Author:Oliver James
Professor Robert Plomin, the world’s leading geneticist, said in 2014 of his search for genes that explain differences in our psychology: ‘I have been looking for these genes for fifteen years. I don’t have any’.
Using a mixture of famous and ordinary people, Oliver James drills deep down into the childhood causes of our individuality, revealing why our upbringing, not our genes, plays such an important role in our wellbeing and success. The implications are huge: as adults we can change, we can clutch our fates from predetermined destiny, as parents we can radically alter the trajectory of our childrens’ lives, and as a society we could largely eradicate criminality and poverty.
Not in Your Genes will not only change the way you think about yourself and the people around you, but give you the fuel to change your personality and your life for the better.
Radical but full of hope ... we really can choose our mental health and that of our children
—— Steve Biddulph, bestselling author of Raising Boysthe nation's shrink
—— The TimesJames is charting the new frontiers in psychology
—— GuardianQuietly illuminates Knausgaard's profound gift for making the reader see the world in fresh and unpredictable ways.
—— Stuart Evers , The ObserverThis book is full of wonders… Loose teeth, chewing gum, it all becomes noble, almost holy, under Knausgaard’s patient, admiring gaze. The world feels repainted.
—— Parul Sehgal , New York TimesAutumn… returns to the scintillating tangent that characterized the early volumes of My Struggle, when he still allowed his midlife self airtime. On each subject [Knausgaard] combines an almost comically microscopic focus with a stealthy flair for producing a bigger picture that is all the more arresting for arriving by surprise.
—— Anthony Cummins , Daily TelegraphIt is when elements of autobiography creep in that the book comes most alive, as when he writes about choosing his father’s wellington boots as a memento after his death.
—— Jake Kerridge , Daily TelegraphKnausgaard writes about the textures of ordinariness with a microscopic focus that’s both wondrous and absurd… There are blissful glimpses of nature’s mystery and balance.
—— Henry Hitchings , Financial TimesHaving given us his saga of experience, these are Knausgaard’s Songs of Innocence… The tension for the reader lies in watching the author navigate his way from the banal into the celestial otherness of the thing he is encountering… Knausgaard sees the world in a grain of sand and heaven in a wild flower.
—— Frances Wilson , Times Literary Supplement…the modest ambitions of Autumn - ‘to show you our world as it is now: the door, the floor, the water tap’ - add up to a phenomenological rescue mission, one the writer undertakes on behalf of his daughter, but also of himself and his reader. Day by day, radiantly, the mission succeeds.
—— Garth Risk Hallberg , The New York Times Book ReviewThere are gorgeous, poetic observations on almost every page.
—— Marina Benjamin , New StatesmanKnausgaard’s sentences, as long as waves, use the plainest, least literary language. You paddle out unsuspecting. This is easy, you think, striking out. But Knausgaard writes by undertow. Turn round and you are alone, far out in the drowning solitudes… It is truly hopeful and this, for Knausgaard, is a departure.
—— Laura Beatty , OldieTaking the old repetitive elements of life, Knausgaard’s detailed observations open our eyes to their unexpected yet remarkable qualities.
—— Kathleen McNamee , Irish TimesIn these secular meditations, Knausgaard scratches away at the ordinary to reach the sublime – finding what’s in the picture, and what’s hidden
—— Rodney Welch , Washington PostKnausgaard is an acute, sometimes squirmingly honest analyst of domesticity and his relationship to his family.
—— Lisa Schwarzbaum , Newsweek EuropeVery intimate and full of love
—— Belfast TelegraphI am impressed by his responsiveness, the nuanced intelligence with which he speaks.
—— Kate Kellaway , GuardianCourageous and inspirational, without a wasted word
—— KirkusWhat he makes me see is how the personal is a possession and that this is especially true for everyone involved in the Bataclan tragedy because the personal was – and still is – in danger of being swamped by the public story of international terrorism.
—— Kate Kellaway , ObserverHe had deliberately retreated from the world that was talking incessantly about the slaughter… If Antoine refused to give his hate to the men who killed his wife and so many others, he also refuses to give them space in his life and that of his now two-year-old son.
—— Joe O'Shea , Belfast Telegraph MorningHe looked at the words on the screen as the news networks competed to find words to describe the events: massacre, carnage, bloodbath. He wanted to scream, but couldn’t because of Melvil… Initially resistant to spending time with fellow mourners, Antoine discovered that there is a kind of brotherhood, a feeling of recognition, that can provide consolation.
—— Cathy Rentzenbrink , Pool[A] beautifully written memoir… It’s the hardest book you can pick up this year, but also the most affecting.
—— GQIt is a personal account of the aftershock following the atrocity. Yet there is no gore, no torture, no scene-setting, no facts putting the Isis-claimed retaliation in context, no second-hand reports of what happened inside the theatre… Instead, it is simple and immediate, and is all about love and loss… This book may also be Leiris’s way of just holding it together. One feels he is writing as the man he was before that November day that changed everything… It is the literary equivalent of smelling her clothes every night before attempting to sleep.
—— Helen Davies , Sunday TimesA book for our times.
—— Mark Lawson , Guardian, Book of the YearThis book is a love song to Hélène, a promise to Melvil and a resolution not to be defeated by chaos and barbarity. It is a stunning mission statement.
—— Claire Looby , Irish TimesThis heartbreaking and beautifully written memoir lays bare the terrible chronology of grief, but it is also a testimony to the power of love and hope.
—— Jane Shilling , Daily MailIt’s an agonising account of those first few days, in which the lives of father and son changed forever. Despite the haste with which it was written, every word is chosen with care and charged with meaning, a raw and honest memoir of grief which can’t fail to move all who read it.
—— Alastair Mabbott , Herald Scotland