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Of Walking In Ice
Of Walking In Ice
Oct 7, 2024 10:27 AM

Author:Werner Herzog

Of Walking In Ice

A poetic meditation on life and death, by one of the most renowned and respected film-makers and intellectuals of our time.

In November 1974, when Werner Herzog was told that his mentor Lotte Eisner, the film-maker and critic, was dying in Paris, he set off to walk there from Munich, ‘in full faith, believing that she would stay alive if I came on foot’. Along the way he recorded what he saw, how he felt, and what he experienced, from the physical discomfort of the journey to moments of rapture. It is a remarkable narrative – part pilgrimage, part meditation, and a confrontation between a great German Romantic imagination and the contemporary world. This edition of the book is being published for the first time as a classic piece of proto-psychogeography, to coincide with the fortieth anniversary of the legendary director’s walk.

Reviews

'Surely the strangest, strongest walking book I know, it tells the story of a winter pilgrimage, made in desperation and in hope. At once a diary, a blizzard of weather and memories, and the record of a ritual: only Herzog could have written this weird, slender classic.' Robert Macfarlane

—— Robert Macfarlane

Herzog's pilgrimage is a fugue and an absurdist comedy as rich as anything in his cinema'. Iain Sinclair

—— Iain Sinclair

A wonderfully dry and deadpan Glaswegian comic . . . one the most exciting talents to have emerged from Scotland since Billy Connolly

—— Guardian

Wonderfully sharp, assured stand-up from the preternaturally gifted young comic

—— Independent

How the son of a market porter gave up a career as an electrician to become one of Britain's most successful and best loved actors ... the long awaited story...

—— Independent

It really is a life story, I thoroughly enjoyed it.

—— Matt Baker, The One Show

He comes across as hugely likeable and approachable.

—— Daily Mail

Touching, funny and warm-hearted.

—— Sunday Mirror

Touching and funny ... it really is a top read.

—— Sun

Written with real charm.

—— Guardian

Affable, humble and unpretentious.

—— Metro

Lovely-jubbly.

—— ES Magazine

An engaging and entertaining read.

—— Daily Express

I absolutely loved reading this because it was just like [he] were talking to me.

—— Lorraine Kelly

An exceptional man who’s led an exceptional life…The book is wonderful ... It made me laugh a lot and then it made me quite weepy at times as well

—— Jo Whiley

Now his autobiography is out in paperback and reading it is like having the man himself talk to you from the comfort of his armchair. It’s a fascinating insight into a lost world … A true gent.

—— Sun

In his brimmingly insightful, stimulating study of how stories work, Yorke compellingly unpicks how a whole range of films, plays, novels and fairy tales all display the same archetypal structures . . . His book, in telling scores of stories in such a fresh, enlightening and accessible manner, is a gripping read from beginning to end

—— Sunday Times

The best book on the subject [of storytelling] I've read, tells us everything we need to know about it. Yorke's analysis is superb

—— London Evening Standard

A mightily impressive opus, both hugely informative and highly educational. I love the way it's populated with so many examples - the many combinations of both mass market and the slightly more esoteric giving a something-for-everyone feeling. A brilliant work

—— Peter James, best-selling author of NOT DEAD ENOUGH and LOOKING GOOD DEAD

Yorke sets out to analyse the patterns behind storytelling, explaining why the fundamentals of narrative have remained the same from Aristotle to Aaron Sorkin. A great starting point for anyone wanting to create a story

—— Stuff Magazine

I've just read a book about professional writing which has genuinely helped me. It's for those who are serious about avoiding bad 'How To' books and want to raise their game, and it's more intelligent than most of the others. John Yorke's Into The Woods: How Stories Work And Why We Tell Them is a genuine game-changer and has helped me put past bad habits to rest

—— Christopher Fowler, Author of Bryant and May

Into The Woods is utterly brilliant

—— Ed Cumming , Daily Telegraph

Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopaedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive

—— Chris Chibnall, creator and writer of Broadchurch and The Great Train Robbery

Into The Woods is brilliant. One of the best books on script writing out there . . . I loved the book. Inspiring

—— Dominic Mitchell, creator and writer of In The Flesh

There is no end of books that instruct us on how to write the perfect screenplay, but few that delve more deeply into the art of storytelling than this erudite volume

—— Financial Times

Its strength is Yorke's acute perception of the wellsprings of universal narrative structures relevant to all artistic activities

—— The Times

Terrific . . . It's a great read, wise and cogent, and a must for all screenwriters

—— David Eldridge, writer of Festen and In Basildon

It's a great read. It makes me smile and say 'Yes!' aloud. Only this and PG Wodehouse do that

—— Lucy Gannon, writer/creator of Soldier Soldier, Peak Practice, Frankie, The Best Of Men

Not How 2 Write them but how stories work. John Yorke's Into the Woods: A 5 Act Journey into Story is brilliant, illuminates & explains

—— Susan Hill, Author, The Woman In Black, I’m The King Of The Castle

I'm only 70 pages into John Yorke's Into the Woods but it's already helped me crack two stories

—— Andy Diggle, former editor of 2000AD, comic book writer for Marvel, DC

Highly recommended reading

—— Huffington Post

Yorke is aware that the world is not suffering for lack of prescriptive screenwriting manuals. Instead, with Into the Woods, he takes a scalpel to narrative structure - dissecting protagonist, antagonist, inciting incident, crisis and so on - before asking how and why this underlying shape still holds audiences spellbound like a fairytale witch. "A story is like a magnet dragged through randomness," Yorke writes, but while he elegantly untangles the deepest roots of storytelling, he also honours the human need for truth and sense with some more superficial questions: why do series tend to "jump the shark" round about season three, for example, or why is clunky exposition - particularly in medical dramas - so appallingly comical? Sit comfortably, then begin

—— Guardian

I absolutely love this book. It's incredible and so well written. I keep trying to find fault but so far no joy - It's so good

—— Matt Charman, writer Bridge of Spies (dir Stephen Spielberg); Black Work (ITV)

[John Yorke's] writing book is arguably possibly almost as good as mine, all right it's loads better shut up

—— David Quantick, Author of HOW TO WRITE EVERYTHING

Probably, in the hackneyed phrase, "the last book on screenwriting you'll ever need." He is very good at debunking the claims of some screenwriting gurus, all of whom are busy trying to sell you their own particular brand of snake oil. It's truly excellent

—— Tim Adler , Daily Telegraph

Of all the books I've read about story construction and the art of fiction, this one is the most comprehensive and concise

—— John Collee, writer on 'Master And Commander', 'Happy Feet', 'Creation', 'Walking With Dinosaurs'
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