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Out of the Hitler Time: When Hitler Stole Pink Rabbit, Bombs on Aunt Dainty, A Small Person Far Away
Out of the Hitler Time: When Hitler Stole Pink Rabbit, Bombs on Aunt Dainty, A Small Person Far Away
Nov 14, 2024 8:50 PM

Author:Judith Kerr,Hugo Docking,Lauren Mote,Adjoa Andoh,Paul Moriarty,James Lailey,Eleanor Bron,Full Cast,Carl Prekopp

Out of the Hitler Time: When Hitler Stole Pink Rabbit, Bombs on Aunt Dainty, A Small Person Far Away

The BBC radio adaptations of Judith Kerr's internationally acclaimed trilogy - plus bonus documentary

Based on her own childhood experiences, Judith Kerr's When Hitler Stole Pink Rabbit is a timeless classic loved by children and adults alike. By turns heart-rending and heart-lifting, it is even more resonant today than when it was first published in 1971. This story of a Jewish family who escape Germany just as the Nazis come to power is seen through the eyes of their young daughter Anna, and traces their perilous journey - splintered by conflict, driven by fear and eventually rewarded with reunion. The two sequels, Bombs on Aunt Dainty and A Small Person Far Away, follow Anna as she grows up, settles in London - and, many years later, returns to Berlin to confront the past.

These three radio plays are the very first dramatisations of Kerr's trilogy, and feature a stunning cast including Anna Madeley, Paul Moriarty and Adjoa Andoh. Also featured is a bonus edition of World Book Club, in which Harriett Gilbert talks to Judith Kerr about her life and work.

When Hitler Stole Pink Rabbit

1933. Leaving her beloved Pink Rabbit behind, nine-year-old Anna leaves her Berlin home to flee with her family across the Swiss border. As they cross Europe in search of sanctuary, she quickly adapts to being a refugee - but will she ever feel she belongs anywhere?

Bombs on Aunt Dainty

1940. Teenage Anna is enjoying her new life in London, and looking forward to embarking on a secretarial course. But then her brother Max is interned as an enemy alien - and as the Blitz begins in earnest, she fears for the future of her family.

A Small Person Far Away

1956. Happily married and living in West London, Anna gets a worrying telegram. Her mother, who has been living back in Berlin for seven years, has pneumonia, and Anna must go to her at once. With the Cold War heating up, can Anna bear to return to the city of her birth?

World Book Club: Judith Kerr - When Hitler Stole Pink Rabbit

The German-born author talks to Harriet Gilbert about her much-loved novel, answering questions from the audience about writing from a child's perspective, assimilating into British society, and staying happy despite the hardships she endured.

Production credits

Written by Judith Kerr

When Hitler Stole Pink Rabbit text copyright © Kerr-Kneale Productions Ltd 1971

Bombs on Aunt Dainty first published in Great Britain as The Other Way Round by William Collins Sons & Co. Ltd in 1975. Text copyright © Kerr-Kneale Productions Ltd 1975

A Small Person Far Away text copyright © Kerr-Kneale Productions Ltd 1978, 1989

Dramatised by Beaty Rubens

Directed by David Hunter

Cast

Young Anna - Lauren Mote

Older Anna - Anna Madeley

Young Max - Hugo Docking

Older Max - Adam Billington

Mama - Adjoa Andoh

Omama - Eleanor Bron

Papa - Paul Moriarty

Elsbeth - Xenia Mainelli

Julius/Ken - James Lailey

Aunt Sarah - Sheila Steafel

Fraulein Lambeck/Barbara - Tracy Wiles

Herr Rosenfeld/Cotmore - Gerard McDermott

Other cast: Alex Rivers, Christopher Webster, Thelma Ruby, Susan Engel, Joanna Monro, Ann Beach, Harry Livingstone, Jack Holden, Malcolm Tierney, Simon Treves, Carl Prekopp, Sara Kestelman, Emerald O'Hanrahan, Peter Hamilton Dyer

First broadcast BBC Radio 4, 11-25 March 2012

World Book Club: Judith Kerr - When Hitler Stole Pink Rabbit

Presented by Harriett Gilbert

With Judith Kerr

Produced by Karen Holden

First broadcast BBC World Service, 6 March 2016

Reviews

Harrowing, heartbreaking, and yet so full of hope.

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A cool writer, at once throwaway and passionate and very funny

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One of the master alchemists of modern American fiction

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A laughing prophet of doom

—— New York Times

Vonnegut saw the worst excesses of humanity during the bombing of Dresden, but then spent the rest of his life writing with a mixture of exasperation and hope about the foibles of humanity.

—— Robin Ince , Guardian

One of the best living American writers

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Really compelling... [Cherry] just shoots forwards in the most extraordinary way... [Walker] is incredibly good on the absolute corporeality of the [Iraq War]. That was brilliantly done.

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With an unforgettable voice, the narrator relates his hellacious military service in Iraq, PTSD, and descent into addiction with desperation and propulsive intensity, sustained by a dark humor and associative structure evocative of Joseph Heller’s Catch-22.

—— National Book Review

Someone once said there are only two things worth writing about, love and death. Nico Walker may know more about these two subjects than 99.9% of fiction writers working today. Read Cherry instead of the latest piece of fluff – it might be the only time when you truly feel a writer is actually baring their soul to you.

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A raw coming-of-age story in reverse... Cherry touches on some of the darkest chapters of recent American history.

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Walker’s raw confessional novel, aptly compared to Jesus’ Son and Reservoir Dogs, is a devastating example of art imitating life.

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One of the summer’s most exciting literary breakthroughs, Cherry is a profane, raw, and harrowingly timely account of the effects of war and the perils of addiction.

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—— Booklist, Starred Review

Cherry, Nico Walker’s outstanding debut, is a hard-hitting, ghoulishly funny novel about drug addiction, war and bank robbery.

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Nico Walker’s Cherry is a wrenching, clear-eyed stare-down into the abyss of war, addiction and crime, a dark tumble into scumbaggery, but it’s also deeply humane and truly funny. That is one of the reasons I love it so much: it makes you laugh and ache at the same time, in the manner of the great Denis Johnson.

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—— A.V. Club

A bruising dispatch from the frontline of the American opioid crisis… the final quarter [of Cherry] rushes by in a cold sweat.

—— Anthony Cummins , Daily Mail

[An] incendiary debut… Nico Walker writes with real rhythm, exhibiting a poet’s discrimination about adjectival choice and the relative length of clauses. It is a rare and remarkable achievement to turn such suffering into a novel of such finely calibrated beauty.

—— Lucian Robinson , Times Literary Supplement

A gritty, addictive read.

—— Chloe Cherry , Face

I think everyone should read it – it is so horrific.

—— Kirsty Wark , Lady

A well-received return to form

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Astonishingly bold novel… [It] is Amis’s best work in years

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Amis’s best work since Money

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