With insight and intellectual rigour Nelson wrestles the concept of "freedom" away from its contemporary political misuses and explores what it means in the context of art, sex, drugs and climate.

Part of what makes [Nelson's] writing so compelling is a comfort with uncertainty... It is a delight to spend time with Nelson's erudite mind.

Nelson is such a friend to her reader, such brilliant company. Her book is a nuanced, exhilarating rallying cry for all those who are tired of the drab norms of our tech-topia and who long for another conversation

[Nelson's] books vary between an academic or lyrical register, but all revel in the recognition that feeling and thought aren't fixed... They encourage a slowing down, an absorbing... [and a] willingness for intellectual and linguistic exploration.

This account soars in its ability to find nuance in considering questions of enormous importance... Once again, Nelson proves herself a masterful thinker and an unparalleled prose stylist.

Maggie Nelson is an expert at distilling whatever topic she tackles into crystalline prose. She is the queen of the effortless jumping off point, catapulting her readers into the far reaches of Big Questions.

Maggie Nelson needs no genre. Reading her books... tends to make classification of any kind feel destructive, like it would slice through her writing's vital connective tissue... Reading Nelson is like watching a prima ballerina deliver the performance of a lifetime: athletic, graceful, and awe-inspiring.

A top cultural critic plucks the concept of freedom away from right-wing sloganeers and explores its operation in current artistic and political conversations. . . . The subtlety of Nelson's analysis and energy of her prose refresh the mind and spirit.

Profound . . . wide-ranging essays analyzing freedom as it relates to the arts, sexuality, addiction, and, perhaps surprisingly, climate change. . . . A heady mix of erudite analysis and personal revelation. . . . Nelson brings a critically nuanced appreciation of individual and societal freedom to her mapping of the minefields involved in simultaneously embracing liberty and jettisoning habits of control and paranoia that threaten liberation.

On Freedom proves that Nelson continues to do us a great service as a critic, which is to herself digest, and sometimes wrestle with, copious amounts of literature and theory . . . and to integrate this material into a relatively short book, in an accessible, felicitous voice all Nelson's own.

Maggie Nelson's books crack your heart open on a marble countertop and piece it back together, but not before you've thought critically about your entire life. Her writing leaves you smarter, even if it sometimes contains truths that are hard to swallow. Her latest work is an essay collection that meditates on the concept of freedom, drawing on ideas from pop culture and critical theory, which is sure to explore your brain in the best way.

Nelson makes her case persuasively, marshalling a chorus of thinkers alongside her own experience. One model of freedom, On Freedom suggests, lies in choosing - and arguing for - one's definition of freedom itself.

You'll . . . find lots to keep you engaged-provocative ideas, thinkers you've never heard of and a vast encyclopedia of cultural references.

The venerable Maggie Nelson weighs in with the long-awaited follow-up to her masterpiece The Argonauts. On Freedom is a characteristically thoughtful and expansive work of cultural criticism that digs into this fraught topic through the lens of art, sex, drugs, and climate.

Nelson is so outrageously gifted a writer and thinker.

Transcendent.... very inspiring. She's an amazing writer.

A writer who plays with prose and remakes the genre.

Maggie Nelson... She's so much better than anything I've read for a long, long time.

The book that changed my life... it's just brilliant.

Always beguiling, her writing is powerful, incisive and so singular that it defies categorization ... raw, honest and urgent... [Nelson] always prompt me to see some aspect of life very differently.

On Freedom is brave, sprawling, more troublesome than trouble-shooting - and in the spirit of Donna Haraway's Staying with the Trouble, quoted here by Nelson, that's just as it should be.

Maggie Nelson writes with a luminosity that is, upon opening any one of her books, immediately enlivening.

A patient and astringent analysis of what we owe each other and what we owe ourselves, and how to balance the two demands.

My first choice is Nomad Century by Gaia Vince, a brilliant and disturbing analysis of how climate change will affect the world's migration patterns. Vince argues that, instead of being afraid, we should embrace these new migratory movements. After all, she says, civilisations have all been built on the backs of migration. It is both a disturbing and a hopeful read

Got to be one of the most important books in the world today

A brilliantly written book, weaving together scientific, historical and environmental information with first-hand reporting, this is a powerful account of the threat to some of the world's most remarkable foods and the people who produce them

Stirring, surprising and beautifully written, Otherlands offers glimpses of times so different to our own they feel like parallel worlds. In its lyricism and the intimate attention it pays to nonhuman life, Thomas Halliday's book recalls Rachel Carson's Under the Sea Wind, and marks the arrival of an exciting new voice

Imaginative

This study of our prehistoric earth is "beyond cinematic", James McConnachie says. "It could well be the best book I read in 2022

It's phenomenally difficult for human brains to grasp deep time. Even thousands of years seem unfathomable, with all human existence before the invention of writing deemed 'prehistory', a time we know very little about. Thomas Halliday's book Otherlands helps to ease our self-centred minds into these depths. Moving backwards in time, starting with the thawing plains of the Pleistocene (2.58 million - 12,000 years ago) and ending up in the marine world of the Ediacaran (635-541 mya), he devotes one chapter to each of the intervening epochs or periods and, like a thrilling nature documentary, presents a snapshot of life at that time. It's an immersive experience, told in the present tense, of these bizarre 'otherlands', populated by creatures and greenery unlike any on Earth today

Each chapter of this literary time machine takes us further back in prehistory, telling vivid stories about ancient creatures and their alien ecologies, ending 550 million years ago

The largest-known asteroid impact on Earth is the one that killed the dinosaurs 65?million years ago, but that is a mere pit stop on Thomas Halliday's evocative journey into planetary history in Otherlands. Each chapter of this literary time machine takes us further back into the deep past, telling vivid stories about ancient creatures and their alien ecologies, until at last we arrive 550?million years ago in the desert of what is now Australia, where no plant life yet covers the land. Halliday notes the urgency of reducing carbon emissions in the present to protect our settled patterns of life, but adds: "The idea of a pristine Earth, unaffected by human biology and culture, is impossible." It's an epic lesson in the impermanence of all things

The world on which we live is "undoubtedly a human planet", Thomas Halliday writes in this extraordinary debut. But "it has not always been, and perhaps will not always be". Humanity has dominated the Earth for a tiny fraction of its history. And that History is vast. We tend to lump all dinosaurs, for example, into one period in the distant past. But more time passed between the last diplodocus and the first tyrannosaurus than has passed between the last tyrannosaurus and the present day. A mind-boggling fact. This is a glorious, mesmerising guide to the past 500 million years bought to life by this young palaeobiologist's rich and cinematic writing

A book that I really want to read but haven't yet bought - so I hope it goes into my Christmas stocking - is Otherlands: A World in the Making by Thomas Halliday. It sounds so amazing - a history of the world before history, before people. He's trying to write the history of the organisms and the plants and the creatures and everything else as the world grows from protozoic slime or whatever we emerged from. It sounds like an absolutely incredible effort of imagination. I think that Christmas presents should be books you can curl up with and get engrossed in and transported by - and Otherlands sounds like exactly that

But, of course, not all history is human history, Otherlands, by Thomas Halliday, casts its readers further and further back, past the mammoths, past the dinosaurs, back to an alien world of shifting rock and weird plants. It is a marvel