Author:Leon Alberti,Martin Kemp,Martin Kemp,Cecil Grayson
Artist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art.
I was bowled over... It is a book of page-turning vignettes
—— Daily TelegraphExploring the double portrait in revelatory detail, Hicks presents a truly inspiring picture of her own
—— The TimesThe book has sent me back to the painting...with wider and more inquisitive eyes
—— Peter Conrad , ObserverAn author who opens our eyes, deepens our understanding and makes us keen to look again
—— Frances Spalding , Daily MailHicks tells a truly fascinating story about image and ownership, based on diligent, well-digested research
—— Vera Ryan , Irish TimesA brilliantly idiosyncratic investigation which alternates chapters internal to the picture (the fashions, the furniture, the oranges, the mirror) with chapters on its production and historical meanderings
—— Lynn Roberts , TabletMeticulously weaving an analysis of the portrait with chapters devoted to political and social history
—— Fisun Guner , MetroHicks writes effortlessly, with a vast amount of information at her fingertips
—— Jerry Brotton , BBC History MagazineEngaging
—— Gillian Tindal , Literary ReviewThis beautifully written book is a splendid testament to the intelligence, attention to detail, depth of research, and down to earth vision of a first rate scholar
—— Theodore K Rabb , Times Literary SupplementThere are still interesting things to be said about Van Eyck's great double portrait
—— Michael Glover , Independent, Books of the YearExploring the double-portrait image in often revelatory detail, Hicks presents a truly inspiring picture of her own
—— Erica Wagner , The Times, Books of the YearNo-one can write, and explain, like Hicks. Here her mastery is complete
—— SpectatorThis impressive work of art historical scholarship is in every way as engaging as its subject
—— Peter Murray , Irish ExaminerA rattlingly readable effort... Greig does a fine job revealing tales one suspects the artist may have wished to keep private.
—— Alastair Smart , TelegraphAnybody with an ear for a good story, never mind an eye for fine art, will be beguiled.
—— Hephzibah Anderson , Mail on SundayGreig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was answered with great candour and judiciousness… Wry, dry and completely beguiling.
—— William Boyd , Guardian[Greig’s] perceptive observations and eagle’s eye for detail immediately drew me in.
—— Rebecca Wallersteiner , VantageThe Freud who emerges in this account is a slippery figure, not only for journalists who tried to explain him but also for his intimates.
—— New YorkerMr Greig's is a compelling portrait of a complete amoralist who became a monstre sacré.
—— The EconomistGreig’s portrait glimmers with his eye for the telling detail.
—— Robert Collins , Sunday TimesA mesmerising book, seamlessly crafted, totally absorbing, and impossible to put down.
—— The TabletA very readable and enjoyable book, full of salacious detail of the artist and his fascinating life.
—— Julia Weiner , Jewish ChronicleThis intimate biography of Lucian Freud spares no blushes in its account of one of Britain's greatest painters, tracing his life and work through candid revelations about his views on art, relationships and family.
—— Charlotte Mullins , Art QuarterlyBuilding up brush stroke by brush stroke, Greig has produced a three-dimensional study of equal candour. Part demon, part genius, it is an absorbing portrait of the complexity of a strange human character.
—— Peter Lewis , Daily MailAn unapologetic mixture of intelligent perception and high gossip... It is, overall, more revealing than anything about [Freud] yet written.
—— Frances Spalding , GuardianI am captivated by this fascinating memoir... It's an extraordinary read.
—— Barbara Taylor Bradford , Daily MailCandid and intelligent.
—— Spear'sA gripping, page-turning vision of Lucian Freud that penetrates deep into the artist's private life.
—— Sunday Times OnlineUtterly engrossing and lavishly illustrated
—— Mail on Sunday