Author:Philip Roth
Patrimony is a true story about the relationship between a father and a son.
Philip Roth watches as his eight-six-year-old father, famous for his vigour, his charm and his skill as a raconteur - lovingly called 'the Bard of Newark' - battles with the brain tumour that will kill him. The son, full of love, anxiety and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long engagement with life. Written with fierce tenderness, Patrimony is a classic work of memoir by a master storyteller.
Nobody writes about the American family with more tenderness and honesty
—— New StatesmanA simple, moving, generous work
—— Independent on SundayThe Lord giveth and the Lord taketh away - with words. But the Lord giveth back, miraculously, in the form of this book and this family history
—— GuardianA true story, told with all the powerful authority and cunning narrative order of a major writer
—— Sunday TimesHis best work since The Counterlife
—— ObserverAn extraordinary book about what it is to know a father
—— Adam Philips , London Review of BooksRoth masterfully creates a remarkable portrait of a life that, seen from the outside, does not seem singular or remarkable, but which Roth turns into something deeply emblematic about the last American century… a literary tour-de-force
—— Douglas Kennedy , Writing MagazineVaroufakis has the greatest political virtues of all – courage and honesty
—— The TimesOne of my few heroes. As long as people like Varoufakis are around, there still is hope
—— Slavoj ZizekSuperbly written ... he was – and is – right
—— Martin Wolf, Financial Times, on Adults in the RoomAn outstanding economist and political analyst
—— Noam ChomskyAstonishing … a reflection on the nature and meaning of power in our times
—— Open Democracy on Adults In The RoomThe Thucydides of our time
—— Jeffrey SachsIn these secular meditations, Knausgaard scratches away at the ordinary to reach the sublime – finding what’s in the picture, and what’s hidden
—— Rodney Welch , Washington PostKnausgaard is an acute, sometimes squirmingly honest analyst of domesticity and his relationship to his family.
—— Lisa Schwarzbaum , Newsweek EuropeVery intimate and full of love
—— Belfast TelegraphI am impressed by his responsiveness, the nuanced intelligence with which he speaks.
—— Kate Kellaway , GuardianCourageous and inspirational, without a wasted word
—— KirkusWhat he makes me see is how the personal is a possession and that this is especially true for everyone involved in the Bataclan tragedy because the personal was – and still is – in danger of being swamped by the public story of international terrorism.
—— Kate Kellaway , ObserverHe had deliberately retreated from the world that was talking incessantly about the slaughter… If Antoine refused to give his hate to the men who killed his wife and so many others, he also refuses to give them space in his life and that of his now two-year-old son.
—— Joe O'Shea , Belfast Telegraph MorningHe looked at the words on the screen as the news networks competed to find words to describe the events: massacre, carnage, bloodbath. He wanted to scream, but couldn’t because of Melvil… Initially resistant to spending time with fellow mourners, Antoine discovered that there is a kind of brotherhood, a feeling of recognition, that can provide consolation.
—— Cathy Rentzenbrink , Pool[A] beautifully written memoir… It’s the hardest book you can pick up this year, but also the most affecting.
—— GQIt is a personal account of the aftershock following the atrocity. Yet there is no gore, no torture, no scene-setting, no facts putting the Isis-claimed retaliation in context, no second-hand reports of what happened inside the theatre… Instead, it is simple and immediate, and is all about love and loss… This book may also be Leiris’s way of just holding it together. One feels he is writing as the man he was before that November day that changed everything… It is the literary equivalent of smelling her clothes every night before attempting to sleep.
—— Helen Davies , Sunday TimesA book for our times.
—— Mark Lawson , Guardian, Book of the YearThis book is a love song to Hélène, a promise to Melvil and a resolution not to be defeated by chaos and barbarity. It is a stunning mission statement.
—— Claire Looby , Irish TimesThis heartbreaking and beautifully written memoir lays bare the terrible chronology of grief, but it is also a testimony to the power of love and hope.
—— Jane Shilling , Daily MailIt’s an agonising account of those first few days, in which the lives of father and son changed forever. Despite the haste with which it was written, every word is chosen with care and charged with meaning, a raw and honest memoir of grief which can’t fail to move all who read it.
—— Alastair Mabbott , Herald Scotland