Most Leningraders had suffered enough for one lifetime (the first world war, the civil war, the winter war, two famines and two major waves of political terror) when in June 1941 the Nazis blockaded all supply routes to their city. Some 750,000 civilians died of cold and hunger. Lidiya Ginzburg's Notes from the Blockade is a classic account of the siege

Much more than just an 'historical documentary'. It has a universal applicability. Hard not to weep as one reads; impossible - because she writes with such lucidity - not to feel ourselves actually present in these terrible scenes... This small book is a major work - a worthy memorial to a great woman, and a truly horrible period of Russian history

An account of the 900-day siege of Leningrad by a member of the Russian literary generation of Akhmatova, Pasternak and Mandelstam. Ginzburg writes with splendid imaginative particularity--never tragically, though--about how bombs and starvation work. And she writes--how could someone of her heritage and generation not write?--about the nobility of the human spirit so as to make it as tangible as cardboard shoes

Tells more of the experience of life in twentieth-century Russia than many multi-volume novels

A startling and moving description of what it's like to slowly starve to death.

Her journal, though acutely and poetically observed, is not mainly a record of the horrors themselves, but more of a rumination on their psychological and moral implications. Evoking the daily details of the siege, Ginzburg captures them and transforms them

It is quite simply brilliantly well done. Gary Oldman's performance is nothing short of a masterpiece and Kristin Scott Thomas is remarkable. At one moment in the film I closed my eyes and I thought it was my grandmother speaking. It is also extremely moving - what my mother used to call a "two-handkerchief film"

McCarten's pulse-pounding narrative transports the reader to those springtime weeks in 1940 when the fate of the world rested on the shoulders of Winston Churchill. Thoroughly researched and compulsively readable, Darkest Hour is a true story thrillingly told

Sebag-Montefiore tells it with gusto, a remarkable attention to detail... The sense of confusion, anxiety, uncertainty, and intrepid courage which characterized this disastrous campaign is captured more successfully than any other existing account.

Several fine books have been written about "the miracle of Dunkirk", but none better than this. (About Dunkirk)

The best new narrative of the battle thus far, reflecting his gifts for fluent prose and moving quotations.

Having read almost everything that has been written on this battle, I can vouch this is the best account yet.

A beautifully crafted, blow-by-blow account with deep insight into the lives of these diverse young men.

The author puts the focus squarely on the soldiers. His talent as a historian is never to lose sight of the variety of individual experience.

In his previous book, Dunkirk, one of Sebag-Montefiore's talents as a historian is never to lose sight of the variety of individual experience. It is impossible to read this book without being stuck afresh by the ripples of mourning and anxiety spreading out from the battlefield in France.

High Sebag-Montefiore's magisterial Somme is the fruit of eight years' labour and it shows. He draws on previously unpublished sources from Britain, Australia, New Zealand and Germany to reconstruct the story of the tragic battle in almost forensic detail. So original is the material, and so inventive is Sebag-Montefiore's approach -- telling each stage of the fight from the perspective of both the combatants and their families back home -- that this well-known tale is rendered strange again.

But if Sebag-Montefiore's use of first-hand accounts is exemplary, so too is his historical judgement... Written with great style and sensitivity, superbly illustrated with many original plates and beautifully drawn maps, Sebag-Montefiore's brilliant new study will set the benchmark for a generation.

Hugh Sebag-Montefiore's heroes are the junior officers and the ordinary soldiers. Their voices emerge loud and clear in his pages.

The best historians of the war have always made good use of the words written by the participants themselves, but few have done so as effectively as here.

The author's combination of thoughtful analysis with first-hand testimony from army soldiers, cameramen and diarists lends a gritty immediacy

Comprehensive, authoritative and meticulously researched... [Of recent publications] it is the weightiest and best written.

Vuong’s words writhe and spin – his use of English is astonishing. He’s a smelter at his poetry, making words transform into something other than letters and meaning…. His gay love poems are stark, beautiful and utterly unnerving in their uncompromising adoration… A magical journey into Vuong’s imagination and talents and an astonishing debut collection.

Night Sky With Exit Wounds…contains poems of finely pitched, operatic feeling that unpick the violence and fragility of masculinity with wisdom and humour.

Few poets in recent years have made such an immediate impact as Vuong.

By turns moving, charming and harrowing… An extraordinary, muscular first collection.

[Night Sky with Exit Wounds] is delicate, intimate and political.

Sometimes, I think of it as a song cycle; sometimes, a book of poems; sometimes, an epic. Vuong puts himself at the centre of this collection in an astonishing way, even as he is also entirely willing to set himself aside.

Ocean Vuong’s Night Sky With Exit Wounds... is beguiling and sublime.

Vuong's voice is unique and inspires empathy.

Beautiful... [Night Sky With Exit Wounds] is pretty special.

I loved Dadland for its tenderness, humour and candour. It has begun to open the door for me to what may well lie ahead in my life, in so many of our lives, in terms of ageing parents. And it has also taught me something deeply moving about tolerance, and about love

A wonderful, haunting and beautifully written memoir... I found myself laughing out loud at times and, at others, unable to hold back the tears... An absolutely stunning book

Dadland has the weight of family love but fizzes along in accessible and dynamic prose, highly recommended

A mesmerising performance by a natural storyteller gifted with the most seductive material possible, in the wild and wonderful life of her exasperating Irish father. Pain and annoyance is transmuted into pure narrative gold, as Keggie Carew interrogates the legend of this wartime adventurer and the bitter comedy of his domestic relationships and his late decline. A brave, risk-taking tale that alarms, delights and moves. As soon as you come to the end, you want to start again, to see if those things really happened

You love these people from the first page ... As Tom's life falls apart memory by memory, Keggie is picking it up again and her storytelling is spell-binding. Effortlessly readable, this is a delight combining laughter - and tears, yes, quite a few of those.

Compelling

A moving memoir-cum-biography.

By some margin my Book of the Month... A detective story, a family history, a thrilling tale of derring-do, and the most distinctive and affecting memoir I’ve read since H is for Hawk.

Utterly remarkable, and beautifully evoked… Dadland is a completely riveting, deeply poignant “manhunt” for which I predict great things.

Dadland, by Keggie Carew, is being tipped for award-winning breakout success in the vein of H is for Hawk

It’s an exorcism, ghost-hunt and swim through the archipelago of her father’s shattered self… The author’s descriptions have an easy lyricism.

The old question 'what did you do in the war, Dad?' has never had a more surprising or moving answer.

Warm and funny, sometimes regretful and sad, but overall a read like a rollercoaster. Wonderful.

You know the saying that everyone has a book in them? Well, unless your book is as good as this, I'd give up right now

You know the saying that everyone has a book in them? Well, unless your book is as good as this, I’d give up right now… This gripping book, written with real verve and a narrative expertise that wouldn’t shame a veteran.

A brilliant, bittersweet biography.

Keggie’s writing is immersive… She writes with a warmth and generosity about her father, a man who was a genuine character and hero.

Dadland is deeply personal. But it is also the story of our generations: people touched by war and by Alzheimer’s