Author:George Orwell,Tim Pigott-Smith
Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster and the Thought Police uncover each act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening and awakens to new possibilities. Despite the police helicopters that hover and circle overhead, Winston and Julia begin to question the Party. Yet Big Brother will not tolerate dissent - even in the mind. For those with original thoughts they invented Room 101... Nineteen Eighty-Four is George Orwell's terrifying vision of a totalitarian future in which everything and everyone is slave to a tyrannical regime. Christopher Eccleston, Tim Pigott-Smith and Pippa Nixon star in this new drama, part of BBC Radio 4's The Real George Orwell season - a Radio 4 journey that explores the disjuncture between the man who was Eric Blair and the writer who was George Orwell.
My favourite comedian
—— Peter KayA huge talent
—— David JasonOne of the most memorable, greatest performers of the television age
—— Michael GradeA true icon of situation comedy and character comedy and there was nobody to my mind to touch him
—— Nicholas Parsons[Ronnie Barker] had this extraordinary ability to make the nation laugh, probably more often than anyone else I know
—— Michael PalinIn an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant
—— Tony Jordan, screenwriter, Life on Mars and HustleEven for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told
—— Dominic Dromgoole, Artistic Director, The Globe TheatreThis book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's Adventures in the Screen Trade
—— Peter Bowker, screenwriter, Blackpool, Occupation and Eric & ErniePart 'How-to' manual, part 'why-to' celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking
—— Emma Frost, screenwriter, The White Queen and ShamelessInto The Woods is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone
—— Simon Ashdown, series consultant, EastEndersTesting the adage that "in theory there's no difference between theory and practice but in practice there is", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page
—— Neil Cross, creator of Luther and writer of Dr Who, Spooks and currently NBC's CrossbonesBooks on story structure are ten a penny but Mistah Yorke's is the real deal
—— Kathryn FlettAll script-writers will want to read Into The Woods. All plots and archetypes BUSTED
—— Caitlin MoranGot to say Into The Woods by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters
—— David EldridgeA mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read
—— Lenny Henry , The IndependentI don't always enjoy books on writing, but Into the Woods by John Yorke is brilliant on story structure.
—— Ken Follett, author of 'The Pillars of the Earth'This is a wildly seductive love letter to what Thomson concludes is a 'lost love' ... he rapturously recalls a lifetime's enchantment with the big screen
—— MetroA startling analysis of what happens to us in the darkness as we dream with eyes open
—— Observer BOOKS OF THE YEARThere's one standout in this year's slew of film literature, The Big Screen written by David Thomson, a giant in the world of film criticism. His book is erudite but readable, delightfully tangential, and surprisingly polemical. He provides a fascinating ride through the past century of mostly American cinema and posits a theory that 'the shining light and the huddled masses' of yore will be replaced by digital anomie, as the big screen is replaced by YouTube on an iPhone
—— Kate Muir , The Times BOOKS OF THE YEAR[The Big Screen] works both as an engaging primer on film history and as a map for more numinous shifts in the path of popular art ... Thomson offers a nuanced portrait ... the details of his narrative glimmer with offbeat insight
—— Nathan Heller , New York Times Book Review