray balances a book along that fine line is a wonderful skill.

—— Claire Fuller

When the Lights Go Out is a triumph. Richly metaphorical, impeccably dramatised, beautifully plotted, and so lifelike it seems to lift off the page . . . It has voices: Milton, Shakespeare, Keats, Edgar Alan Poe, Dylan Thomas and the Bible. It has ghosts: of Eden, Job, the Flood and Judgement Day. It has Christmas carols, closing down notices, protest slogans and commandments written in stone. It takes place at a tangent to the world we currently inhabit and we wake from reading it as if from a dream. The dream is that the world is ending and we are in need of a miracle. The book is a small miracle itself. Carys Bray has given us a perfect example of how to write a novel.

—— Grace McCleen

In a literary landscape in which cultural and political "timeliness" too often trumps artistry, it is a relief to discover there are still novels being written that confront the great questions of the day with nuance, skill and artistry.

—— Irish Times

When the Lights Go Out is absolutely superb. So timely, and so deeply human, a novel which takes us right into the heart of a marriage and at the same time grapples with the most crucial issue of our age. It's bursting with compassion and wisdom - I felt for these characters every step of the way.

—— Shelley Harris, author of JUBILEE

Carys Bray is extraordinarily skilled at creating characters who feel like they might live down the road from you. Through exquisite use of language and observation, she examines the intricacies of family life in ways which have you laughing one moment and biting your nails with worry the next.

—— Sarah Franklin, author of SHELTER

A sharply observed, deftly told tale of rupture and repair. In it, with characteristic wit and humanity, Bray shows us the necessity and the impossibility of preparing for disaster, and reminds us of both the fragility and capacity of love.

—— Jenn Ashworth, author of A KIND OF INTIMACY and FELL

A beautifully realised story of a family falling apart under the pressures of our age.

—— i paper

Warm, witty and well worth your time.

—— Autumn books round-up , Herald

A joy to read [...] her writing is really smart. The family's interactions are so well observed.

—— Natalie Jamieson , Times Radio

Bray's third novel is the finely drawn story of a marriage on the skids and a nuanced appraisal of the variegated impacts of climate change.

—— Best autumn books , Irish Times

A very funny book . . . prescient and poignant . . . [with] a believable and moving climax to a novel that captures the paranoia of our times.

—— i paper

Propulsive, penetrating new novel about race, class, and climate change.

—— BBC Culture

A very funny book.

—— i News

A tremendously witty and enjoyable read

—— New Books Magazine

An absolutely gripping adventure story, exploring back through the changing vistas of our own planet's past. Earth has been many different worlds over its planetary history, and Thomas Halliday is the perfect tour guide to these past landscapes, and the extraordinary creatures that inhabited them. Otherlands is science writing at its very finest

—— Lewis Dartnell, author of ORIGINS

Otherlands is one of those rare books that's both deeply informative and daringly imaginative. It will change the way you look at the history of life, and perhaps also its future

—— Elizabeth Kolbert, author of THE SIXTH EXTINCTION

This stunning biography of our venerable Earth, detailing her many ages and moods, is an essential travel guide to the changing landscapes of our living world. As we hurtle into the Anthropocene, blindly at the helm of this inconstant planet, Halliday gives us our bearings within the panorama of deep time. Aeons buckle under his pen: the world before us made vivid; the paradox of our permanence and impermanence visceral. Wonderful

—— Gaia Vince, author of TRANSCENDENCE

Stirring, surprising and beautifully written, Otherlands offers glimpses of times so different to our own they feel like parallel worlds. In its lyricism and the intimate attention it pays to nonhuman life, Thomas Halliday's book recalls Rachel Carson's Under the Sea Wind, and marks the arrival of an exciting new voice

—— Cal Flynn, author of ISLANDS OF ABANDONMENT

Imaginative

—— Andrew Robinson , Nature

This study of our prehistoric earth is "beyond cinematic", James McConnachie says. "It could well be the best book I read in 2022

—— Robbie Millen and Andrew Holgate, Books of the Year , Sunday Times

It's phenomenally difficult for human brains to grasp deep time. Even thousands of years seem unfathomable, with all human existence before the invention of writing deemed 'prehistory', a time we know very little about. Thomas Halliday's book Otherlands helps to ease our self-centred minds into these depths. Moving backwards in time, starting with the thawing plains of the Pleistocene (2.58 million - 12,000 years ago) and ending up in the marine world of the Ediacaran (635-541 mya), he devotes one chapter to each of the intervening epochs or periods and, like a thrilling nature documentary, presents a snapshot of life at that time. It's an immersive experience, told in the present tense, of these bizarre 'otherlands', populated by creatures and greenery unlike any on Earth today

—— Books of the Year , Geographical

Each chapter of this literary time machine takes us further back in prehistory, telling vivid stories about ancient creatures and their alien ecologies, ending 550 million years ago

—— The Telegraph Cultural Desk, Books of the Year , Telegraph

The largest-known asteroid impact on Earth is the one that killed the dinosaurs 65?million years ago, but that is a mere pit stop on Thomas Halliday's evocative journey into planetary history in Otherlands. Each chapter of this literary time machine takes us further back into the deep past, telling vivid stories about ancient creatures and their alien ecologies, until at last we arrive 550?million years ago in the desert of what is now Australia, where no plant life yet covers the land. Halliday notes the urgency of reducing carbon emissions in the present to protect our settled patterns of life, but adds: "The idea of a pristine Earth, unaffected by human biology and culture, is impossible." It's an epic lesson in the impermanence of all things

—— Steven Poole, Books of the Year , Telegraph

The world on which we live is "undoubtedly a human planet", Thomas Halliday writes in this extraordinary debut. But "it has not always been, and perhaps will not always be". Humanity has dominated the Earth for a tiny fraction of its history. And that History is vast. We tend to lump all dinosaurs, for example, into one period in the distant past. But more time passed between the last diplodocus and the first tyrannosaurus than has passed between the last tyrannosaurus and the present day. A mind-boggling fact. This is a glorious, mesmerising guide to the past 500 million years bought to life by this young palaeobiologist's rich and cinematic writing

—— Ben Spencer, Books of the Year , Sunday Times

A book that I really want to read but haven't yet bought - so I hope it goes into my Christmas stocking - is Otherlands: A World in the Making by Thomas Halliday. It sounds so amazing - a history of the world before history, before people. He's trying to write the history of the organisms and the plants and the creatures and everything else as the world grows from protozoic slime or whatever we emerged from. It sounds like an absolutely incredible effort of imagination. I think that Christmas presents should be books you can curl up with and get engrossed in and transported by - and Otherlands sounds like exactly that

—— Michael Wood, Books of the Year , BBC History Magazine

But, of course, not all history is human history, Otherlands, by Thomas Halliday, casts its readers further and further back, past the mammoths, past the dinosaurs, back to an alien world of shifting rock and weird plants. It is a marvel

—— Books of the Year , Prospect
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