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Nineteen Twenty-One
Nineteen Twenty-One
Oct 31, 2024 5:31 AM

Author:Adam Thorpe

Nineteen Twenty-One

It is the freakishly hot, drought summer of 1921; dust storms in London, parched and cracking earth, autumn tints in July. Holed up in a cottage in the Chilterns, a young writer strives to write the first great novel of the War, impelled by his own suffering. Outward events and inner crises deflect him from his purpose, and love intervenes in the form of two very different women. A visit to the hallucinatory wreckage of post-war Flanders brings strange repercussions in its wake. Everyone is in some way damaged by the terrible years of the war; in what sense can art be made out of such horror?

Adam Thorpe's novel seeks to touch the marrow of this jazz and death-haunted period, which was ironically the most excitingly creative period of the last century. In a language deeply soaked in the time and by means of a beguiling story which gradually haunts its own process, Nineteen Twenty-One vividly recreates the year in which The Waste Land was written, as well as offering a bright mirror to the inner and outer complexities of our own troubled times.

Reviews

Masterly storytelling.

—— The Times

A startlingly powerful debut... Not to be missed

—— Daily Mail

Ambitious and powerful... Seiffert writes lean, clean prose. Deftly, she hangs large ideas on the vivid private experiences of her principal characters.... Poignant - and ultimately optimistic... Engrossing

—— New York Times

What a bold book... Compelling... Challenging and substantial

—— Time Out

Guilt, shame, responsibility, new beginnings, the individual in history - these are Seiffert's subjects, conveyed in a style of deceptive simplicity... Provocative and accomplished

—— The Times

Explores the experience of "ordinary" Germans...the descendants of Nazis and Nazi sympathizers...and poses questions about the country's psychological and political inheritance with rare insight and humanity

—— New Yorker

A stunning trilogy of linked stories about the Holocaust. Seiffert's book reminds me of Bernard Schlink's The Reader, but unlike that fascinating and intellectually provocative discussion about complicity and collective guilt, The Dark Room never veers away from its fictional roots... It doesn't read like a first novel

—— Toronto Globe and Mail

Excellent...a very readable, imaginative attempt to hold essential truths in living memory

—— The Economist

It should be on everyone's reading lists

—— Sunday Times

The hopelessness of love and passion during one of history's darkest hours is gently eked out... Questions of identity, loyalty and secrets are unavoidable, whether they stand uniformed and proud or lie hidden in a photo album. The Dark Room offers a haunting perspective on the ripples the most extraordinary of actions can cause. Seiffert is sparing with historical specifics, crafting the tale so lovingly that the most affecting moments lie in words unspoken and truths untold

—— Scotland on Sunday

Brilliant and hugely ambitious ... the kind of book that could be life-changing

—— New York Times Book Review

Absorbing and searing

—— Washington Post

A major achievement

—— People

Deserves a place on the shelf with The Diary of Anne Frank - set to become a classic

—— USA Today

Zusak makes his ostensibly gloomy subject bearable in the same way Kurt Vonnegut did in Slaughterhouse 5, with grim, darkly consoling humour

—— Time

Zusak's playfulness with language leavens the horror and makes the theme more resonant - words can save your life ...It's a measure of how sucessfully Zusak has humanized these characters that even though we know they are doomed, it's no less devastating when Death finally reaches them

—— Publishers Weekly

One of the most highly anticipated young-adult books in years

—— The Wall Street Journal

'Elegant, philosophical and moving. A work to read slowly and savour. Beautiful and important

—— Kirkus Reviews

Both gripping and touching, a work that kept me up late into the night feverishly reading the last 300 pages

—— Cleveland Plain-Dealer

Zusak's novel is a highwire act of inventiveness and emotional suppleness

—— The Australian

A triumph of control ...one of the most unusual and compelling of recent Australian novels

—— The Age

A brilliant, quirky tale ...a superb book you will be recommending to everyone you meet

—— Herald-Sun

A literary gem

—— Good Reading

...the much talked about The Book Thief, by Markus Zusak...should soon have the UK under its spell.

—— Sam Burson , The Western Mail

It wouldn't surprise us if this became a great classic in years to come.

—— Thomas Murphy , Flipside

...this is a novel to touch even the coldest of hearts - definitely 2007's first must-read book.

—— Newmarket Journal

A compelling tale from the start...definitely 2007's first must-read book.

—— Bury Free Press

A moving story from the German perspective of everyday civilian hardship and surivival under the Third Reich. It celebrates the power of words and love, in the face of unutterable suffering

—— Mail on Sunday

Death turns out to be a tender narrator in Zusak's 'The Book Thief' [...] This novel movingly depicts the Himmel Street community, and its orphaned book thief, Liesel Meminger

—— Books Quarterly (Waterstones)

Exceptionally good ... full of gruelling episodes... and an ending that will almost certainly move you to tears.

—— The Word
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