Harvey Angell is one of the most engaging characters to emerge from children's fiction for a long time

A brilliant culmination to a splendidly scary series

Stroud’s prose is evocative . . . and his horrors, pattering in the footsteps of M. R. James, depend more on the reader’s imagination than the writer’s gruesome welter. His humour is also perfectly judged, never undermining the terror, but allowing the reader to bask in the camaraderie of London’s smallest, most slapdash and unlikely ghost-hunting agency, the eponymous Lockwood and Co. Throughout the series, he has achieved great feats of ­characterisation.

A devilishly good combination of engaging cast, memorable locations, comforting food and delicious pace all sewn together with seriously good, unaffected writing, The Empty Grave is the full monty; entertainment, excitement and intelligence sprinkled with wit and verve and sparkling throughout with an endorphin-laced exploration of a liminal frontier – in this case the very boundary between the living and the dead. The Empty Grave is a fitting and extraordinary end to a remarkable series; I am very envious of those who are yet to discover Lockwood & Co. for themselves.

[T]he thrilling finale to the multi award-winning series, and the excitement and tension are held right to the very end. Sad to see a great series reach its conclusion, but better to go out on a high note, as this does.

Stroud brings his intricate, series long storyline to a close with a complex, dramatic climax followed by a simple, satisfying conclusion. A first-rate adventure, full of memorable, original characters

Publication of a new Lockwood and Co. adventure must qualify as one of the literary events of the year. Jonathan Stroud not only writes like a dream, he creates some of the most inventive, most exciting storylines around.

I enjoyed it so much, I hope there will be yet another book soon to follow in this fabulously told series.

I love this series so much, the characters are funny . . . the ghosts are awesome.