Author:Buzz Aldrin,Neil Armstrong,James Burke,Brian Cox,Matthew Bannister,Pennie Latin,Richard Hollingham,James Burke,Brian Cox,Lucie Green,Neil Armstrong,Buzz Aldrin
A collection of BBC radio documentaries celebrating the lunar landings and their legacy
On July 20th 1969, for the first time in history, man walked on the moon. Over 50 years later, this 'giant leap for mankind' still captures our imagination, and in this 4-part collection, we bring together some of the most fascinating and insightful BBC documentaries about our ever-changing relationship with our only natural satellite.
In Part 1: The Moon Landings, we hear personal accounts of what it was like to be part of some of the defining moments of the 20th Century. Walking on the Moon sees Buzz Aldrin reliving the perilous final moments before touchdown, while in Last Word, Matthew Bannister hears the story of that historic voyage, with contributions from friends, colleagues and old classmates of Neil Armstrong. The History Hour: Exploring Space features recollections of five landmarks in space travel, and in Seriously: Apollo 8, Helen Sharman hears about the first mission which took human beings beyond the earth's orbit.
Part 2: Legacy ranges from 1969 to the present day, and analyses the enduring significance of the moon landings. In James Burke: Our Man on the Moon, the key voice for the BBC coverage of the event revisits that dramatic time in front of a live audience. AMoon Landing Special assesses Apollo 11's impact on politics and culture and ponders the future of space exploration. Give Me the MoonLITE finds Richard Hollingham examining British plans to return to space, and two episodes of The Infinite Monkey Cage - The Infinite Moonkey Cage and Astronaut Special - feature an extraordinary gathering of space explorers.
Part 3: Why the Moon? considers how the moon has long been an object of fascination for humanity. The Why Factor investigates the moon in culture, and how it affects life on Earth. In Discovery: The Making of the Moon, Lucie Green asks 'Where does the Moon come from - and are we going back'? Meanwhile, in The Forum: The Moon from Earth, Rajan Datar and guests contemplate how our understanding of what the moon is and what it means has changed over time.
Part 4: The Future probes the current state of space exploration. In Brainwaves: The Moon, Pennie Latin looks at the race to return to the moon, and in Tulips on the Moon, Richard Hollingham finds out whether it's really possible to grow plants in space. Finally, In The Real Story: The Future of Space Exploration, Celia Hatton and guests discuss where we go next in our quest to understand our place in the universe.
Copyright © 2021 BBC Studios Distribution Ltd. (P) 2021 BBC Studios Distribution Ltd
Astute ... Coel is a gifted writer. The text is razor-sharp and as funny as I May Destroy You
—— Rosie Kinchen , Sunday TimesWarm and funny ... A perfect truth-teller of our time
—— ELLESearing ... A call-to-arms book filled with life lessons. Prepare for this to be your self-help bible of 2021
—— Sunday TimesHer narrative power transcends the small screen. Coel's is a voice that jumps off the page, and it's one we're lucky to have applied to whichever story she chooses to tell
—— VogueLeaps off the page ... [Coel] hits hard: funny, but also direct ... Coel is all about letting go of fear or, at least, of using it to find your way to something better
—— Miranda Sawyer , ObserverThis short and sharp piece of non-fiction once again shows Michaela Coel as the magnificent thinker she is ... Misfits is profound, hilarious, devastating and breathtakingly beautiful all at once
Misfits is, to be clear, a manifesto - a statement of values, a call to arms. True to the form, you'll be urging it on people ... Coel's manifesto does not attempt to be comprehensive or systematic, but it's clear on what it wants to do and does it very well ... I suspect it bears the same relation to the sum total of Coel's intellect that The Communist Manifesto does to Marx's. I am very glad both books exist
—— Naoise Dolan , Irish TimesCoel makes her literary debut with a slim manifesto written with the same perfect balance of sentiment, insight and wit that made viewers fall in love with her on the screen
—— Time magazineBy turns wryly comic and devastating ... [Misfits] codifies her efforts to achieve transparency in her work and in her life
—— Dave Itzkoff , New York TimesA small book with big ideas that provides revealing snapshots of a career in television from the vantage point of an outsider ... That Coel's original speech didn't bring about an instant revolution in the industry would surely justify its transformation into a book ... A remarkable talent
A sharp must-read for misfits everywhere
—— Sharon Lougher , MetroA riposte to what society deems as acceptable and how we can make change happen through empathy and a celebration of difference
—— Francesca Brown , StylistThe work of the writer and actor Michaela Coel is not the kind you linger over, but the kind you swallow in a single gulp ... In Misfits this narrative is given the rhythm and flow of speech; reading, you feel as though you were hearing it live ... a piece of writing that remains as relevant as it is powerful
—— Sarah Manavis , New StatesmanA details-rich journey from the discovery of the first transistor in 1947 to the arrival of TikTok.
—— ReutersAzhar has a knack for interrogating and inverting conventional thinking . . . A convincing case that something extraordinary is taking place in business and society.
—— EconomistA celebration of the world-changing impact of computing technologies . . . Azhar meticulously and smartly makes his case.
—— MIT Technology ReviewExcellent.
—— ForbesA tremendous new book which has far-reaching implications.
—— Ian Goldin, Founding Director, University of Oxford Martin SchoolAs a primer on our latest multi-dimensional technological revolution and how it is rewriting the rules of society, economics and politics, this book is hard to beat.
—— Books of the Year , Financial TimesHow tech companies conquered the world and how their thirst for endless growth shapes the way they operate . . . Heralds an eventful, if rather alarming, new phase in human history.
—— Books of the Year , The TimesAmazing facts . . . I highly recommend it.
—— Sebastian MallabyMaggie Nelson writes with a luminosity that is, upon opening any one of her books, immediately enlivening.
—— Ellen Peirson-Hagger , New StatesmanA patient and astringent analysis of what we owe each other and what we owe ourselves, and how to balance the two demands.
—— Adam Thirlwell , Times Literary Supplement, *Books of the Year*Beautiful and shocking, but ultimately so gloriously hopeful. The book we should all read as we emerge from this latest strangeness.
—— Paula HawkinsI can't remember a book I've wanted to press into people's hands more this year than this resonant, immensely thoughtful look back at three generations of a farming family ... Managing to cram the whole modern history of British farming and nature into 270 beautifully written pages, this is a gem that's moving and immensely informative.
—— Andrew Holgate , The Sunday Times Nature Book of the YearA rare and urgent book ... Its beauty is not only in the writing but in what is behind it: a gentle and wise sensibility that is alive to the human love affair with the land and yet also intimately cognisant of our collective and systematic cruelty towards it.
—— Hisham MatarI think, genuinely, this is the best book I've read this year, and one of the most important books of recent years. It is about food and farming, and how we eat what we eat. It's about progress and nostalgia, without being prideful or mawkish, it's about families and tradition, and the passing of time. It made me simultaneously proud to be British, and sad for what we have become, but hopeful that we can change.
—— Adam RutherfordJames Rebanks combines the descriptive powers of a great novelist with the pragmatic wisdom of a farmer who has watched his world transformed. This is a profound and beautiful book about the land, and how we should live off it.
—— Ed CaesarThrough the eyes of James Rebanks as a grandson, son, and then father, we witness the tragic decline of traditional agriculture, and glimpse what we must now do to make it right again. As an evocation of British landscape past and present, it's up there with Cider With Rosie.
—— Joanna BlythmanA beautiful and important book.
—— Sadie JonesEnglish Pastoral is a work of art. It is nourishing and grounding to read ... this brave and beautiful book will shape hearts and minds.
—— Jane Clarke, author of When the Tree FallsA wonderful, humane book told through the eyes of a man who has watched much vanish from his land, and now wants to put it back ... Moving and illuminating.
—— Benedict Macdonald, author of RebirdingJames Rebanks describes the life of a Lakeland working farmer from the inside with a unrivalled truth and eloquence
—— Tom Fort, author of Casting ShadowsVivid, accessible, inspiring - a story about one man's emerging land ethic, and an appreciation of the old ways in modern times. A vital book for anybody who eats
—— Kathryn Aalto, author of Writing WildJames Rebanks is a beautiful writer, in a unique position to describe the challenges currently being faced by farmers throughout the world. English Pastoral is a joy to read and extremely moving - a book which should be read by every citizen.
—— Patrick Holden, Sustainable Food TrustFarming, unlike almost any other job, is bound up in a series of complex ropes that Rebanks captures in his own story so beautifully: family pressure and loyalty, ego, loneliness, and a special kind of peer pressure...English Pastoral is going to be the most important book published about our countryside in decades, if not a generation
—— Sarah LangfordA deeply personal account by a farmer of what has happened to farming in Britain. Everyone interested in food should read this compelling, informative, moving book
—— Jenny LinfordRebanks is a rare find indeed: a Lake District farmer whose family have worked the land for 600 years, with a passion to save the countryside and an elegant prose style to engage even the most urban reader. He's refreshingly realistic about how farmed and wild landscapes can coexist and technology can be tamed. A story for us all.
—— Evening Standard, Best Books of Autumn 2020Moving, thought-provoking and beautifully written.
—— James HollandEnglish Pastoral is one of the most captivating memoirs of recent years ...The traditional pastoral is about retreat into an imagined rural idyll, but this confronts very real environmental dilemmas. Like the best books, it gives you hope and new energy.
—— Amanda Craig , GuardianJames Rebanks has a sharp eye and a lyrical heart. His book is devastating, charting the murderous and unsustainable revolution in modern farming ... But it is also uplifting: Rebanks is determined to hang on to his Herdwicks, to keep producing food, and to bring back the curlews and butterflies and the soil fertility to his beloved fields. Truly a significant book for our time.
—— Daily Mail – Books of the YearLyrical and illuminating ... will fascinate city-dwellers and country-lovers alike.
—— Independent – 10 Best Non-Fiction Books of 2020A lyrical account of Rebanks' childhood on the Lake District farm that he's made famous; an account of how he learned about stockmanship and community and the rhythms of the land from his father and grandfather. [...] His writing is properly Romantic, which is a high compliment [...] Rebanks is obviously a wonderful human as well as a splendid writer.
—— Charles FosterA lament for lost traditions, a celebration of a way of living and a reminder that nature is 'finite and breakable.' Mr. Rebanks hits all the right notes and deserves to be heard
—— Wall Street JournalThe most important story, perfectly told
—— Amy LiptrotMemorable, urgent, eloquent ... Rebanks speaks with blunt, unmatched authority. He is also a fine writer with descriptive power and a gift for characterisation ... English Pastoral may be the most passionate ecological corrective since Rachel Carson's Silent Spring
—— Caroline Fraser , New York Review of Books